Showing posts with label Gorringe. Show all posts
Showing posts with label Gorringe. Show all posts

Wednesday, November 25, 2015

4.7.69 Visiting Ashford in Kent

4.7.69
Dear Mum, sorry about this rather scrappy-looking piece of aerogramme but it’s been sitting at the bottom of my satchel and isn’t worth throwing away!
I was invited down to Ashford in Kent last weekend by David Gorringe, and went down after a rehearsal in the morning. By a fast train it only takes about an hour and so I arrived in the middle of the afternoon. The weather was fabulous all weekend ˗ they say in the paper that this has been the hottest June in 20 years (and it’s still staying very hot) ˗ and so David and I went for a couple of lengthy walks. David has a dog ˗ about a year or more old ˗ which was there on the Saturday, but which had to go to the local kennels on Sunday as Dave’s parents were leaving the next morning for the Jersey Islands. The dog, Susie, was very friendly once it accepted me, but when first Dave and she met me at the station, it just ignored me all the time, which was rather curious.
Godinton House, circa 1985
Anyway, on the first afternoon, we went to an area nearby that has been left to the people of the town and can’t be built on and it's called the Warren. It’s what we’d call a bush area, rather like Maori Rd’s bush, but without any traffic close by. On the next afternoon we went for a rather longer walk through the town (after looking in at the local church, which goes back several hundred years, and is rather fabulous in its own quiet way) and then went by rather devious ways (the way we should have gone was closed so we went round by the large Army Base, and across a cornfield) to a place called Godington Hall [think I mean Godinton House], which is one of those old Country Homes set in large grounds. This one still has some of the descendants living there ˗ it’s not so large that it needs to be turned over the National Trust ˗ and dates back to 1623, I think it was. It has a formal garden, which is absolutely fabulous, like something out of a film, and the house which we didn’t go into because we were both feeling rather tired by then, looks nice and cosy in spite of its size. We mainly wandered around the garden, which is full of statues, some of them slightly crumbling, and lily ponds and neatly cut trees, and walks, and ˗ well, I wanted to bring it all home with me but Dave wouldn’t let me. (I don’t know quite what is wrong with me today, but I don’t seem to be able to put down the right keys at all ˗ I have a touch of a sick headache; don’t know quite why, I think it’s a combination of overheated rooms (the English can’t believe that they don’t need heat in the summer) and late nights. I’m sorry to hear you’ve been catching bugs ˗ don’t do that anymore please ˗ there’s no one to look after you properly.)
[handwritten]
I sat in the bath this morning too long too, and though the ventilator is working there seems to be a curious smell about the air in there. Ten to one we’ll all be gassed in there one night ˗ in the flat I mean, not the bathroom.
London was in chaos yesterday ˗ I’m on the Blackheath station at the moment which reminded me ˗ half the tube lines were on strike and there was twice as much traffic on the streets and twice as many people trying to get to work by busses. I got to London Bridge by my normal train and decided to walk to Cheapside (I think) to get a bus to the Centre, but got myself lost for a hair-raising ten minutes. However, in this town, if you head in the right direction you eventually get to somewhere that looks familiar. Those three weeks of wandering around the place last September have stood me in good stead.
Next Thursday I’m to play at some sort of concert, accompanying a choir (of children, I think) and three singers. I only got the music yesterday and through there are some little problems I’ll probably survive.
Back to Ashford again. David’s parents were extremely nice and friendly, as you’d expect from Dave himself and I’ve been invited to go back anytime I want ˗ with or without Dave ˗ he’s now going off to Cardiff to join the Welsh Opera ˗ in August ˗ that’s where Jeff will be too.
On the Saturday night we went to a party given by people from Dave’s old Drama Group. Everyone there was single, which struck me as a little odd, when you consider they were of all age groups, up to the 50s. Except the host and hostess ˗ they were married, and one lady was divorced ˗ she’s the mother of a girlfriend of Dave’s and we went round and had coffee at her flat the next morning, and I got into an argument with her (in the most polite way) about whether the daughter in the flat below who’d become an R.C. [Roman Catholic] should go off to a convent and break her parents’ hearts. It seemed to me that they had each other anyway, and that she had more responsibility to herself than them. She’s going anyway.
Love, Mike.

Sunday, November 15, 2015

22.6.69: Berlioz, radio and TV

22.6.69

Dear Mum, I’m still wending my happy way thru all your birthday presents and probably won’t have any teeth left by the time I’m finished! Didn’t I tell you that I did usher in St Paul’s? Actually I didn’t really usher, I just stood at the door and collected tickets and told people where to go. The concerts themselves were a little disappointing. Because St Paul’s is little more than one great echo chamber, only the people right at the front could get a satisfactory effect; although apparently it recorded very well. I stood at the back on both nights and consequently heard much of it as a not very remarkable blur. The most thrilling moment was, as it had been at home in Christchurch, when the ten tympani players and the four different groups of brass players (scattered all over St Pauls) all played at once in that massive Dies Irae section in the Requiem. St Paul’s, for all that it stood up to the bombing of the last war, was actually trembling! Not the most pleasant of effects ˗ with the feeling that rather a large number of tons of masonry might be about to descend on your head at any moment!

How are all the invalids? Give my love to them all ˗ a bit belatedly, I’m afraid. I’ve been wracking my brains to try and remember if you actually said what was wrong with Mary and I don’t know if you did. I seem to remember something about it’s being similar to your operation ˗ but am I right or not?

I have the Verdi Requiem playing rather loudly in my ear at the moment (the other was the Berlioz) ˗ it never ceases to amaze me just how beautiful it is. I did some coaching with a mezzo on it earlier this year, and like it all the more each time I hear it.

I’ve been writing some more music, recently. I find it gets something out of my system, and though it would be nice to have some of it performed eventually, that particular aspect of it doesn’t greatly bother me.

The other evening David, Hazel and I walked down to Victoria thru St James Park to see a film, and on the way back (after we’d played on the by-then-deserted swings and see-saws in the Park!) we were strolling along frightening each other when 2 guys who were coming towards us suddenly stopped in front of us, and poked 2 white, long objects at us! After the initial shock I realised they were only rolled-up newspapers (!) but it was worrying for a moment. Anyway they were trying to find someone who had belted one of them on the head, for heaven’s sake! They went off muttering, as we were obviously very harmless. There seemed to be a lot of bodies wandering around the Park (and this was about 11.30) and I certainly would never go in there alone at that time of night.

We’ve had Scottish TV down over the last week filming round the place and generally being a nuisance. I’m in two scenes, one of which they should use, with me seated at a piano waiting for a rehearsal to start, and also in the Italian lesson, which they’ll probably cut. Also, I forgot to tell you I was interviewed recently for the overseas transmission which should turn up at home eventually! If they don’t cut what I said right down. I felt surprisingly calm about it all, mainly because I got so little warning, I think! I’m also playing in the background of another rehearsal they recorded, so you never know ˗ I might be heard yet, love Mike.  

9.6.69 Hampton Court and Brighton Beach

9.6.69
Dear Mum, sorry it’s rather a while since I’ve written ˗ in fact I have been getting slack, I’m afraid, on my letter writing in general. I got an answer back from Prof Platt thanking me for writing, but it was a very short letter ˗ about ten lines, I think ˗ he wanted to know because he says Murray Holmes is thinking of coming over ˗ I don’t know what he intends doing over here, though. [Nor do I now remember who this man was.]

We’ve been having fabulous weather here over the last weekend, and it’s still fine in fact ˗ temperatures up in the 70s.

On Sat I went with Mike to Weybridge which is near Hampton Court, for lunch with one of his girlfriends ˗ her name is Maureen, but for some reason she’s called Mickey! Weybridge is quite a way from London Central ˗ about forty minutes by not very fast train (they have fast trains which take you direct, and semi-fast ones that stop at some stations, and not very fast ones which stop occasionally, and slow ones which take all day to get there) and is one of the wealthy areas, like Blackheath, with a pretence at being in the country ˗ though Weybridge succeeds rather more than Blackheath does. Anyway, after lunch we went to Hampton Court and spent some time there, and though the place has certain fascinations, it isn’t as interesting as some other spots. It has the distinction of having no two chimneys alike ˗ they each have a different pattern, and there are dozens of chimneys ˗ and of housing lots of grace and favour people ˗ ones who live in royal apartments (there are some in London too), rent free, because of some royal relationship or service. But it isn’t very looked after generally speaking ˗ certainly not inside in the royal apartments where the furniture just looks patchy instead of antique, and where they have some of the dreariest paintings I’ve ever seen. Plus the fact that there is so much you can’t see there that it gets a little frustrating after a while running constantly into No Admittance signs.

We went in the Maze, which is in a rather bad way ˗ people have rather wrecked it at various times by trampling through the hedges, and now most of the hedges have iron fences in their centres which rather spoils the attractiveness. But it’s not a bad maze ˗ everyone goes around with silly grins on their faces ˗ there are several dead end paths, and no one coming out of one tells the people going into it that it is a dead end. There are some very nice formal gardens there ˗ one with tiny hedges about six inches high all in designs with flowers between ˗ but only ones that aren’t going to grow higher than the hedges. And others with statues and fountains in them.

The building is rather fabulous ˗ especially the old Tudor bits which they are gradually restoring to something of their former beauty, and they are also restoring the massive murals ˗ some walls are nothing but paintings, and the ceilings too. They have cleaned these up and they look very bright. One room is full of weapons, but all arranged in geometrical designs and hung on the walls, so that a hundred pistols in a circle cease to have their warfaring value and become something of beauty.

After the Court we went down to Kevin’s pub ˗ about 500 yards from the Palace gates, and sat there for quite a while talking.  It is actually quite an old building, but what looks like age inside it is apparently phoney, and it was decorated in an old style just a few years ago! [This wasn’t a pub that Kevin Flaherty owned, but one he worked in for a time.] After this we we went and had a very nice Chinese meal, and then finally went home. [This obviously wasn’t the time I had an Indian meal that nearly burnt my mouth out; something I thought happened near Hampton Court.]

Brighton Beach, about 1967
by Tony Ray-Jones
Yesterday about eight of us from the Centre went to Brighton, and it turned out to be the hottest day this year. Well, we lay on the beach (and swam, twice, in extremely cold, but very buoyant water) for something like four hours, and naturally we all look rather more than pink today. I knew I was getting more burnt than I ought, but it was just so wonderful to be in actual sunshine that actually lasted for more than an hour that I couldn’t resist it. Fortunately I didn’t get burnt as much as that time the kids and I went to St Kilda [in Dunedin; I’m not sure what kids I’m referring to. Possibly my cousins.] ˗ remember? ˗ we all came home looking like fresh beetroots and could barely get dressed or sleep or anything. I slept very well last night, just by ignoring the discomforts I did feel, and except for my legs (the backs of them of course!) and back, which are both rather tender, particularly when I’m sitting, I’m not too bad. But what a day! It made life worthwhile and I even felt like swimming, which surprised me as I don’t normally like sea water. But there were barely any waves, and it was nowhere (that I went in) very deep. But the beach was PEBBLES! and the area between the ball and heel of both my feet have great blue bruises on them ˗ it was impossible to walk comfortably ˗ though at least there was only sand under the water.

I’m going to have to leave this flat ˗ John has now decided that he needs a flat in North London, because we’re too far away from his Royal College. Actually I don’t mind (apart from having felt quite settled here) because it gives me an excuse to part with him and it seems as though I may be able to go into a flat with Davids Syrus and Gorringe ˗ who both have to move shortly. And anyway, North London is more central ˗ especially if you’ve missed a train late at night. Strange isn’t it that Jeff and I get on well together, and that we both find John rather difficult to get on with. [handwritten] Jeff and I, for example, have just been for a long walk around Blackheath, which is something John always reckoned he’d do, but never would. John always considers himself to be an intellectual ˗ with the inference that we’re not ˗ you know? Not to worry, love, Mike. 

Saturday, November 14, 2015

24.5.69 Peter Grimes and others

24.5.69

Dear Mum, you’ll never guess where I’ve just been. In the ROYAL BOX at Covent Garden. It is a great big box, with a little room behind it where we had iced champagne ˗ and coffee ˗ and which has its own private entrance, and loo. That’s about as close as I’ll ever get to royalty I think! We (the two designers of the mid-term pieces, and David Syrus) were invited to go along by John Kentish, our Director of Studies, and the producer of Manon. Don’t ask me how he happened to have the Royal Box for the occasion ˗ but it was great to see the doormen and ushers etc sort of doing slight double-takes when they realised I wasn’t one of your normal paying people! (Actually the Garden is full of snobs anyway ˗ and I’m not helping by the sound of that last sentence! ˗ especially those who are Friends of the Garden: people who support the Garden by subscriptions and by which they get preferential bookings, etc. They are frequently completely ignorant, and don’t seem to be afraid of showing the fact. God knows what they think about as they sit thru hour upon hour of singing in foreign languages. Some of them came on the last night of the mid-terms and you’d think they own the place.) [Here endeth Crowl’s ongoing inverse snobbery ˗ for the moment.] Mr Kentish couldn’t come in the end but his wife was there with two friends, a Mr and Mrs Michael Dodd, I think, and they were rather charming and not too far above us menials. (We had our own special waiter for the box too!)

Jon Vickers as Peter Grimes
The opera, after all that, was Peter Grimes: Britten, who else? And we could have spat on the conductor (according to Mrs Kentish); it was Colin Davis, one of the most dynamic conductors around, and the tenor was Jon Vickers, who is just unbelievably great. The sort of person I’ll my grandchildren about. [But haven’t yet!] (We were closer to him in the Opera Centre canteen one day than tonight, but it was still very exciting being right on top of the orchestra, and having a close-up view of the stage. Well, of most of it. There is a certain disadvantage about a box ˗ it’s at the side of course, and so you can’t see one side of the stage at all. And all the action happened down on our side, which meant we had to strain a little to see. I don’t know how the Queen gets on! But what a fabulous opera this is. It keeps hitting you time and again, and really is probably the greatest opera Britten has written, so far as sheer drama goes. It has everything (the six big sea pictures for a start, between scene changes) [so overwhelmed, obviously, that I increased the number of the Four Sea Interludes, as they’re actually known], off-stage bands, tremendous chorus sections, storms, kids, a complete scene without orchestra, where Grimes is accompanied only by an off-stage dream chorus and a fog-horn (!) and where he goes quite mad (this was terrific!), riots, drums played by the singers. You name it! [On the night Colin Davis collapsed, in 2011, and fell from the orchestral pit podium at Covent Garden, his job as conductor for that performance was taken over by David Syrus, who had been at the Garden since leaving the Opera Centre.]

On Sunday evening David G and I went to a concert at the Festival Hall, mainly because Jennifer Vyvyan, whom he’s worked with, and likes a lot, and she was singing the solo in Britten’s Les Illuminations. Guilini was conducting, and thought the audience got up on its feet and clapped him at the end; I don’t know that I think he’s all that great. The Britten was fabulous, and but the Schubert Fifth [Symphony] that preceded it was nothing startling. (I was going to say to write home about, but that seems a little contradictory.) The last item was the rather marvellous Romeo and Juliet suite by Berlioz, and being Berlioz it was very exciting and very sentimental and full of lush orchestrations and big tunes and funny odd bits, and generally very interesting.

Yesterday, being Whit (!) Monday, David and Hazel and I went out, first to the Regent’s Park Zoo, tho’ it wasn’t anything startling, and then later to Fiddler on the Roof (which I’d seen, but liked very much, in Sydney). This is a rather marvellous musical but the cast here has been doing it so long (it’s in its third year I think (that the whole thing didn’t quite have the magic of the previous occasion. [The Sydney production had been a real eye-opener, with a brilliant Hayes Gordon in the leading role; Alfie Bass played the lead in London, and was a real disappointment.]

[Handwritten] This is terrible ˗ I started this letter over a week ago and just keep not finishing it, and since then I’ve seen Peter Grimes again. Oh, it is fabulous. I’ve put my name down to usher for the 2 concerts in St Paul’s celebrating the Berlioz anniversary and that is going on in the next 2 nights.

On Saturday last I went to what I thought was a very good production of Love’s Labour’s Lost at the Old Vic ˗ marvellously costumed and moved (Laurence Olivier producted it). But other opinions have said that it wrecked the play by making it funny in the wrong places.

On Sunday I went to the last Boulez concert at the Festival Hall where they played more Schoenberg, Berg and Webern. It was a great concert and much more easy to take than the previous one I went to. They were all earlier works and still vaguely in the late Romantic type of sound.

Well, I better close here ˗ I’ve got to get home to do some work ˗ I’m at the Centre at the moment. I’m glad to hear you liked your present ˗ I thought the palette knife (is it?) was the thing you mightn’t use! Give my love to Fred, Mike.  

Tuesday, November 10, 2015

12.5.69 A birthday party and copying work

12.5.69

Dear Mum, the letter that should have followed up my last one immediately never has, so this will have to fill its place. Just a small point ˗ I notice that your letters aren’t coming with anywhere near the regularity that they were and since they have been coming at the rate of nearly two a week for the last eight months, I’m just wondering if there’s anything wrong ˗ you’re not ill or anything? I’m not in the least worried about their irregularity, and this isn’t a dig to get you writing the same number per week again or anything, but do let me know if you’re okay, won’t you? You’re not allowed to get sick any more than I am!

I was lying in bed the other night, on a particularly sleepless night, and suddenly remembered that my birthday was just around the corner ˗ so I said to Jeff, who also had trouble getting to sleep (we finally got up and had a cup of chocolate each ˗ about two!) that I thought I might give a party in the weekend preceding the actual date, and as things worked out I did. And it seemed to go off fairly well too. Hazel came down early and helped with the catering, which was very good, because it wouldn’t have been a patch on that otherwise, and about a dozen people came in all. David Gorringe and Hazel were the first to arrive, and since it was an absolutely perfect afternoon (I suggested they come down early) we went for a walk across the Heath and into Greenwich Park.

When we got back Michael was sitting on the bit of Heath nearest my place reading; he’d been there nearly 3/4 of an hour! Kevin came (and a kitten arrived from next door) and after we’d got the food ready, and it was still warm (we had all the doors open) we played cards for a while. Then as it was still fabulously mild outside, we went back on the Heath again, with Kate, who arrived just in time, and walked for ages, playing around in great style ˗ talk about second childhoods! We went back into the Park, just before it closed, and then returned home as it was getting dark. By this time Jeff had come back with Moyra Paterson (from the Centre; a Scots girl and a very down-to-earth person) and her flatmate (also LOC) Joyce; they’d been there for a bit before we came back. I felt that we’d been a bit rude going out, and apologised, but it seemed a pity to waste the weather (it’s been up to 73 degrees today, they said) and they didn’t really seem to mind. [I think the UK must still have been using Fahrenheit at this point.]

John arrived eventually; he’s still going about in a half-with-us state ˗ was supposed to start a new job today, and was also supposed to be coming back here to stay last night, but didn’t. I quite honestly think he’s mad keeping a flat on when he either hasn’t enough money to afford it (or says he hasn’t; I have my doubts) or just never stays here! He took Hazel and David home last night after the party, and apparently said to them on the way home ‘I don’t think Michael quite understands me yet! ˗ I’m afraid that very few other people do either. Julie thinks he’s barmy!  (Did I tell you incidentally to go and see Finian’s Rainbow? It’s something I think you’d enjoy very much, in spite of Fred Astaire!) [ I seem to remember my mother was never very impressed with Astaire; she didn’t think much of men dancing in movies, for some reason.]

I got paid today for both the work I did for Wilfred Josephs, and the stuff I did for David Syrus last week. I charged the Josephs £3-5 for the seven hours work I did on two nights last week ˗ it was the most boring job I’ve ever done, and I felt like charging them more! But he sent a nice wee note with the cheque thanking me and saying he was very pleased with the work, so, you never know, something else may yet come of it. They did mention some other work when I was there, but only mentioned it. They have one of the many three-storied (plus basement) semi-detacheds that are right on the edge of Hampstead Heath. Anyone who’s anyone lives in Hampstead ˗ they say! 

I did most of my work in a sort of spare front bedroom, full of junk they were trying to sell. It also looks as tho’ it was used for just relaxing in, as a sort of non-visitors’ lounge. I worked on a built-in dressing table, surrounded by old copies of Music and Musicians, etc, children’s toys, old sofas and chairs, 19th-century miscellania, posters advertising works of Wilfred Josephs ˗ particularly his Requiem; it seems to have [been] the high spot of his composing. His own music room is rather fabulous: it has a grand piano covered with stuff so that only the keyboard is visible ˗ hundreds of books (including Ellery Queen in some profusion) and tapes, hundreds of photos, signed and unsigned, music stands with copies of his works, and a marvellous air of comfortableness ˗ how he does any work in there I don’t know. He has what looks like an old scullery or kitchen done up as a little recording studio with tape machines and hi-fi, etc. He seems rather pleasant ˗ plump, and 45-ish, and his wife hides quite a good business head, I should think, behind an air of quiet control. They have two talkative “English” children. [I have no idea what the emphasis on ‘English’ is here.] (And an au pair, and three very friendly poodles!)

Mr Bamford, whom I’m slowly getting use to ˗ you let his bluster run off you like water on oil, and find that he never means to be rude ˗ is amazingly rude to his wife. They have phones [handwritten] connecting their basement workshop and their flat, five floors above (and the lift hasn’t worked for two months or more!) and one day he spoke to her terribly rudely and I expected to go up and find her in tears ˗ but she was smiling quite happily. Obviously she pays no more attention to him than I’m slowly learning to! Love Mike

P.S. Cheque and P.N.’s arrived on the 13th!! Glad to hear you’ve just been busy. I suspected that you and Mrs Ryan might team up. Hope it’s all working okay. Thanks. [I presume this my mother's sister, my aunt.]

Re FUDGE: Hazel, David, John etc have all taken to it. Please send either a recipe or some more!!


Wednesday, November 04, 2015

7.5.69 Busy week

7.5.69 [This aerogramme was handwritten, and has a number of words missing presumably due to the hastiness of the writing]

Dear Mum, I thought I’d better start this off while I have a minute, because I don’t seem to have much free time coming up this week. I’ve been very very busy for Bamford, for one thing, and I also had to do some work for another of the Reps at the Centre which took all Monday night up.

To recap a little: the previous Sunday night , David Gorringe and I went to the Palladium (!) because he had free tickets, and saw the filming of a Variety Show there for TV. (We were one [I think I meant ‘two’] of about 2000 in the audience!) It was rather interesting really because, though it wasn’t like being in a TV studio, a lot of the details were the same. (Have I told you, incidentally, that John and I went out and bought a table, for £2, a drawleaf one, and four Edwardian chairs for £4?? This was rather more than I wanted to pay for so little, but the chairs at least may be quite valuable, and are certainly solid!) [My eternally misplaced optimism about getting a real bargain at a secondhand shop.] (We also have a piano which we got for nothing, except the expense of getting it to the flat. It’s not in the best of conditions but when I get a moment I’ll have a look at it.) ( We also have a fourth occupant of the flat; I think I’ve already mentioned he was coming. He’s Jeff, anyway).

Last Tuesday, Mike and I went to the Wells’ production of The Magic Flute*. Golly, this is a fabulous opera. I really enjoy it each time. Some of the singing wasn’t as good as the [Covent] Garden [production], and some was better and some was awful. And though the production wasn’t quite as magical in spots as the Garden, we still had the Queen of the Night appearing out of nothingness (simple, but always effective ˗ she arrived on a forklift truck apparently!) and a much better ordeal by fire and water. At the Garden they mostly went thru a lot of lit streamers that were either coloured red (for the fire) or green (for the water), but in this production they went in a cylinder-shaped thing which was broken in two semi-circular pieces; when they went into it closed right around them, was lit up inside, and then for the fire went red in flame-like lighting ˗ the two silhouettes still seen inside. For the water, instead of flames the cylinder appeared to fill with green water, and when it covered the two characters, Tamino, who all [the time] was playing his flute, caused bubbles to arise from his breath under water. This was one of many delightful touches. Apart from the obvious Masonic symbols etc, the opera contains one of the most superb love stories in all operas. Tamino and Pamina, who fall in love before they’ve even seen each other, are wonderful examples of the power of love over everything (including Masonry!). There’s one scene for example where Pamina tries to get Tamino to tell her he loves her, but because he’s been told not to speak to anyone, he cannot say anything, and she finishes her speech with the heart-breaking ‘I wish I could die’ ˗ and then pours out her anguish in one of the [most] beautiful arias ever written. In spite of all sorts of distractions she remains faithful to Tamino and they go through fire and water together in the end, tho’ that doesn’t seem to have been in the original plan!

On Wednesday, I did some work for Bamford and was told of something that he wanted to know if I’d like to do at the weekend. This was to go to a composer’s home in Hampstead (Wilfred Josephs ˗ I think he did the music for the Great War TV series) and with an electric eraser, to rub out stave lines (they’re printed on the back of the music) for some modern work. They said (the composer and his wife) it would take a couple of hours to do the fifteen pages ˗ well it took  four hours to do five!! What a job ˗ I’m off to do some more tonight and will probably have to do it again tomorrow night. I charged them 10/- an hour, which they paid, but I felt it might have [been] too much, until the Bamfords said, it was the least I should have charged! [I’m not sure what I mean about the staves being printed on the back of the music; the whole job ˗ I can only remember being at the house ˗ sounds a bit odd, and would have been a doddle in the computer age.]

And I went to the Crowls again ˗ with a COLD (but I’ve been taking vitamin tablets and it seems to have gone), and [had] a pile of checking as well as this four hours work. What a weekend!! I’m not going to get finished here I can see ˗ I’ll write another one soon, love Mike.

*I note that one of the cast members of the Wells production of The Magic Flute was Donna-Faye Carr, who was at the London Opera Centre during at least part of my year there. 

Friday, September 11, 2015

14.4.69 Four letters in one...so this is *very* long

[The next four airletters were all sent together as parts I- IV. They were apparently all written consecutively on the 14th April.]

Dear Mum, it’s taken me nearly ten minutes just to go this far and I don’t seem to be having much success. [The airletter starts off typed, reverts to handwritten, then four lines later reverts to typed.] I was trying to be clever and use the office machine that is at present in the common room (instead of the C.R. machine which chews up the paper!) but I can’t seem to get it to work for me somehow. [The airletter was apparently abandoned till the next day, when it was continued at home on my own typewriter.]

Well, it’s the next day, and I’m doing this standing up waiting for my breakfast to cook. Well, we’ve had a hectic and very lively but also very enjoyable time since I last wrote to you. I don’t mean at the flat of course ˗ I’ve seen John about twice in the last 10 days, and Julie less. I quite honestly don’t know whether John still lives here or not! He said he was coming back on Sat and I got some meat for Sunday dinner and tea, and he still hasn’t arrived and I ate the lot! I don’t know if he has a job or what ˗ but as long as he pays the rent I don’t suppose it really matters whether he lives here or not.

Anyway, on the day I last wrote we were just beginning the most wonderful spell of hot weather. We had 3 days of it before it became overcast again tho it did remain hot. Everybody has suddenly dispensed with all the paraphernalia of winter: coats, hats, scarves, gloves and so on, and looks alive again. Since the last weekend however the skies have returned to their habitual grey, and umbrellas have been much in evidence, altho a lot of people seem to have thought that (like myself) once you have thrown off your winter coats it’s a shame to have to put them on again and so we haven’t bothered. In spite of the rain and wind it seems to be staying mild so there may be hope yet.

To recap on the week’s events, anyway. On Tuesday I had arranged to go out to David and Teresa Jennings’ place: she was doing an audition in the Stuyvesant semi-finalist (four prizes of scholarships to the Opera Centre next year) and I was to go and do some coaching. [The only reference I can find to David is here; it’s a very common name, of course. Teresa was actress Patricia Hayes’ daughter but I don’t know what happened to her subsequently. Both were at the LOC.] This was the first of the really brilliant days, and I was sitting on our back patio when Teresa came to pick me up. I wasn’t prepared for the weather however and was still garbed in warm winter woollies! The Jennings were both wandering round in bare essentials at their home. A French au pair girl and another who works down the road were also in their garden, dressed as I was: in the past season’s apparel. The Jennings house is just one of many semi-detached in South-East London, but it is terrifyingly lived in, inside. The furniture and props [I don’t know if I meant theatre props] cover so much space that you have to wend your way through all sorts of articles to get anywhere. Rather fascinating, however. And on the walls they have photographs and prints of a variety of ages and these turn out to be Jennings’ respective ancestors dating back to the 17th century. I must go to Somerset House one of these days and track down some of my relatives.

Photo courtesy of Roger Perriss, flickr.com
After I’d done the coaching which went quite well (although she said she didn’t sing too well the next day at the audition ˗ but, thankfully, neither did a lot of the others; glad it wasn’t my coaching!) I went to Earls Court and met Hazel, who had suggested the previous night (after running into one of the many fairs that crowd London at Easter) that we go to Battersea Park. She was working at Earls Court and the Park is only a short bus ride across one of the bridges. The park itself is a great expanse of land, in which a smaller area is devoted to the fun fair. Well! I’ve never had such a nerve-wracking night. I think if we’d gone alone we would neither of us have gone on anything, but we were both setting out to save face by showing that we weren’t scared of anything and consequently went on every one of the monstrosities in sight. NEVER AGAIN! We started off on the Ferris Wheel which is much like F.W.s anywhere in the world ˗ only unpleasant when you slowly go over...the...top...! Next we went on a machine in which you were alternatively thrown at the side of the roundabout and then at the middle. This wasn’t too bad, except that the centrifugal (you’ll hear a lot about him before I’m finished!) force put all of Hazel’s weight onto me and nearly squashed my shoulder. (Hazel isn’t really a light young lass, and I haven’t put on any weight!)

I don’t remember which of the next two we went on, but both were singularly unpleasant. One had you in a bucket seat with your friend, and as well as going round at some considerable speed, young blokes riding the central merry-go-round pushed your personal bucket round at an operative moment which sent you going round at a speed rather faster than sound I think. My neck nearly broke in that one! Funnily enough Hazel liked that one ˗ heaven knows why! She even wanted to go back on it!! [Some people don’t learn: a few years later my wife, Celia, and I went to Battersea and got into a similar machine: we both came off it feeling so dizzy that we walked drunkenly for quite some distance.]

The other revolting machine, also Hazel’s suggestion, was a circular disc, called, inappropriately to my mind, the Satellite, in which you were sat in one of a number of small joined seats, and then this thing went round and then tilted! By some curious coincidence I again had Hazel on top of me, all the way, and this put my shoulder out of joint completely I think! Actually, once I got accustomed to the sheer torture of it, it was not too bad. We were both getting brave by this time and decided to go in a thing called the Dive Bomber. From the ground, and a distance, it looked as though you were completely encased in a little elongated egg-shaped vehicle that did a flip in mid-air so that you never went upside down.

PART II

After we’d paid our money we suddenly saw that the thing had only a partial top of caging, and some of it was open to the air. It seemed ominous when they strapped you into the cage, and bolted the door shut. It was when we were in mid-air that we found that at a certain given stage of your trip you weren’t actually upside-down, but that you looked at the earth from a vertical position ˗ it was like being suspended in mid-air by nothing more than a piece of leather strap. First we only did one flip to get us up top while they strapped in two more unfortunates, and this sitting in mid-air discussing the future was the worst part. Or so we thought ˗ when we started to go round in a seemingly quite uncontrollable way, We then knew that the beginning was quite pleasant! I hadn’t shut my eyes up until then on anything, but I did during that trip, and would have screamed aloud if I’d thought it would do me any good. Thank God, nothing in this world lasts, and even that nightmare came to an end, and Hazel and I went off and had a couple of sherries each!! We were quite cheerful ˗ we’re both the sort to laugh rather quickly about things like that, but we both shook for about a half-hour afterwards. I feel sick at the thought of it now.

Anyway, we’d saved the Big Dipper up until the end, and strangely enough this turned out to be quite mild in comparison. I wouldn’t have minded going on it again in fact, but Hazel didn’t seem too keen! The worst thing about it isn’t the sudden descent downhill after a slow climb (if you’re brought up on cable cars, this sort of thing shouldn’t bother you) but when on one descent you suddenly go into pitch blackness it’s amazing how it puts the wind up you. [The Maryhill Cable Car in Dunedin began its trip by suddenly dropping over the edge a fairly steep hill; you could slide off the wooden seat if you were little.] I think the most horrible kind of torture would be to throw someone into sheer darkness without his being aware of what was in the darkness. (The ghost trains at fun fairs spoil themselves by having too much [of the ride] in too much light. ) After that we went home!

On Wednesday I went into the Centre as arranged to do some work with one of the blokes who is doing a 20-minute program for some contest (I think I’m accompanying him) later this month, and also to run over the music that was to be done that night at a Policeman’s concert with Peter Lyon and Mary Masterton (she’s from NZ). It was another hot muggy day, and none of the singers at the Stuyvesant were feeling very happy ˗ one poor guy even fainted. Anyway I went up to Peter’s for tea. Peter is one of the few London-born people in London, and talks 19 to the 12, in a sort of overbearing way. Basically I reckon he’s a nice guy, but he’s got a curious chip on his shoulder that puts other people’s backs up with regularity. I discovered at his home that his father is exactly like him ˗ very tactless ˗ and I think the best thing Peter could do is to go and live in a flat somewhere. His father talks to him man to man, but somehow contrives to show to others the he (dad) is the boss and knows all....! Anyway, they gave me steak for tea, so I can’t really complain. And Somerset cream on a very nice apple pie. I’m glad to see some Londoners have taste buds. [Just when you think I’ve managed to overcome my know-what-other-people-should-say-and-do attitude, I manage to undercut it again, and it gets worse.] (If you could smell the stink of the stale and nasty hot dogs they sell all over Central London, especially Piccadilly Circus, in little open-air stands, you’d know what I mean.)

The concert went off reasonably well, although it was such a variety concert that we didn’t seem to fit in somehow. Peter had to follow Jack Warner (74! ˗ the Dixon of Dock Green man, and also a long-time entertainer), and a pop-group. Still, they paid us on the spot, which is a change, and a fiver too for something like half-an-hour’s work.

The next day was Hazel’s birthday, and she, David Gorringe, and I had planned to do something interesting to celebrate it. Originally we were going to picnic in Epping Forest, but decided on Hampstead Heath instead ˗ although the weather had decided to change as well that day. I had to meet David at Charing Cross, but he didn’t get my card about it until Thursday morning, and missed the fast train by one minute ˗ he was home in Ashford, Kent. (Incidentally I live in Kent too, altho we’re also part of Greater London.) So David sent a message up over the wire to Charing Cross to say he’d be late, and even his casual comments somehow went the distance too. They told me at C.C. that it was suggested I go off and have a drink somewhere! [I don’t remember what form of communication this was, but it sounds intriguing.] Actually I went to a cartoon theatre next door to the station, and saw the same cartoon as I’d already hated at another cinema, and two very old, but absolutely marvellous Tom and J’s, and half of a Batman episode! Then I picked Dave up, and after a detour to his flat we went on to the Heath to meet Hazel and Kathy, one of here friends. I don’t know what people think of my friends ˗ altho they always seem to get on with them ˗ but Hazel seems to have the most curious lot of mates. Kathy is very vague, and I’ll introduce you to some more later.

Well, we picnicked on the Heath beside one of the ponds and had a lovely lunch of healthy foods: Russian salad, cold (or is it cole slaw), apples, brown bread, lumps of cheese, coffee, tomatoes, etc. [Plainly I was unfamiliar with coleslaw at this point.] Then we just played around (except Kathy, who wandered) like 3 kids ˗ ran, skipped, capered, found an old ball with a hole in it in a pond which provided a good deal of amusement because it had a life of its own, and chased and played with other people’s dogs. Sounds madly irresponsible, doesn’t it, but while we 3 can enjoy ourselves thoroughly, we wouldn’t hurt or annoy others ˗ even if we might surprise them. [I think most Londoners were, and still are, beyond surprise at what other people get up to.]

PART III

Photo courtesy of Getty Images
Where was I? I had to go out and get another airletter to finish! Oh, yes. Kathy had to go early so as we were walking her back to the station we met another Opera C student, (Alison?) and she invited us up to her flat for some tea. So up we went and had a nice rest and coffee, and biscuits, and finally left. We still had some time to fill in so thought we’d go somewhere else and finished up, after some discussion, in tubing to St Paul’s, where we wandered around for some time before we went up into the dome. We should have gone up earlier because it was shutting as we were half way up. Anyway, we whispered in the Whispering Gallery while somebody tuned the organ downstairs, and discovered just what a fabulous building it is. (Although fairly obviously Wren had been to St Peter’s the week before!) The detail in the place is as usual astonishing ˗ but we forget I suppose that detail like this takes years to accumulate in a massive building, and it’s silly to say that modern buildings of a similar nature are too plain etc.

Anyway, we did have time to go up outside the roof, though not so high as we might, and the view is really rather fab. Although London is spoilt by having too many four-square buildings. You really notice from that height.

Anyway, after this Hazel went off in a taxi, while David and I wandered a bit more before we went back to his flat to collect my present for H. I got her a kettle! She just didn’t have one ˗ always bought something else instead, she said - and a card with ‘Don’t be discombobulated ˗ bless the day you was created.' And then we went our way to her flat, where she, and I think Kathy, had prepared a marvellous spread of biscuits with Russian salad, cole slaw, etc!! No, it wasn’t quite that bad; I don’t really know what was on half the crackers. At the party were Lorna Brindley and her boyfriend, Jim ˗ she’s a mezzo,he a tenor, and both should go far. Lorna, and I think, Jim, is Scottish, and has a marvellous down-to-earth approach to life, and a great sense of humour. [Lorna's 'Scottishness' seems incorrect, according to the link.]

Mike [Tither] came, and 3 of Hazel’s friends: Derek and Fran, married: he sat in the corner and played records that no one listened to all night, and Fran, though she started out being with the crowd eventually receded into the background. The third ‘friend’ (I suspect Hazel labels everyone she knows as a friend!) was Graeme, an Aussie, a writer, and who is thoroughly bored with all those around him. Seems to me he has problems ˗ especially if he’s a writer! The party went into the two groups: these 3 and the rest. Jim left early in the evening, after arranging to see me for some coaching on Monday, [handwritten] and the rest of this is being in a train so it may be a bit obscure! Well, after we polished off supper and had drunk quite a bit of wine ˗ I’ve come to the conclusion that I don’t get drunk ˗ I either fall asleep, ie, get so tired I don’t want anymore, or else get happy to the point that I don’t want anymore. There seems to be an inbuilt mechanism that helps me to keep control. Not that I’ve tried to get drunk, nor been at a party where it’s been routine to overdrink so perhaps I’m being presumptuous. Anyway, Lorna, Hazel and I (David had gone back to Ashford and Mike was talking) decided, just for a change, and to get some air, to go for a walk, and liven up the first pub we came to. Well, the pub was incapable of being livened up and they looked a bit askance at us that anyone should think of going out and enjoying themselves. (Pub-going, in the suburbs, is a ritual, not a pleasure, or a night out.)

Anyway, after we played the jukebox, it was nearly closing time. There was an absurd barmaid in this place ˗ she was about 40, and remarkably plain (and seemed to think plain, too, if you follow) but she had a pink bow tied onto a bun!! Aagh! [Hard to know why this impressed itself on my brain, but who knows the vagaries of a young man’s mind.]

We went back to the party where things were still meandering along, and by this time I’d been invited to stay the night again (Lorna was [staying] anyway) and since we three were feeling tired, and the others apparently were not, we were in a bit of a spot. We were, however, in such a cheerful condition that we set about removing all the furniture from the living room as a hint that the people should go. We didn’t have enough courage to shift the chair that Fran was sitting on, and anyway our plan didn’t seem to get through to these

PART IV

folk. No doubt their thinking isn’t, or wasn’t, quite as illogical as ours. Finally after much yawning and general carrying-on, they left, and I settled down very quickly on that revolting camp stretcher, tho once again I was too tired to care.

Next morning Jim came round and cooked breakfast! He’s an ex-chef apparently, and made a great mixed dish of sausages, fried bread, toast, fried eggs and something else ˗ was it tomatoes? I was still feeling energetic enough to have already done all the party dishes before he arrived, and all his dishes after breakfast. So I felt that perhaps I wasn’t entirely useless around the place.

Meanwhile I wanted to get seats for Megs Jenkins and LindsayCampbell for Saturday night’s performance of Fledermaus, and so had to go into the Centre. Hazel, during some part of the Schicchi season, had left her valuable papers in the safe at the Centre, including her cheque-book, and asked me to pick it up for her. So later, I met her in Charing Cross station, in the midst of a crowd waiting for delayed trains, at rush hour (!) ˗ C.C. is the smallest station, fortunately ˗ and we then went and had a meal at one of the 1000 Italian restaurants round London, and went to the NFT to see an old (1936) Hitchcock called Sabotage. A very curious and slightly sick film. The next day I went out to Holland Park to do some coaching with Marjorie McMichael [also] ˗ an ex-Opera Centre girl, and got 30/- for my trouble. I’m going there again now, though I shouldn’t imagine that I’ll be there as long this time as before. After my previous time, Marjorie and I went and had a meal at an Indian restaurant; the first time I’d ever done so. I had something called Malay Meat which consisted of meat (lumps of beef I think cooked with pineapple and other odds and ends, and served with an enormous plate of rice, some of which I had to leave. [I don’t remember this meal, but I do remember one at another Indian restaurant ˗ near Hampton Court, I think ˗ when I must have ordered a meal that was very spicy, and thought I was going to die.]

On Sat night I took my slip to the Wells to collect tickets and they informed me that they didn’t give out complementaries on Saturdays. I was rather upset because it meant telling Megs and Lindsay that they couldn’t go, but they took it reasonably well. Mike and I went to a set of eight plays on the subject of marriage (after missing the first one because we had to wait longer than expected in a Pizza Bar ˗ the pizza was nice all the same). The actors (4 of them) were generally rather better than the plays. [I think this would have been ‘Mixed Doubles’.]

On Sunday Kevin and I went to an Italian film about Oedipus Rex, which was very good. Filmed in Morocco with lovely photography all harsh with the vibrant colours; and the acting and direction was on a vibrant level too, which left you a bit worn out. [I think this was the Pasolini version made in 1967.] Yesterday I went into the Centre and coached, working with Moira Paterson in the morning on a group of songs she’s doing for Scottish BBC. It’s amazing how much different a song becomes when you get the singers, by suggestion and assistance, to open their eyes to its possibilities. One song that seemed very dull became very exciting and it pleases me as much as them when they get it working properly. Last night Mike, Mickey (a girl friend of his) and I went to Tosca ˗ a Zefferelli production. It was fabulous and tremendously exciting.


Love Mike. 


Sunday, August 23, 2015

31.3.69 - Double bill and exhaustion

31.3.69

Dear Mum, how the year is flying ˗ look at the date already! Well, we’ve had a very busy week ˗ a rather killing one in fact. We’ve been up at the Wells most of the week doing our Double Bill and though I haven’t really had that much to do it always seems when we’re on a show that life is three times as hectic as at any other time. And I’ve had to do during the show is to work as a dresser ˗ and then only for at the most six people (sometimes someone else with equally as little work would get in first and take over one or two) ˗ and to help David Gorringe, who was stage managing The Opera Rehearsal to get his curtain up and down at the right moment. (Very proud of that we were ˗ never had a bad curtain the whole time!) [The Opera Rehearsal was conducted by Anthony Negus, one of the repetiteurs.] I also made coffee for one of the singers, and got the occasional bottle of something for others. Now according to rights this shouldn’t have made me tired, but it seemed to.

Of course, as well, since we had all day free, we were more inclined to spend it out somewhere, and this is very tiring, particularly if you’re walking a lot. It’s amazing how much exercise you get in this place, just trying to get somewhere. [Something we found even more tiring when Celia and I went back in 2007 and found ourselves walking continually in spite of buses and the Tube.] You might imagine at first that to go everywhere by tube or train is very easy on the feet, but in actual fact, the miles one must walk through the underground corridors I wouldn’t like to count, and because the escalators go at a rather slow speed, most people walk up and down them ˗ which can be very tiring ˗ the steps are much higher than in normal stairs. Plus the fact that though the trains run up till one or two [in the morning], the tubes and buses stop about 12, and to catch a late train, you have to walk through the city, which may mean a half an hour’s walk. And a quick one too, if you don’t know how long it’s going to take you.

We didn’t get very good write-ups for the show ˗ tho’ The Opera Rehearsal came off under the critics much better than anyone expected, and funnily enough people said they enjoyed it. Of course they only had to sit through it once. None of the crits I read said much about Gianni Schicchi; in the hands of this cast it couldn’t fail to be at least a reasonable success, but in actual fact I think it came off extremely well. [I seem to recall Alan Opie was Gianni Schicchi.]

It’s a fabulous piece, full of glorious music very well orchestrated, and is a marvellous piece of theatre as well. It’s about a group of relatives who are mourning the death of Buoso Donati, at the opening; they mourn him even more when they find out he’s left all his wealth to the local monastery. The youngest of them calls in Gianni Schicchi (because he’s in love with Schicchi’s daughter, and because he knows that Schicchi has a cunning mind and may be able to alter the will). Though the relatives at first object, he does come and alters the will by impersonating the dead man in front of the lawyer, but then leaves all the best stuff to himself! And kicks all the relatives out of the house ˗ except the young one, who gets the best of both worlds by marrying Schicchi’s daughter and inheriting the wealth that Schicchi now has! ‘Oh my beloved father’ is the big hit tune, but it has lots of marvellously characteristic stuff for the relatives. There’s a great moment late in the piece, when the relations find that they still have nothing, and storm out of the house pillaging what they can as revenge ˗ the orchestra rises up and drowns the screaming and yelling on stage, and the brass take over and drown everything in great blasts of gallumping type music as they all leave, and leave the place in a mess! Then the peace comes again as the young lovers come back on stage and sing the rest of their duet with fabulous pre-Hollywood lushness.

On Friday night after the show, Mike, David Gorringe, Dorothy Iredale (nice wee soul, but rather mixed up, perhaps ˗ she has a great career ahead, though, I think [the usual Crowl elder statesman view of other people ˗ Dorothy gets a few mentions in the next years after this in Opera magazine, but there’s nothing else about her on Google] and a couple of others went back to Hazel’s, and eventually, Dave, Dorothy and I stayed the night ˗ sleeping on a variety of things in the flat ˗ I got a camp stretcher which was only comfortable because I was so tired ˗ Dave slept on cushions on the floor, and Dorothy slept in Hazel’s room on an extra bed.

We’d gone somewhere most nights after the show, and I hadn’t gotten home until about 1.30 each night. On the last night when there were two parties to go to, I finished up going home to bed about eleven. I was dying on my feet, and anyway had to do some copying of parts for Bamford, the next day. I spent all day Sunday doing this actually ˗ and really enjoyed it. It’s the first time I’ve had copying to do without Bamford being around around, and found I was getting on very well really. It’s a song for a show called Anne of Green Gables that goes on here shortly, and the score was written in the same key for every instrument which meant that in several cases I not only had to copy from the score but transpose the notes so that the instruments could play the right sounds. [This show opened on the 16th April and ran for 319 performances.] You see (I’ve possibly told you before) some instruments are known as transposing instruments, and in order to get them to play in the same key as non-transposing instruments you have to write in a different key! But it was a lot of fun actually, and generally speaking Bamford seemed reasonably impressed. He’s never enthusiastic, but always finds something a little wrong, just to keep you in your place, I suppose!

The dressing, during the show, made a change too; some of the costumes are unbelievably heavy, and the poor kids were like walking ovens. They fasten everything up with hooks and eyes etc ˗ no buttons.

Love Mike. 

Friday, August 21, 2015

25.3.69 Various wanderings

25.3.69
Dear Mum, I’m beginning another letter, because since the time that I’ve felt better, all the silly little things that happen have seemed much more interesting. The rather obscure last sentences on yesterday’s letter were to say that I’d bought myself six scores (remember I was grumbling about how they expected you to buy stuff without money?) with a fiver that they paid me for some trifling work that I did on the Gianni Schicchi scores. Parts, not scores! Anyway it was far more than I felt I should have got but didn’t complain. John had arrived home from shopping on Sat (I’d had to go out: see below) with a score he’d bought in a shop (2nd-hand) around the corner, and he painted vivid pictures of the stuff they had going in the musical line for practically nothing. Well, 'nothing' in the English sense! But slowly and surely I’m beginning to understand that you need to take everything John says with a large number of grains of salts [sic] because when I arrived at the shop there were two scores that were of the least use, and the rest of the stuff was a load of old rubbish! Unless I’m going blind, but I couldn’t see any of the wealth of things he described. It was the same with the flat, before I first looked at it ˗ according to John, it was a luxury flat with all mod cons, and so on. Well, it’s got the occasional odd mod con, but as for luxury..!  Anyway I’ll sift the evidence a little more carefully in future.

I did go into town later on in the day, and went to a bookshop in Cecil Court near the Coliseum, (where I knew they have a lot of music, 2nd hand, and finished buying four more scores there. They were worth it I think. If I’m to get anywhere, I must have some stuff of my own to work on, I think.

Back to Sat. The stage managers had to work from 10 till one, and then from 7 till 10 again, and so had all that time to fill in. Hazel had asked me if I’d like to meet her and David Gorringe at the theatre and go to the pictures in the afternoon. I had to go up to town with some Bamford stuff, so it worked out nicely. We met up with Pete Lyon who was also at the Wells, and he thought he’d like to come too, so we said we’d meet him at Oxford Circus later at 2.30. David and Hazel and I get on very well, as a group it seems ˗ we all understand each other fairly well, and ca’t offend each other unintentionally. It’s almost like it used to be with Kevin and Mike and I at home. Anyway we went and had some lunch, and decided we’d like to go and see Seven Brides for Seven Brothers, [one of my all-time favourite musicals] because it was close, it was convenient as far as time went. (There were other films but David wouldn’t have got back to the Wells in time.) We got to Oxford Circus, and after losing and locating and losing each other again, found Peter, who’d brought two of the wardrobe girls with him! Well, they didn’t want to go and see what we wanted to see and as we would have spent the rest of the afternoon trying to get something to please everybody, we three departed to Marble Arch where the film was showing. On arrival we found it was showing for 10/- and upwards ˗ for a revival! ˗ and so we thought no thanks and decided to spend the afternoon in Hyde Park, just over the road. This was great actually, because it gave us some fresh air, and we really enjoyed it. We were going to go rowing on the Turpentine (as Dave insists on calling it) but it was a little cold for that. (Good heavens, the sun’s shining out here at the mo’!) So we just walked and talked etc.

Then we thought as we still had 3 hours to go we might pop down to Battersea Park ˗ nothing like going completely back to childhood! ˗ but discovered while we were waiting for a bus that it doesn’t open till Easter. So we waffled around Kensington for a bit ˗ the people there are a wonder to [handwritten] behold, clothes-wise. (The typewriter won’t type down here.) And then we thought we’d go to Charing Cross and spend the next hour or so at a newsreel theatre, where [typed] they show such brain-taxing pieces as Tom and Jerry, Mickey Mouse and Batman! But we didn’t have time to see the whole programme when we arrived and so went and had a cup of coffee and then Dave went back to the Wells while Hazel and I went to the NFT to The Thief of Baghdad* ˗ the English version of about 1940, and full of magic carpets and genies and flying horses and heaven knows what. It was very good, and had Sabu as the Thief and John Justin as the hero. Then I went back to Hazel’s and we had something to eat ˗ originally intended to be a snack, but she’s like you, she doesn’t like cooking unless it’s for someone, and so she cooked omelettes and other odds and ends.

On Sunday, after cooking our dinner, I went for a walk, though it was rather too cold, over to Greenwich Park, and wandered around the Observatory (it used to be, but now is a museum; the original house was by Wren) and the park, where there are squirrels and deer.

Last night, I saw that TheBofors Gun, which has Lindsay Campbell [originally from Dunedin] in it for about 3/4 of a minute (!), was on in Putney so I wended my way down there. It’s south-west while Blackheath is south-east. [handwritten] To my mind, Lindsay was Lindsay! He seems mainly cast over here as a typical English soldier type!!

I keep meaning to tell you about another Catholic Church I found near Leicester Square. It’s run by French priests (tho’ Mass is said in English) and I’ve been able to pop in twice around six and go to Communion. It seems fairly modern inside tho’ outside it doesn’t. A bit like the Moran Chapel on a larger scale. [A tiny chapel in the Moran Building in the Octagon, Dunedin.]

Love Mike


Thursday, August 06, 2015

20.3.69 Some catch up stuff

20.3.69
Dear Mum, there are so many odd fragments of news I thought I’d better write again to you. I’ve sent off the two foreign newspapers to Dale, but heaven knows when she’ll get them. They’ve both got news of the space men in them. [Not sure who Dale is, though it could be a second cousin.]

(As you can see I’ve finally been given one of these new type air letters: but I see that they don’t have on the outside where to cut them open except on one side; I almost invariably make a mess of one of these and cut them everywhere but where they’re supposed to be cut! Think I’ll put a wee note on the outside.) [These ‘new type air letters’ had only about two-thirds as much room to write on, which must have been frustrating for yours truly.] 

I’m finally getting my tax thing away too, but I’m sending it to you if you don’t mind, because I quite honestly am not sure of completing it from such a distance, and I thought perhaps if you were to give it straight to Des, it might not get lost in the rush of the end of the year. Anyway, it’ll take a while yet. [Presumably my tax return for 1968/9. Des was one of my uncles, who worked in the Inland Revenue in Dunedin; this was in the days when you could go into the office, speak to a human being and get them to help you fill out your tax return. In fact, you could go in and ask for your uncle is you so desired.]

I’m sure I’ve got dozens of other things to say, now what are they all? I know: on Tuesday, I’d been informed that I’d got to go to a rehearsal at 5.30 in the evening, and so said to myself that I’d fill the day in on my own. When I finally arrived at the Opera Centre, the rehearsal had been shifted forward into the early afternoon, and I’d missed it entirely and the two pianists from the other show had had to do it. They’d tried to ring me here at the flat, by phoning upstairs, but of course D was out all the time. We can’t be expected to know they’re going to change their minds like this at the last minute all the time. It’s very poor organisation and quite a number of the singers have been complaining about it too.

Anyway, on the same morning I’d rung up George Bamford to see if he had any more stuff for me to check, and he said he still wouldn’t be ready until that night, and so I said all right then I’d call around in the late afternoon. He also said, of course you don’t do copying do you, he said, I could do with help on that more than anything else. Well, like the twit that I am, I said, No, I don’t, because he’s never sounded keen on my doing it before. Anyway, after I’d rung off, I thought to myself, well, perhaps I could force his hand a little, since he was in such an awkward position as far as time went, and go in and say would it be any use if I did do some copying for him. Well, I did go in, and he, without too much apparent second thoughting, said all right, he’d let me have a go. (He offered one other time to give me some pointers on the business, but never did.) So I sat down eventually, and got started, and apart from his scrubbing the very first thing I did ˗ actually it was a bit of a mess, the pen I’d started to use had scratched on the paper and ink dots had gone everywhere! Also I seemed to be picking up dirty marks from the pen all the time. So finally I went off and washed my hands, and started again, with a not too efficient blotter ˗ it was doing most of the mucking-up of things, I discovered ˗ and using the exiled piece of paper to cover up the page until I actually used it [wrote on it] each time, I got on all right. Didn’t do very much in the end ˗ he said he’d prefer that I went a little slower than not (I thought I was going slow!) and even though the place is away from the mainstream of things, there are a lot of people coming and going, and George and his wife talk a lot, always apparently starting a conversation up without informing the other who or what they’re talking about! And Mrs B made me a couple of ham sandwiches and an enormous cup of coffee, and this delayed things a little too.

Anyway that was that and I then went to the OC. Well, I felt a bit put out at not having anything to do, so in the end David Gorringe, and Hazel and I went to the pictures (a local cinema where it’s cheaper, but where the audience seems always to consist of morons ˗ they don’t laugh or do anything.)  We went to Finian’s Rainbow ˗ a Monica-taking picture, if it hasn’t already been to Dunedin. [Presumably meaning my mother should take my aunt Monica to see it. She was the wife of my uncle Des mentioned above.] It is full of marvellous lines, with a lot of very clever jokes on racial problems in the South of America. But it all went over the heads of the people here ˗ they really are thick, you know. [Oh, dear, what a bumptious know-all this guy is!] (The same day I went down to our post office in Blackheath to get our mail delivered to our doorstep instead of the flats upstairs, and the first bit of mail arrived this morning ˗ Upstairs!). Heaven knows what’ll happen when they get decimal coinage. I think most of them will just give up!

Yesterday, I got up early and went in to get seats for the Dance of Death with Olivier. Got three quite decent seats, without having to queue with a very big crowd ˗ a dozen perhaps, and then since I had 3 hours to fill in before going down to East Croydon where the rehearsal are being held just now (the local art school is doing the designing of the show) I went to the cinema in Waterloo Station where they were showing On the Waterfront with Brando. Fabulous. A very moving story, with a priest who was a priest in it, instead of the usual wishy washy characters you get, and Brando is superb.

Last night Mike and a friend of his he found in a pub recently called John from Ohio (he’s here for an indefinite time, and very pleasant) and I went to D of D. It’s a rather rubbishy play though the first act is at least several times better than the second, but it was great to see Olivier in the flesh, and Geraldine McEwan, his co-star, is outstanding.

Lots of love Mike. 

Wednesday, August 05, 2015

18.3.69 - Finally feeling better

18.3.69
Dear Mum, I’m going to answer your first question on the letter I received this morning by saying ‘I feel on top of the world!’ ˗ in fact I feel so much like my old self that I’m leaping around. I’d forgotten just how energetic and cheery I normally am. Either that or I’m going Mad! ˗ I’m bouncing around like a two-year-old so much and chatting away to myself about the world in general (I’ve done that for years) that suddenly it doesn’t matter that it’s never anything but winter in England. Actually the weather has been improving ˗ it’s been that much milder lately, so I’m finding it quite pleasant. No one else seems to think it’s getting any better, but they’re a pack of moaners, the English, I think, and they’ve got so much to grumble about they naturally put something very important like the weather first! I’m now three times as busy as I’ve been ˗ must stop exaggerating! I’ve still got a touch of the cough that I had, but it seems to be vanishing slowly, and no longer bothers me.

We’re in the middle of our last week, practically, of rehearsals for our end of term double bill. I’ve actually got the day off, until 5.30, when we have a rehearsal, but George Bamford (who kept me busy all day Saturday with parts for a terrible Irish recording that is being made soon) has some more film music up his sleeve, and with a bit of luck, I’ll be able to go in later this morning and get it, and do it before and after the rehearsal.

I spent Sunday transposing two songs down for one of the students (who may pay me!) and then went off to see a film at our local cinema, on the other side of the Heath. It was ‘If...’ which I’d been trying to see in the West End for ages, but which had always been sold out at the price I was willing to pay. As it turned out it was a very disturbing film, but I don’t feel for the reasons the director intended. It’s all about a public school, and especially three of the sixth formers, who finally gun down the parents and teachers on Parents’ Day, with old 2nd World War machine guns and grenades that have been in store under the school! But this wasn’t what was disturbing; quite honestly I found the end rather silly, but it was the way all sorts of perversions and deviations from the norm were casually accepted within the film that annoyed me. Morals had vanished out the window, somewhere, and much of the film was taking up with telling you, in a roundabout way, that they had.

The previous night, I’d had to take the parts back to Bamford (he must owe me about £13 or £14 now), and this meant a trip all the way up to Kings Cross, and rather a waste of time, unless I was going to stay in the town. So I walked along to David Gorringe’s flat in Portland Place, which is only several stone’s throws away (!), on the hope that he might be interested in going out, or even just sitting round talking. I was almost put off by the fact that the front door of the flats was locked, but I could see a light on in the penthouse, and didn’t think his flatmate was back yet from an Opera for All Tour, so I chance it and rang the bell, and was answered by a voice thru the speaker at the door. It’s a most odd feeling talking to a disembodied voice in the street!

Anyway Dave was home and feeling all miserable because he didn’t know what to do with himself, and so after a bite to eat (I felt a bit awful about that, I always seem to be having snacks up there ˗ I’ll buy him lunch one of these days at the Centre) we went to the pictures ˗ even though it was getting very late, we got into a later showing of the most recent Ingmar Bergman film, called Shame, and about apathy ˗ I think! It concerned, mainly, two married people (to each other for once!) who during a war in the late 1970s, had taken up a farm to fill in the time when they couldn’t be musicians, and how in spite of the fact that the most terrible things were going on around them, they concerned themselves with their own troubles purely, and were of course shocked when the war suddenly took them over. The man, till nearly the end, when he was forced by a guerilla mob to shoot a high official of the other side, and did it because he was ashamed of his previous cowardice, and that it had turned him against his wife, or vice versa, was a very weak individual who would cry when things got too much for him, and after the shooting, he suddenly changed completely, and his wife who had been dominant up till then, became the weaker and was forced to see her husband turn into a brute. This makes it sound rather curious, but it was a fascinating film. And yet I was trouble rather less by it than by If... And it should have been the other way round.

Last Friday, John Kentish asked me if I could go down to Eltham (two train stops below Blackheath) and play for a rehearsal that night, and on the Monday. Well, I couldn’t do the Friday, but I did do last night, and it turned out they wanted a conductor, not a pianist! (And they pay over £4 for it!) So with some misgiving, I took them thru parts of Traviata, which fortunately I know reasonably well, and really enjoyed it. It was quite like being back with the old Carmen chorus at home, and just the same as far as the atmosphere went. [I presume I mean that I’d been chorus master for a local production of Carmen in Dunedin, but I don’t remember doing this at all.] Only this time I had principals as well: an Aussie leading lady, and an NZ bass (the place is running with them ˗ Sadlers Wells has little else!)  There were even the same types of people there: the woman who didn’t want to do what everyone else was doing, and the men shy of singing, but very hard working. I came home on a cloud! And once I got started they even took my cheek the same as the Dunedin crowd, and took it well, for English [people]! (Sorry to harp on these people, but Londoners can be lacking in a sense of humour ˗ you’re never quite sure if you’re on safe ground!)
 

Tomorrow I’ve got to get up rather earlier than I have the last few days, and go and get tickets for Dance of Death ˗ with Olivier!! Fabulous. [I presume this was the stage production, but since that began in 1967, I may have been talking about the film version from 1969.] I stayed the night at Dave’s on Sat, and then spent some time getting lost in Soho looking for the Catholic Church in there that Abigail and I had gone to on Ash Wed. Soho is easy to go straight thru, but difficult to track anything down in. I found it though and won’t lose it again! I was coming from the opposite direction this time, which was why it was so difficult. Actually I had been trying to find another street when I ran across it! Lots of love, Mike. 

Monday, April 29, 2013

21.12.68 Double Bill and holidays



Dear Mum, (21st Dec)  It seems to be ages since I wrote to you last, and I’m sorry about that.  At least for once I have an honest excuse: this week has been the week of our three productions and we’ve been really flat out.  To show you how little I’ve been home, two weeks ago I went and bought some tins of snacks to have for tea at night during the week that was to follow.  I’ve still got them!  Last weekend I did have a break from Opera, and went up to the Crowls again.  On Saturday afternoon we went to a Christmas Party, for about half an hour, that was being held for the Mentally Handicapped Group.  I didn’t actually have to go, but Uncle Reg (I think I’d sooner call them that, in spite of theirs and mine agreement to the contrary [wonderful piece of grammar here, the result of not being able to go back and correct] had said he had told them that if his nephew wanted to come for a short while he would go, but he also said that he felt he should put in an appearance.  So what could I say?  Anyway, as it turned out while we were there, there was a young bloke about my age doing a Magician’s act, and he hit it off remarkably well with these folk, just knowing how far to go with teasing them by telling them a red thing was blue, etc.  He was very funny really.  I hadn’t been particularly keen on going , as I really felt only like sitting completely still and doing nothing, but it was quite an enjoyable half hour. 

 

That night I just sat glued in front of the TV and watched an old Glenn Ford cowboy film that was worth watching in spite of its title: Cowboy and the Redhead!  And then a rather clever Sci-fi film.  On Sunday, we went in the afternoon to a Carol Service being held at Highbury (still in London) where Reg works, a few days a week.  [Reg did accounts there.  Part of the complex was Stephenson Hall, where a few years later I went to train in Residential Child Care and met my future wife.]  I had already said I’d go to this so was prepared and it was a pleasant half hour of carols, old and new, and then ‘High Tea’ after.  Honestly I drink so much liquid at a typical Crowl weekend, it’s a wonder I don’t drown from the inside.  Also arranged to go and stay there over the three days at Christmas. Kingsley is going on Christmas Day to have dinner with someone who’s a friend of a friend, which saves my feeling that he’s being left on his own. 

 

THANK YOU AND FRED AND FATHER CHRISTMAS for the endless succession of postal notes!  AND the chocolate chippies.  AND the fudge AND the cake – Kingsley doesn’t eat cake at all so I’m sharing it with myself!  It’s rather funny about these postal orders with stamps; the blokes in the Post Offices invariably look askance at them, but now I’ve been in so often, that I can tell them what page it is in their reference book which saves that much time.  Sometimes I get a shilling for two 5c, and sometimes 11d.  I don’t really think they know what they’re supposed to do with them.  [Obviously I knew nothing about the complexities of exchange rates.]  This morning one of the clerks even refused to believe me when I said where he could find the information, and even when he looked it up he reckoned that he’d never given out money on stamps before.  It was only the arrival of another man who’d paid out on another lot previously that saved the day!  Incidentally about that $10, apparently an office in Chichester or somewhere informs me by post when it’s ready for me to receive.  I got that off the obstructive guy today, but the bloke who helped out in the end had told me previously that I should come back in a few days and see if it had arrived.  Government departments: !!!! [It’s hard to credit this kind of bureaucracy now, when you can transfer money so readily.]

 

I hope you realised that the money I sent you was FOR YOU and not to pay any bills and things of mine!  I thought it was better than trying to send a not very satisfactory Christmas present.  Last weekend I didn’t take anything to the Crowls, mainly because the little lady who sells flowers on the street wasn’t there that Saturday, and of course it turned out to be Mavis’ birthday!  I’ll take something bigger up to them on Tuesday. 

 

On Monday last we had our first rehearsal in Sadler’s Wells.  In the morning a piano rehearsal which went quite well, and then an orchestral rehearsal in the afternoon, which was especially interesting to be able to hear the sounds I’ve been attempting to make for the last couple of months.  I think it is very well orchestrated, as clever in its parody of 1920s sounds (early jazz bands, palm court orchestras, etc) as the whole thing is clever in its general parody of opera altogether.  (Seem to be some mighty confused sentences here today!)  But the orchestra players themselves are a rather scungy lot, considering they’re being paid, which I don’t think I am.  (I am being paid for selling programmes at the two performances of Albert Herring though, which I hadn’t expected!)  They are from the Royal College, and while the bulk of them aren’t a bad crew (and altogether they’re a very good orchestra) there are several who have made James Robertson’s life hell, and also the rehearsals.  One of the last rehearsals was so bad in fact that the poor singers scarcely knew where they were. It is very, very poor I think.  [I wonder if the musicians were actually sharper than Robertson...?]  Of course, as with everything I get everybody’s side: from Mr Robertson to the players to the singers!  Anyway, I am very much enjoying myself playing the piano part: though last night I seemed to be getting mental blocks or somut, [attempting to spell a Cockney version of ‘or something’ perhaps] as on two occasions I sat happily there when I should have played a note or two, and on another occasion I got a full 10 bars behind, briefly thank goodness, and played a completely contrary chord!  Fortunately in this sort of music, the audience would never know!  But I felt pretty silly anyway.  I don’t think Robertson noticed – he didn’t say anything  - but I think some of the players did!  Urgh!  [This doesn’t appear to be the time I had problems with an orchestral piano part during a rehearsal and had to be assisted by a friendly wind player at the back of the group.  I’ve never felt wonderfully confident in an orchestra.]

 

Sheila Thomas, the outside rep in charge of Dido and Angelique, and who is the nicer of the two ladies in this capacity, brought me a cup of coffee for the work I’d done on Angelique!  She is nice!  Unfortunately she isn’t working on the same stuff as me next time, for the coming master classes, but I’m working again with Alistair, who as I think I’ve said before, I get on very well with.  On Monday, after Albert Herring (which was very good, perhaps a little over-produced if anything, and which got good reviews though not enthusiastically wild ones) I went round to Hazel’s (in the same suburb it is) and several others joined us for a party.  I didn’t stay very long, however [handwritten] to be continued. 

 

Part II

as we had another lot of rehearsals the next day at Sadler’s Wells, by the way, the old theatre, that is, is the most maze-y place I’ve ever been in.  [This was the fifth theatre on the site, and has now been replaced by a sixth. The Sadler’s Wells Opera Company had moved out earlier in the year to The Coliseum.]  It took me about three days even to begin to find my way around it, and I can still get lost quite easily.  And I’m still finding places I didn’t know existed.  It’s large backstage – probably almost as big as the actual auditorium – which isn’t huge, but three-tiered – and there are rooms for everybody, stage staff, music staff, conductors, ballet rooms, rehearsal rooms, showers (quite a luxury in a NZ theatre) and all the usual accoutrements.  (Of course I would have to spell that wrong!) [I’d left out a ‘c’. I seem to remember that it was on the first day of rehearsals at the theatre that James Robertson bawled out Alan Opie for being late (he’d slept in) in front of everyone – singers, orchestra, stage crew – and told him he’d never make it as a professional with that attitude. Opie seems to have done all right in spite of this!]

 

Incidentally the SUN is shining here today – the first time in about three months.  Perhaps the rain has cleared up the cloud.  In Islington the other day, where the theatre is, it’s quite hilly, and the water was just pouring down the streets.  It hasn’t been that cold here lately, except for one very bad week, but it’s always damp.  Not to worry – the mould hasn’t appeared on me yet!

 

Thursday night was the Double Bill’s opening night, and it went off very well I think.  The papers, however, while they didn’t slate the actual productions, weren’t in the least bit enthusiastic about the way Dido was done, nor about the choice of Angelique at all.  These people get too serious about art I think, and fail to realise that something with a bit of humour in it has its own place.  Dido is a very interesting production, I think.  The leading singers are all dressed in very ornate costumes of considerable beauty – except Aeneas, who is in an awkward armour type thing that makes him look as though he has his shoulders around his chin all the time – and instead of the chorus being on stage they are in the pit with the orchestra.  Their place is taken by the ballet who dance in very symmetrical and angular patterns to the singing chorus.  And to their own dance music, thoughtfully provided by Purcell.  They are dressed in green tights, boys and girls (they’re all so young – 15 or 16 I think) and when the story is going on, recline in designs similar to those that you see in 19th century paintings – where classical people (very overdressed) were surrounded by dressed cherubs lying in attitudes all over the place.  I like this production, but only a few others do.  The scenery is very simple – Dido’s Court being a set of steps covered on the audience side by what looks like half a jelly (patterned, of course) and at the back a raked platform: ie higher (by a lot in this case) at the back than the rest, with a single rectangle reaching from its left centre to the flies.  The witches appear through trap doors and have great swirling cloaks over tights, and curious make-up that in the half light looks like their faces are hollowed out almost.  Horrid.

 

Next Day.  The scene in the forest consists of nothing but bogus and very large leaves flown from the flies plus more green in the lighting and a sort of dappled green effect thrown all over the stage.  The principals, except Aeneas, all come on in green cloaks too.  (I’m typing this in a short space left before I go out – also listening to the last few moments of Götterdämmerung, er, rather the last 20 minutes or so – it is fabulous.)  In the sailors’ scene there is a projected light onto the backcloth simulating water in the distance.  Angelique is done in sort of pop-art colours, though done relatively realistically as far as the scene itself is concerned, and all the characters are dressed in over-stated versions of their 1920-30 counterparts.

 

Well as I write this we’re now finished with the Double Bill and strictly speaking are on holiday.  There is talk of the Double Bill being taken to Southampton, but what the story is I don’t know.  As usual the reps are the last to know.   After the show last night we all went over to the Shakespeare’s Head, a pub opposite the stage door, and talked.  Everyone was a bit put out that there wasn’t a party arranged, except for some special people, somewhere, [probably those who actually put the money up to fund the shows] and so a group of us decided to have a party of our own somewhere and finished up going to Sara Wilson’s flat.  She is one of the stage managers, and her flat-mates are away home for Christmas.  She lives at the Marble Arch end of Wimpole St (though it’s not called that in typical English fashion), five flights up.  Most of us stayed onto (ye gods!) 4.30, and then I went home with Mike, who had come with me, and stayed at his place for the rest of the night.  It was a nice quiet affair, with a fair mixture of Opera Centre bods; funnily enough, with a few exceptions, not one of the usual cliques, but made up of people from different groups.  Had it struck home to me yesterday that I’m not the only one in the position of being far away from home at Christmas, and it’s obviously struck some of the others a bit too. There are quite a lot of Colonials at the Centre; in fact at this party last night, if we include Mike, there were only 4 out of about a dozen or more people that were born here.  Mad. 

 

Tonight I’ve been invited out to dinner by Diana Reid, another stage manager, with David Gorringe.  I’m a replacement at the last moment for a boy that Diana’s been trailing around with all term, and who has now been dropped or has dropped her.  Either way it sounds a bit of an awkward position, but unfortunately I didn’t find out about it all until after I’d gladly accepted the invitation!  I’ve been so busy the last fortnight that I’ve completely run out of sox and am now trying to dry a pair to wear tonight!  Thank goodness it’s the holidays.  I find that I’m looking forward to them more than I’d expected.  Not that I dislike the course, but the rest will be most welcome.  Actually I’ll only really take this coming Christmas week off, as the Opera for All auditions are coming up in January, and I’ll have to do some hard work to catch up for them. 

 

I got a card from Monica Stokes [my mother’s sister], well all the Stokes actually, and 3 postal notes!  Isn’t she a trick?  Will you give her my love and tell her thanks very much indeed.  Barbara Green sent me a card too with a cute little angel saying her prayers on it [handwritten] and tried to tell me it was her!  Lots and lots of love - it’ll possibly be New Year before you get this, Mike. 

 

[written on the back of the aerogram] P.S.  The trunk finally arrived – Wednesday last – day before I needed my dinner suit!!  It had been in the U.K. for nearly 3 weeks.  We now have so much junk here there’s hardly room to move. I think Kingsley has shifted everything he possesses over here!  AAAGH!