Showing posts with label hazel. Show all posts
Showing posts with label hazel. Show all posts

Saturday, January 30, 2016

18.2.70 - a new job, starting immediately.

18.2.70 [two aerogrammes, both handwritten]
Well, well, well, the order of things in this world does change rapidly. In my last letter I said that I’ll think about getting a new job tomorrow, meaning, in the future, but someone pulling the strings has taken me up literally, and the day after that letter, I was informed of what I’d already heard from Rumour’s mouth ˗ that the powers-that-be wanted some changes made. Examples: two in the pay-box all the time, instead of one, ten more hours work for a pound a week more money (!); complete change of rota, so that we’d be working through from afternoons till the end of the show (instead of just evenings) or from the morning till later than we do, and starting earlier. So after saying I’d let him know next day, I gave him a week’s notice then, and started on the great job hunt.
Well, I tell a lie there, because in the post on the day of the news came a notice from the telephone exchange saying that they now had a vacancy for a part-time telephonist, but, since that pays only £8 or so a week (on which I’d die) I inquired about full-time work: anything between thirty-six and forty-three hours a week, at about $16-10-0 gross (goes up when I’m twenty-five) (plus another £2 or so a week when I ‘qualify’). I’ve got to train for, I think, six weeks in the day time, and then will work evenings and nights (overnight sometimes ˗ that’s when you work fewer hours a week). So I’ve got the job ‘subject to all my filled-in forms being sent to Enoch Powell to see if I can be allowed to work for the British’ ˗ or somesuch! I start on Monday (as long as my great-great aunt wasn’t a Chinaman) and they seem to think I’m bright enough to work in their International Exchange ˗ when I come out of school. Heaven knows how dumb some of the people tested are (as dumb as the tester who insisted I try and read a chart without my glasses even though I told her I couldn’t see a thing glassless. There was a guy at home when I went for my driving test who did the same thing: only there I had to look down some long funnel thing; I haven’t found out yet what was at the end of that!) because it was all incredibly easy; the form-filling-in was considerably more difficult. The tester-lady seemed quite surprised that I should know so many British place-names so well, and eyed me with some suspicion, I felt, when I said it was because I’d read English books, and had seen English films.
About the new management ˗ as I said before it’s all drearily staid, but gentle. The fact of the £1 extra pay for ten hours is that apparently Mr Neilsen had been paying us the total rate already (I’d always thought it high for a part-time job) and the extra hours have nothing to do with it: we ought to have been working them anyway. But it doesn’t matter ˗ I am fed up with the place ˗ Margaret is the only one who has any life in her, much ˗ and I’m also fed up with the people in and the general monotony.
So!! I don’t know that I greatly care for the eventuality of working all night but it may be interesting ˗ there will shortly be no time in the twenty-four hours that I haven’t worked! It’s all experience cont...
P.S. Good Grief; don’t buy a David Copperfield: £3.50 [or possibly this was meant to be $3.50] is far too expensive. Hope we’ve sorted all these out now; sorry to have confused you.
[second aerogramme]
And I think it may have the advantage of finally giving me a job which I can actually fall back on! 1970 may yet turn out to be the year at least when I finally set my life in order. It is fitting that it should be done in my (good grief) 25th year, isn’t it?
Have you started your new Rite of the Mass yet? Our Parish Priest said Mass this morning and we had bits left in and things left out and he seemed to know as little about the whole proceedings as anyone. He’s left the Offertory Prayer out a lot lately which means that you have half the congregation waiting for it and half ignoring it altogether. I rather like it all (but as you no doubt know I’m rather prone to change!) though the depleted Confiteor is a bit disquieting just yet, and only saying, ‘Lord, I am not worthy’ once is positively upsetting ˗ I always said it several times more anyway because neither the Good Lord nor I have any illusions about my worthiness!
We have a new guest in the flat (and when he leaves will have Chris, Angela’s sister, back!), called Andrew Tansley ˗ seventeen, and a very pleasant young guy. Recommended to us by Hazel with whom he’d worked. He’s there till he finds a flat, and is working in a new mystery play (with Anth ony Quayle) as a props man. [The play was probably Sleuth.]
I went to see some Ionesco plays done by the Tower (amateur) Theatre on Sunday night. This is the group Ian and Angela and Rod are all associated with, and their standard was surprisingly high. After the plays, on the way back Ian and I got into a discussion which eventually lasted till two in the morning (Ian is out of work, again, just now ˗ oh! these artists) and in which we tried to reconcile his argument that he puts up a barrier to protect his ‘inner’ self from new relationships and mine which was that hiding oneself in oneself is not as much use to one as risking getting to know people better, quicker ˗ even though one may be hurt. There’s always the chance one may be helped. (Sorry about the preponderance of ‘ones’ but I’m not allowed to use ‘you’ once I’ve started, so I’m told!) We did reconcile it all eventually (with help from each of the others as they came and went ˗ to bed), after covering the same ground about fourteen times; because I still put up my own barriers (though I’m getting past them more quickly) and Ian knows that what I said has its own value if he cares to apply it.
I have this crazy urge of late to know everybody ˗ properly, not just superficially the way I often have before. And I think I’m even going to the extent of appearing to pry ˗ I hope not, as I don’t really intend that.
Kingsley came up for lunch on Sunday (dinner, I mean) and seemed all right when he left. Now he had something on his mind, and while he told me a lot that surprised me, and interested me, and showed that he too as matured (and has a Lenin-style beard!!) I couldn’t somehow get past the barrier?!!?
On this Sunday Mike is coming up with one of his innumerable collections of ladies, Mickey, by name, and guess who? Kevin Rowlands! And Mike knows him apparently. So that sorts that out!!
Oh, yes, I forgot to tell you what time I’m starting at the Telephone place. 8.15 am. Love (yawn), Mike.

P.S. Still nothing further from CIB ˗ you can have an unlimited number of tries for the price of one! (I think ˗ certainly more than one; after too many goes I should think they’d advise giving up and doing something else!!)

Friday, January 01, 2016

16.9.69 - The Trojans

16.9.69
Dear Mum, What a life! I’ve just spent the whole weekend working, and then spent all day yesterday rushing from A to B and back again. One of the other cashiers had flu apparently so I was working from 11.00 or so on Saturday until much the same hour at night, and then again all day Sunday, from 2.00 till about 10.30. However, at least the money has been balancing out, since I’ve been doing it on my own, so that seems to point to the fact that it isn’t necessarily my mistake when the money is out.
I didn’t have to work yesterday at all, though they were contemplating it at one stage (!!!) and so David and I went to the full rehearsal of The Trojans which lasted from 10.30 in the morning until 5.15! But that was with about an hour and a half off and quite a number of unnecessary breaks. What a fantastic piece it is: it lasts about four and something hours in performance, without counting the intervals, and there are barely any spots of tedium at all. I can’t type for sour nuts this morning ˗ everything is going up the wop.
It’s in two parts really; the first concerns the acceptance into Troy of the Trojan horse, and shows how Cassandra was able to foresee it all happening and no one would pay any attention to her. It also introduces us to a whole host of characters in a big court scene, but very few of them have anything much to do except comment on the death of Laocoön, who has just been eaten up by a snake that came out of the sea. Aeneas is the most important character apart from Cassandra, and he and a few others escape (Cassandra and most of the Trojan women commit suicide rather than be captured) and make their way into the second part of the opera which is about the Trojans in Carthage where Dido reigns as Queen, and this section concerns the love story of Dido and Aeneas and her suicide when he goes off to Rome. (I think!)
It’s an epic piece and near enough needs the time it takes to tell ˗ in fact one would be very upset to lose anything much, it’s all so original. The opening has a long scene between Cassandra and her boyfriend, Chorebus (he is killed off stage somewhere later on) which is very dramatic, then we get the court scene where they describe the snake bit ˗ Aeneas sees it just prior to the opening of the scene; before this there is a bit done in pantomime where Andromache and her little boy enter in mourning (for whom?) while the chorus of people comment very dispiritedly: they dislike having sad things happening, but this is only the beginning of a long lot of tragedy. This court scene was designed in golds and blacks; very starkly brilliant. The people go off and discover the Trojan horse, and bring it on stage to much rejoicing: only momentarily thinking there may be something strange about it when a slight clatter of armour is heard from inside!
The next scene shows Aeneas asleep in his tent; and during a long introduction we hear the approach of Hector’s ghost ˗ he has come to rouse Aeneas up to battle; and the sudden shock in the orchestra when he does wake him is quite frightening! The last scene shows the Cassandra suicide. All this part of the opera is done in very dark colouring and dismal lighting. In the next part, colour abounds. (By this time I was sitting in one of the boxes with Alistair and we could see all the detail.) Dido first greets Aeneas on his arrival, and then promptly the latter saves the Carthaginians from being overtaken by the Nubians (I think!). Slowly we see these two fall in love, especially in a long gorgeous and yet very simple duet, that was done yesterday in the most fabulous way.
Aeneas goes off in the next scene and Dido commits suicide in the last in a very moving death scene. I really need about a dozen newsletters to tell you all about it and the wealth of detail, but suffice to say I think it will be one of the greatest successes that the Garden has ever had.
After this I rushed home because Mike had given me two tickets for The Battle of Britain premiere and as I didn’t have any clothes because I hadn’t been able to get to the laundrette when I should have over the weekend, I intended to go round then and wash myself something. I knew Hazel was also going to the film but was to be sitting a different seat[ing area]. I didn’t have anyone else to go with so I rang her and she said she’d come and sit with me, but then told me that I didn’t have nearly as much time as I expected. I went to the laundrette anyway, and found that I wasn’t going to have much time to dry the clothes so thought I’d just dry what I needed. Just as I was about to do so a woman stepped in and pinched the dryer! So I went back to the flat intending to iron the clothes I needed, dry, but this wouldn’t work either; so I borrowed a pair of David’s sox, and ironed my tattiest shirt, and set out with these and my dinner jacket. [My ‘dinner jacket’? I don’t remember ever having one of these!] I’d missed the train, then couldn’t get a bus, then couldn’t get a tube, then another connecting tube, then found I didn’t have a handkerchief and a cut on my face from shaving started to bleed!! AAAgh! What a night. The film turned out to be singularly dull, and isn’t worth seeing at all. In spite of its cast and fairly spectacular battle scenes. Douglas Bader went up the stairs while I was standing in the foyer with Hazel and we saw Kenneth More about two foot away afterwards. But otherwise it was a drag and not a good full stop to The Trojans! Love, Mike

Thursday, December 31, 2015

Sept 1969 - filming for TV in Edinburgh

30.9.69

Dear Mum, just got your letter in which you mention your many history-making exploits. I hope while you’re concentrating on making history that you’re also concentrating on getting well. I don’t know if you will still be in there when you get this ˗ I’ll send it to the hospital anyway, and put a wee note on it where to send it if you’ve gone home by this time. Glad to hear however that as usual you’re enjoying yourself thoroughly, though I do think it’s about time they found someone else to pick on for their experiments ˗ they always seem to find you such an interesting case, don’t they? Wonder why you’ve been given so many little peculiarities? Glad to see also that everyone is looking after you so well; funny, isn’t it, how both you and I seem to be considered quite helpless and everyone seems to rush to help. I often have dear old ladies helping me to buy things in shops, and others seem to find a good old sounding board in me for all their troubles. I know more about complete strangers’ troubles than anybody else’s! It’s nice also that you’re in hospital in the Spring;  you’ll be able to see all the trees and flowers coming out into bloom from your own private window.

We’ve had our first touch of Winter today; I was staying overnight at Mike’s (it was his birthday yesterday, and he invited me around for a meal ˗ and very nice it was too, and we just spent a very quiet evening sounding like two under-under-graduates according to Lindsay!) and when I went last night it was quite pleasant and mild, and I only had a jacket on over my shirt. This morning however there was a distinct chill in the air ˗ even though the sun is still shining quite pleasantly, and it looks very pleasant as long as you’re indoors, but I was feeling a little like a slightly refrigerated person by the time I got home.

I don’t think I told you any more about Edinburgh, did it? (I’ve written to Hazel who is away at the moment, and I think it was her that I told the rest of the story to.) Anyway on Wednesday morning when we were supposed to work solidly for about three and a half hours we arrived and rehearsed (after about half an hour’s wait) with the cameras, and then went and sat about and then were made up and then sat about, and then filmed it quite casually in about ten minutes! And it was apparently so right (a piece of commentary had to be fitted over the last part of our performance and it was so well timed that it ended exactly as we did!) that we didn’t even have to do it again, which they’d expected to. I think they felt they wouldn’t get it right again if they did do it.

So we finished quite early in the day, and after we had a huge salad each in a place that Ande Anderson (the producer) knows, we went our separate ways, and I wandered off to see some more of the place that I hadn’t yet taken in. I wandered around the East end of the town, I think, and this brought me to Holyrood House [Palace] eventually, which I investigated. Unfortunately they didn’t really show very much of it to us ˗ only about one floor, out of three or four, and not all of that I suspect. Still it was interesting, though like many other things it no longer exists as it did when it was first built, and only parts of rooms are as old as the entire establishment. A ceiling here, a or a door here, or a staircase here. Still the room where Mary Queen of Scots was having dinner with a couple of friends the night her secretary Rizzio was murdered about two rooms away is there, and the spot where he was left dying ˗ though the little private dining room (about as big as our kitchen!) has a telephone in it these days! And the bed her husband slept in is still sitting in his room, made up, as though he were just away in England for the day.

There are lots of fascinating little curiosities, and even more that we couldn’t see, I think ˗ you seem to have to go around with one of the guides who only shows you what they think is necessary. Though they are fairly knowledgeable about the place, and conversation with them is rather more fascinating than actually listening to the talk, which leaves dozens of little details out.

The setting for the House (like that of the Castle, which had about the magnificent setting possible on top of a sheer rock) is fabulous. It’s at the other end of the Royal Mile ˗ walk straight up the road and you eventually come to the Castle gates ˗ and is sort of the end of the world; all at the back of it is a great roll of hills, with a huge scar down the side of the closest. I first saw the House from above, in the sort of park area (Calton Hill ˗ correct spelling incidentally) which is full of overpowering monuments to long forgotten leaders of the town, and up there you can really see the setting. Everything is heavily built in Edinburgh; one imagines it would take an atom bomb just to shake the foundations let alone knock it down.

Since I got back I’ve had to work all the four remaining days of the week; Thursday through to Sunday, morning noon and night. I was nearly up the wall at the end of it. Fortunately I’ve had two full days off to compensate. Still, as employers they’re fairly good, in that I only seem to need to ask for a certain time off and they say, Oh, I think that can be arranged!


Lots of love and keep progressing!

6.9.69 - more on the new job

6.9.69 [handwritten]

Dear Mum, just got your letter about Kevin’s visit. I had asked him if he’d go and see you ˗ but I was surprised that (a) he did so soon and (b) that he stayed so long. Did you think he’d changed much? I suppose the mere fact of the above shows that he has ˗ and  didn’t he dislike cats before?? I wonder if Fred actually remembered him ˗ they’ve certainly met before.

Though it’s only the late afternoon I’m working and have been since about 11.45 at the Cinema. One of the day cashiers is sick so I got an emergency call this morning ˗ just after I’d bought myself some steak for the next two days. I left a letter for David who arrives today to help himself to it if he wants but I doubt if he will.

We never all seem to be together in that flat ˗ today will be one of the few occasions so far, but tomorrow Angela goes on holiday back to her home so we’ll be back to four again ˗ or five rather; we’ve had a permanent guest ever since I’ve been back from Hastings. He does contribute to the upkeep so I suppose that’s something.

The job is going along and though it’s six hours a night, the time does pass fairly quickly. I’ve got to work through till 10.00 tonight ˗ time and a half for the day part of it ˗ but it’s still a hell of a long time. And possibly tomorrow as well.

The mixture of people there continues to fascinate me ˗ the doorman is from Trinidad, a European, but he has the native accent. There’s an Irish night ticket lady, and another cashier is Irish (with Maltese and Italian parents), another doorman grew up in NZ! What a place! I still don’t know whether I have a job after the 15th, but I’m not greatly concerning myself.

Last night (a night off) we got a call at the flat from Hazel to say that a man had approached her outsider her present flat, and had so upset her that she’d told him her flat number and all! She wanted some company in case he did arrive and caused any more trouble so Ian and I went over. The man never showed up ˗ he’d said he was a film actor! ˗ but Hazel gave us a meal to compensate for calling us over for nothing! She’s quite mad, but marvellously sweet. We had a very enjoyable and relaxing evening really, so it was rather pleasant after all.

Must go back to work ˗ and leave this Italian restaurant, where someone in the kitchen seems to have a bad case of grumps. There’s a great palaver going on out back.

Later. What nice people they are that work here! On Saturday I think it was one of the ticket collector girls went out and bought me a sandwich and ‘forgot’ to tell me how much it was, and tonight someone has gone into the baker’s behind the theatre and bought me a Danish pastry ˗ and won’t take anything ˗ what fatal fascination have I that people want to buy me food all the time!!

Have I told you I bought a (cheap) camera yesterday. Might at long last get some pictures of the sort of places I inhabit.  Love, Mike

4.9.69 - my new and not very salubrious career


4.9.69 (midnight)
Billy Graham preaching outside
the Compton in the early 60s
Dear Mum, I’d better write now, because I haven’t really the time during the day at the moment. I’m trying to organise myself fairly thoroughly, and so far things are going quite smoothly. I’m just home from work, of course; six hours of selling tickets to men who obviously haven’t much else to do with their time. This club as I think I told you shows pretty grotty films: what they call X films here (which is why the cinema is licensed as a club, and must function according to police regulations) and which they wouldn’t bother showing at home. [In NZ, I assume I meant.] Quite why men want to come and see them I don’t know ˗ for the same reasons that striptease clubs make a nice profit I guess. [As far as I knew at this time, pornography, in NZ, was barely visible, though it presumably existed in some form.] Old Compton St, where I work (it’s just off Wardour St, which is very famous as the English film industry’s street, as you no doubt know) has two or three strip clubs in it ˗ one practically opposite the cinema, and a variety of restaurants of greatly differing quality, a Cinerama theatre, several clothes stores ˗ the ones who can’t make Carnaby St, which is also not far from there ˗ and the usual number of pubs. (The Soho average is slightly higher than elsewhere in London, about three a street I should think!)
The Compton [Cinema] is nearly all underground; I’m in the only bit that isn’t, and I shouldn’t think it holds more than 200, if that. The people who come have to join first, at 15/- a head! ˗ then they pay 12/6 on top of that. No wonder they make money there. The film runs continuously from ten in the morning till (this week anyway) 11.47 at night. There are shorts, but the point is that the place never closes once it’s open. Only men can become members (!) but since they can take a ‘guest’ in, some of them take their wives or girlfriends in. God alone knows what they think of it! We had one man last night who wanted to take both his wife and his dog in. Tonight I had a Czech who spoke no English at all, and as little German as I do, so though he wasn’t keen on the idea, I finally let him in for £1-7-6 (he wanted to go in for 12/6, like some of the English people who can read the signs do), but it was only after innumerable gesticulations on my part that we got anywhere.
Compton Cinema in the late 60s
Lots of the men come in without their cards, and at present the filing system is in a complete state of chaos, so that it’s well nigh impossible to find anything. There is an old set of names with thin strips of cardboard stuck in metal plates that are detachable from their main stand and which should be on the wall but isn’t. The strips fall out whenever you try to find anything, and anyway they aren’t in order except that they’re under A or B or such. There’s a new card filing system which is in perfect order, but lots of the cards haven’t yet been filed, and there’s a list being typed (again not strictly alphabetically) into a book. This will soon be stopped, I think. Or at worst you can look in the daily records book where each name is entered against its membership number. This may only take a good half-hour, depending on whether the guy can remember when he came in before or not!
What amuses me about the place is that nobody [who works there], as far as I can make out, and I think I’ve met most of the staff at one time or another who work there, ever watches the films that are shown! Even the management. Mr Neilson, who as I said is not much than older than me, is going on holiday tomorrow, and Mike ? is taking over. He’s from Jersey, and is filling in time till he can get the right sort of union card to be able to work in the floor management side of TV. He’s done it before, but apparently can’t do it just now. Anyway, I may yet get another job out of it all. There’s a new cinema being opened in Tottenham Court Rd, on the same sort of system, so I may be lucky enough to get the same sort of job. It would suit me fine, because I’m starting to make some headway with what I’m doing in the daytime.
Remember how my foot was damaged? Well, it’s now getting to the repaired stage, and somewhere along the line, I’ve now been bitten (I think) on the other foot, and it all swelled up! I’ve put the Englishman’s favourite antiseptic on it (TCP) and I haven’t yet looked at it since I’ve been home.
The weather today suddenly went mad and shot back up to the 70s, just as we were all putting our winter wooly vests back on. Crazy. Monday was August Bank Holiday, though as usual it fell in September (!), and Hazel and Ian (who is an old friend of Hazel’s) and I went out in Ian’s car for the day. We didn’t go far, only to Epping Forest, where we walked (and picnicked, rather unsatisfactorily on biscuits and apples), and then when we finally found the car again, we went to Hampstead Heath, and had a look at the fair. Actually there were three fairs, but all of them were pretty dull. We went to see Some Like It Hot in Hampstead, at 4.00, [this would have been the second time I’d seen it] and then when we found all the restaurants we wanted to go to were closed we went to a singularly ‘caff’ type place in Soho, and then went to a pub next door to Hazel’s present abode (she’s rented out her own flat, as she leaves London for some time soon), then went to Hazel’s present abode and listened to The Rite of Spring! Very curious day, but also very relaxing. Ian and I got to know each other considerably better too. [Hazel was due to go off as stage manager in another part of the country.]
[Handwritten on the back] Next day. Other foot this morning seems to be calming down somewhat, and is back to its normal size. Call me YS029399C!! from now on. That’s the National Insurance. I wrote to the Post Office about Postmen’s work, and you should see the rigamarole of forms they sent back to fill in ! I was only asking ˗ you’d think they thought I was already joining!

P.S. And I’d have to take a test!! [I’d worked as a Postman in Dunedin, for a couple of months.]

Sunday, November 15, 2015

22.6.69: Berlioz, radio and TV

22.6.69

Dear Mum, I’m still wending my happy way thru all your birthday presents and probably won’t have any teeth left by the time I’m finished! Didn’t I tell you that I did usher in St Paul’s? Actually I didn’t really usher, I just stood at the door and collected tickets and told people where to go. The concerts themselves were a little disappointing. Because St Paul’s is little more than one great echo chamber, only the people right at the front could get a satisfactory effect; although apparently it recorded very well. I stood at the back on both nights and consequently heard much of it as a not very remarkable blur. The most thrilling moment was, as it had been at home in Christchurch, when the ten tympani players and the four different groups of brass players (scattered all over St Pauls) all played at once in that massive Dies Irae section in the Requiem. St Paul’s, for all that it stood up to the bombing of the last war, was actually trembling! Not the most pleasant of effects ˗ with the feeling that rather a large number of tons of masonry might be about to descend on your head at any moment!

How are all the invalids? Give my love to them all ˗ a bit belatedly, I’m afraid. I’ve been wracking my brains to try and remember if you actually said what was wrong with Mary and I don’t know if you did. I seem to remember something about it’s being similar to your operation ˗ but am I right or not?

I have the Verdi Requiem playing rather loudly in my ear at the moment (the other was the Berlioz) ˗ it never ceases to amaze me just how beautiful it is. I did some coaching with a mezzo on it earlier this year, and like it all the more each time I hear it.

I’ve been writing some more music, recently. I find it gets something out of my system, and though it would be nice to have some of it performed eventually, that particular aspect of it doesn’t greatly bother me.

The other evening David, Hazel and I walked down to Victoria thru St James Park to see a film, and on the way back (after we’d played on the by-then-deserted swings and see-saws in the Park!) we were strolling along frightening each other when 2 guys who were coming towards us suddenly stopped in front of us, and poked 2 white, long objects at us! After the initial shock I realised they were only rolled-up newspapers (!) but it was worrying for a moment. Anyway they were trying to find someone who had belted one of them on the head, for heaven’s sake! They went off muttering, as we were obviously very harmless. There seemed to be a lot of bodies wandering around the Park (and this was about 11.30) and I certainly would never go in there alone at that time of night.

We’ve had Scottish TV down over the last week filming round the place and generally being a nuisance. I’m in two scenes, one of which they should use, with me seated at a piano waiting for a rehearsal to start, and also in the Italian lesson, which they’ll probably cut. Also, I forgot to tell you I was interviewed recently for the overseas transmission which should turn up at home eventually! If they don’t cut what I said right down. I felt surprisingly calm about it all, mainly because I got so little warning, I think! I’m also playing in the background of another rehearsal they recorded, so you never know ˗ I might be heard yet, love Mike.  

Saturday, November 14, 2015

24.5.69 Peter Grimes and others

24.5.69

Dear Mum, you’ll never guess where I’ve just been. In the ROYAL BOX at Covent Garden. It is a great big box, with a little room behind it where we had iced champagne ˗ and coffee ˗ and which has its own private entrance, and loo. That’s about as close as I’ll ever get to royalty I think! We (the two designers of the mid-term pieces, and David Syrus) were invited to go along by John Kentish, our Director of Studies, and the producer of Manon. Don’t ask me how he happened to have the Royal Box for the occasion ˗ but it was great to see the doormen and ushers etc sort of doing slight double-takes when they realised I wasn’t one of your normal paying people! (Actually the Garden is full of snobs anyway ˗ and I’m not helping by the sound of that last sentence! ˗ especially those who are Friends of the Garden: people who support the Garden by subscriptions and by which they get preferential bookings, etc. They are frequently completely ignorant, and don’t seem to be afraid of showing the fact. God knows what they think about as they sit thru hour upon hour of singing in foreign languages. Some of them came on the last night of the mid-terms and you’d think they own the place.) [Here endeth Crowl’s ongoing inverse snobbery ˗ for the moment.] Mr Kentish couldn’t come in the end but his wife was there with two friends, a Mr and Mrs Michael Dodd, I think, and they were rather charming and not too far above us menials. (We had our own special waiter for the box too!)

Jon Vickers as Peter Grimes
The opera, after all that, was Peter Grimes: Britten, who else? And we could have spat on the conductor (according to Mrs Kentish); it was Colin Davis, one of the most dynamic conductors around, and the tenor was Jon Vickers, who is just unbelievably great. The sort of person I’ll my grandchildren about. [But haven’t yet!] (We were closer to him in the Opera Centre canteen one day than tonight, but it was still very exciting being right on top of the orchestra, and having a close-up view of the stage. Well, of most of it. There is a certain disadvantage about a box ˗ it’s at the side of course, and so you can’t see one side of the stage at all. And all the action happened down on our side, which meant we had to strain a little to see. I don’t know how the Queen gets on! But what a fabulous opera this is. It keeps hitting you time and again, and really is probably the greatest opera Britten has written, so far as sheer drama goes. It has everything (the six big sea pictures for a start, between scene changes) [so overwhelmed, obviously, that I increased the number of the Four Sea Interludes, as they’re actually known], off-stage bands, tremendous chorus sections, storms, kids, a complete scene without orchestra, where Grimes is accompanied only by an off-stage dream chorus and a fog-horn (!) and where he goes quite mad (this was terrific!), riots, drums played by the singers. You name it! [On the night Colin Davis collapsed, in 2011, and fell from the orchestral pit podium at Covent Garden, his job as conductor for that performance was taken over by David Syrus, who had been at the Garden since leaving the Opera Centre.]

On Sunday evening David G and I went to a concert at the Festival Hall, mainly because Jennifer Vyvyan, whom he’s worked with, and likes a lot, and she was singing the solo in Britten’s Les Illuminations. Guilini was conducting, and thought the audience got up on its feet and clapped him at the end; I don’t know that I think he’s all that great. The Britten was fabulous, and but the Schubert Fifth [Symphony] that preceded it was nothing startling. (I was going to say to write home about, but that seems a little contradictory.) The last item was the rather marvellous Romeo and Juliet suite by Berlioz, and being Berlioz it was very exciting and very sentimental and full of lush orchestrations and big tunes and funny odd bits, and generally very interesting.

Yesterday, being Whit (!) Monday, David and Hazel and I went out, first to the Regent’s Park Zoo, tho’ it wasn’t anything startling, and then later to Fiddler on the Roof (which I’d seen, but liked very much, in Sydney). This is a rather marvellous musical but the cast here has been doing it so long (it’s in its third year I think (that the whole thing didn’t quite have the magic of the previous occasion. [The Sydney production had been a real eye-opener, with a brilliant Hayes Gordon in the leading role; Alfie Bass played the lead in London, and was a real disappointment.]

[Handwritten] This is terrible ˗ I started this letter over a week ago and just keep not finishing it, and since then I’ve seen Peter Grimes again. Oh, it is fabulous. I’ve put my name down to usher for the 2 concerts in St Paul’s celebrating the Berlioz anniversary and that is going on in the next 2 nights.

On Saturday last I went to what I thought was a very good production of Love’s Labour’s Lost at the Old Vic ˗ marvellously costumed and moved (Laurence Olivier producted it). But other opinions have said that it wrecked the play by making it funny in the wrong places.

On Sunday I went to the last Boulez concert at the Festival Hall where they played more Schoenberg, Berg and Webern. It was a great concert and much more easy to take than the previous one I went to. They were all earlier works and still vaguely in the late Romantic type of sound.

Well, I better close here ˗ I’ve got to get home to do some work ˗ I’m at the Centre at the moment. I’m glad to hear you liked your present ˗ I thought the palette knife (is it?) was the thing you mightn’t use! Give my love to Fred, Mike.  

Tuesday, November 10, 2015

12.5.69 A birthday party and copying work

12.5.69

Dear Mum, the letter that should have followed up my last one immediately never has, so this will have to fill its place. Just a small point ˗ I notice that your letters aren’t coming with anywhere near the regularity that they were and since they have been coming at the rate of nearly two a week for the last eight months, I’m just wondering if there’s anything wrong ˗ you’re not ill or anything? I’m not in the least worried about their irregularity, and this isn’t a dig to get you writing the same number per week again or anything, but do let me know if you’re okay, won’t you? You’re not allowed to get sick any more than I am!

I was lying in bed the other night, on a particularly sleepless night, and suddenly remembered that my birthday was just around the corner ˗ so I said to Jeff, who also had trouble getting to sleep (we finally got up and had a cup of chocolate each ˗ about two!) that I thought I might give a party in the weekend preceding the actual date, and as things worked out I did. And it seemed to go off fairly well too. Hazel came down early and helped with the catering, which was very good, because it wouldn’t have been a patch on that otherwise, and about a dozen people came in all. David Gorringe and Hazel were the first to arrive, and since it was an absolutely perfect afternoon (I suggested they come down early) we went for a walk across the Heath and into Greenwich Park.

When we got back Michael was sitting on the bit of Heath nearest my place reading; he’d been there nearly 3/4 of an hour! Kevin came (and a kitten arrived from next door) and after we’d got the food ready, and it was still warm (we had all the doors open) we played cards for a while. Then as it was still fabulously mild outside, we went back on the Heath again, with Kate, who arrived just in time, and walked for ages, playing around in great style ˗ talk about second childhoods! We went back into the Park, just before it closed, and then returned home as it was getting dark. By this time Jeff had come back with Moyra Paterson (from the Centre; a Scots girl and a very down-to-earth person) and her flatmate (also LOC) Joyce; they’d been there for a bit before we came back. I felt that we’d been a bit rude going out, and apologised, but it seemed a pity to waste the weather (it’s been up to 73 degrees today, they said) and they didn’t really seem to mind. [I think the UK must still have been using Fahrenheit at this point.]

John arrived eventually; he’s still going about in a half-with-us state ˗ was supposed to start a new job today, and was also supposed to be coming back here to stay last night, but didn’t. I quite honestly think he’s mad keeping a flat on when he either hasn’t enough money to afford it (or says he hasn’t; I have my doubts) or just never stays here! He took Hazel and David home last night after the party, and apparently said to them on the way home ‘I don’t think Michael quite understands me yet! ˗ I’m afraid that very few other people do either. Julie thinks he’s barmy!  (Did I tell you incidentally to go and see Finian’s Rainbow? It’s something I think you’d enjoy very much, in spite of Fred Astaire!) [ I seem to remember my mother was never very impressed with Astaire; she didn’t think much of men dancing in movies, for some reason.]

I got paid today for both the work I did for Wilfred Josephs, and the stuff I did for David Syrus last week. I charged the Josephs £3-5 for the seven hours work I did on two nights last week ˗ it was the most boring job I’ve ever done, and I felt like charging them more! But he sent a nice wee note with the cheque thanking me and saying he was very pleased with the work, so, you never know, something else may yet come of it. They did mention some other work when I was there, but only mentioned it. They have one of the many three-storied (plus basement) semi-detacheds that are right on the edge of Hampstead Heath. Anyone who’s anyone lives in Hampstead ˗ they say! 

I did most of my work in a sort of spare front bedroom, full of junk they were trying to sell. It also looks as tho’ it was used for just relaxing in, as a sort of non-visitors’ lounge. I worked on a built-in dressing table, surrounded by old copies of Music and Musicians, etc, children’s toys, old sofas and chairs, 19th-century miscellania, posters advertising works of Wilfred Josephs ˗ particularly his Requiem; it seems to have [been] the high spot of his composing. His own music room is rather fabulous: it has a grand piano covered with stuff so that only the keyboard is visible ˗ hundreds of books (including Ellery Queen in some profusion) and tapes, hundreds of photos, signed and unsigned, music stands with copies of his works, and a marvellous air of comfortableness ˗ how he does any work in there I don’t know. He has what looks like an old scullery or kitchen done up as a little recording studio with tape machines and hi-fi, etc. He seems rather pleasant ˗ plump, and 45-ish, and his wife hides quite a good business head, I should think, behind an air of quiet control. They have two talkative “English” children. [I have no idea what the emphasis on ‘English’ is here.] (And an au pair, and three very friendly poodles!)

Mr Bamford, whom I’m slowly getting use to ˗ you let his bluster run off you like water on oil, and find that he never means to be rude ˗ is amazingly rude to his wife. They have phones [handwritten] connecting their basement workshop and their flat, five floors above (and the lift hasn’t worked for two months or more!) and one day he spoke to her terribly rudely and I expected to go up and find her in tears ˗ but she was smiling quite happily. Obviously she pays no more attention to him than I’m slowly learning to! Love Mike

P.S. Cheque and P.N.’s arrived on the 13th!! Glad to hear you’ve just been busy. I suspected that you and Mrs Ryan might team up. Hope it’s all working okay. Thanks. [I presume this my mother's sister, my aunt.]

Re FUDGE: Hazel, David, John etc have all taken to it. Please send either a recipe or some more!!


Saturday, September 26, 2015

25.4.69 Flatting and fudge

25.4.69
Dear Mum, sorry it’s so long since you had a letter, tho' at least last time I did write rather more than a few lines! Just been re-reading your letter about the newly-weds. (What’s the married name?) [I have no idea which newly-weds these would have been; presumably a cousin of mine marrying someone. Nor do I know who it was that ‘descended’ on my mother.] I am sorry to hear that you’ve once again been descended upon by one of my obviously bludging generation ˗ sorry, two ˗ and it always seems to happen to your holiday, too. The only thing I can hope about, and the fact that Mary comes and goes so often, is that it lessens any loneliness you may be experiencing. [I think the 'Mary' referred to here was probably also a cousin.] Though why you should I can’t imagine ˗ I’ve had all this place to myself since Easter (!) and now find that since Julie has come back that I quite got to like having the place to myself. Purely selfish, I am, and yet I like having other people around too. I know, tho’, even tho’ you say that it spoilt your holiday, that you do enjoy cooking for other people ˗ and that it’s probably good that they’re there because means that you’re definitely eating properly. I’m only sorry to hear that it doesn’t sound as tho’ they paid you very much towards it. We are a selfish generation I know, and yet I always seem to wind up being sympathetic towards my fellow youngsters. We’re very spoilt, that’s the trouble. 

The cover of Talbot's 1986
recording, The Golden Tenor. 
You’ll be interested to know that I’ve just shown around the place (the flat) a new occupant ˗ making four of us here, and bringing the rent per person down by over a pound. Not that it seemed to be making much difference to me at the price it was, but it seems silly to have so much room and to be spending money unnecessarily. It’s a Welsh (!) tenor (!) of 24, who is going to be at the Centre for the coming term, and who happened to mention that he needed a place to stay, just as I was thinking that a fourth person would come in handy. I had talked to John about it and one night this week when he was here, we shifted the beds around in our room, just to see how much space there was, and really, you could hold a dance in there now! What also sparked off the idea was that Mike had said they had a divan in the cellar of their flats, and that it would only get damp down there. So it’s arriving tomorrow, and Jeffrey (Talbot) arrives on Monday. To me he seems a nice guy, coming from a similar family situation as me, and tho’ he’s a typical tenor, he’s also down-to-earth as well. I think it’ll work out all right, since none of us is ever here that much anyway!

John and I are going out tomorrow to see if we can’t get some cheap furniture (2nd-hand) as the flat, tho’ furnished, has large bare patches, and the living room looks more like an Ideal Home exhibition stand than a living room. We’ve decided how much we can spend and with a bit of luck, may pick up something worthwhile. Or several somethings.

I’ve been sticking up, with double-sided sellotape, cut-out pictures from magazines, and tho’ that sounds revolting, it’s much better than bare white walls. Actually, apart from the fact that they’re a little crooked ˗ some are ˗ they don’t look bad. But I stuck one lot up so crookedly, I had to stick the others up around it crookedly to compensate! (I can hear you screaming from here.)

Have I told you what I thought I might do at the end of term? Don’t recall doing so, but the last letter was too long to remember all I said. I’m thinking of say getting a part time job ˗ preferably musical of course ˗ there was a job as a Music Librarian in this week’s Stage (the trade paper) which would have suited nicely if I hadn’t been studying. It was part time. And with this I’d like to spend about 6 months at least catching up on repertoire ˗ I don’t feel satisfied with what I know at present ˗ and do whatever coaching comes my way, with anything else in that line. Actually, on Wednesday, I again went to ElthamAdult Education and am getting £5- 12 for coaching amateurs for about two hours! The boss-man said that there was a possibility of more work there ˗ and if it could be relatively constant, that would be very nice. The normal rep is away, at Glyndebourne, and that will be for a while. (Spring must be here ˗ it’s eight o’clock and still light ˗ and fairly mild.)

I got your latest parcel a couple of days ago, with the biscuits and cheese and meat and fudge. Dear mother ˗ you put the fudge in a box in a plastic bag, remember? Well, guess what happened? The fudge returned to its natural state, and was a lovely solid squelchy block! It was terribly funny. I left it out in the air (no, not right outside!) for a day or so (including in the sunlight from the window, which didn’t help) and it’s starting to harden up again. I’ve had one or two irresistable pieces, and I think it’s coming right. Hazel has demanded that I take some to her ˗ she’s had NZ fudge before apparently! (Funny, the Canadians and Americans and Hazel all go for the same kind of things as the NZs: milkshakes, hot-dogs...fudge! The English don’t know how to make these things, tho’ they pretend. Oh yes, hamburgers too.)

We’ve already had a very busy first week ˗ we’ve had one of the Ring Cycle ˗ Wagner ˗ in our first Reps’ class, which hasn’t been as bad as it might have been, and we have Rosenkavalier coming up in May. Man, that’ll be hard work! I’m still one of the two Reps with nothing special to do (Alistair and David are doing work outside) and so I’ve got lots to do. Might as well be busy!


Lots of love, Mike.

Friday, September 11, 2015

14.4.69 Four letters in one...so this is *very* long

[The next four airletters were all sent together as parts I- IV. They were apparently all written consecutively on the 14th April.]

Dear Mum, it’s taken me nearly ten minutes just to go this far and I don’t seem to be having much success. [The airletter starts off typed, reverts to handwritten, then four lines later reverts to typed.] I was trying to be clever and use the office machine that is at present in the common room (instead of the C.R. machine which chews up the paper!) but I can’t seem to get it to work for me somehow. [The airletter was apparently abandoned till the next day, when it was continued at home on my own typewriter.]

Well, it’s the next day, and I’m doing this standing up waiting for my breakfast to cook. Well, we’ve had a hectic and very lively but also very enjoyable time since I last wrote to you. I don’t mean at the flat of course ˗ I’ve seen John about twice in the last 10 days, and Julie less. I quite honestly don’t know whether John still lives here or not! He said he was coming back on Sat and I got some meat for Sunday dinner and tea, and he still hasn’t arrived and I ate the lot! I don’t know if he has a job or what ˗ but as long as he pays the rent I don’t suppose it really matters whether he lives here or not.

Anyway, on the day I last wrote we were just beginning the most wonderful spell of hot weather. We had 3 days of it before it became overcast again tho it did remain hot. Everybody has suddenly dispensed with all the paraphernalia of winter: coats, hats, scarves, gloves and so on, and looks alive again. Since the last weekend however the skies have returned to their habitual grey, and umbrellas have been much in evidence, altho a lot of people seem to have thought that (like myself) once you have thrown off your winter coats it’s a shame to have to put them on again and so we haven’t bothered. In spite of the rain and wind it seems to be staying mild so there may be hope yet.

To recap on the week’s events, anyway. On Tuesday I had arranged to go out to David and Teresa Jennings’ place: she was doing an audition in the Stuyvesant semi-finalist (four prizes of scholarships to the Opera Centre next year) and I was to go and do some coaching. [The only reference I can find to David is here; it’s a very common name, of course. Teresa was actress Patricia Hayes’ daughter but I don’t know what happened to her subsequently. Both were at the LOC.] This was the first of the really brilliant days, and I was sitting on our back patio when Teresa came to pick me up. I wasn’t prepared for the weather however and was still garbed in warm winter woollies! The Jennings were both wandering round in bare essentials at their home. A French au pair girl and another who works down the road were also in their garden, dressed as I was: in the past season’s apparel. The Jennings house is just one of many semi-detached in South-East London, but it is terrifyingly lived in, inside. The furniture and props [I don’t know if I meant theatre props] cover so much space that you have to wend your way through all sorts of articles to get anywhere. Rather fascinating, however. And on the walls they have photographs and prints of a variety of ages and these turn out to be Jennings’ respective ancestors dating back to the 17th century. I must go to Somerset House one of these days and track down some of my relatives.

Photo courtesy of Roger Perriss, flickr.com
After I’d done the coaching which went quite well (although she said she didn’t sing too well the next day at the audition ˗ but, thankfully, neither did a lot of the others; glad it wasn’t my coaching!) I went to Earls Court and met Hazel, who had suggested the previous night (after running into one of the many fairs that crowd London at Easter) that we go to Battersea Park. She was working at Earls Court and the Park is only a short bus ride across one of the bridges. The park itself is a great expanse of land, in which a smaller area is devoted to the fun fair. Well! I’ve never had such a nerve-wracking night. I think if we’d gone alone we would neither of us have gone on anything, but we were both setting out to save face by showing that we weren’t scared of anything and consequently went on every one of the monstrosities in sight. NEVER AGAIN! We started off on the Ferris Wheel which is much like F.W.s anywhere in the world ˗ only unpleasant when you slowly go over...the...top...! Next we went on a machine in which you were alternatively thrown at the side of the roundabout and then at the middle. This wasn’t too bad, except that the centrifugal (you’ll hear a lot about him before I’m finished!) force put all of Hazel’s weight onto me and nearly squashed my shoulder. (Hazel isn’t really a light young lass, and I haven’t put on any weight!)

I don’t remember which of the next two we went on, but both were singularly unpleasant. One had you in a bucket seat with your friend, and as well as going round at some considerable speed, young blokes riding the central merry-go-round pushed your personal bucket round at an operative moment which sent you going round at a speed rather faster than sound I think. My neck nearly broke in that one! Funnily enough Hazel liked that one ˗ heaven knows why! She even wanted to go back on it!! [Some people don’t learn: a few years later my wife, Celia, and I went to Battersea and got into a similar machine: we both came off it feeling so dizzy that we walked drunkenly for quite some distance.]

The other revolting machine, also Hazel’s suggestion, was a circular disc, called, inappropriately to my mind, the Satellite, in which you were sat in one of a number of small joined seats, and then this thing went round and then tilted! By some curious coincidence I again had Hazel on top of me, all the way, and this put my shoulder out of joint completely I think! Actually, once I got accustomed to the sheer torture of it, it was not too bad. We were both getting brave by this time and decided to go in a thing called the Dive Bomber. From the ground, and a distance, it looked as though you were completely encased in a little elongated egg-shaped vehicle that did a flip in mid-air so that you never went upside down.

PART II

After we’d paid our money we suddenly saw that the thing had only a partial top of caging, and some of it was open to the air. It seemed ominous when they strapped you into the cage, and bolted the door shut. It was when we were in mid-air that we found that at a certain given stage of your trip you weren’t actually upside-down, but that you looked at the earth from a vertical position ˗ it was like being suspended in mid-air by nothing more than a piece of leather strap. First we only did one flip to get us up top while they strapped in two more unfortunates, and this sitting in mid-air discussing the future was the worst part. Or so we thought ˗ when we started to go round in a seemingly quite uncontrollable way, We then knew that the beginning was quite pleasant! I hadn’t shut my eyes up until then on anything, but I did during that trip, and would have screamed aloud if I’d thought it would do me any good. Thank God, nothing in this world lasts, and even that nightmare came to an end, and Hazel and I went off and had a couple of sherries each!! We were quite cheerful ˗ we’re both the sort to laugh rather quickly about things like that, but we both shook for about a half-hour afterwards. I feel sick at the thought of it now.

Anyway, we’d saved the Big Dipper up until the end, and strangely enough this turned out to be quite mild in comparison. I wouldn’t have minded going on it again in fact, but Hazel didn’t seem too keen! The worst thing about it isn’t the sudden descent downhill after a slow climb (if you’re brought up on cable cars, this sort of thing shouldn’t bother you) but when on one descent you suddenly go into pitch blackness it’s amazing how it puts the wind up you. [The Maryhill Cable Car in Dunedin began its trip by suddenly dropping over the edge a fairly steep hill; you could slide off the wooden seat if you were little.] I think the most horrible kind of torture would be to throw someone into sheer darkness without his being aware of what was in the darkness. (The ghost trains at fun fairs spoil themselves by having too much [of the ride] in too much light. ) After that we went home!

On Wednesday I went into the Centre as arranged to do some work with one of the blokes who is doing a 20-minute program for some contest (I think I’m accompanying him) later this month, and also to run over the music that was to be done that night at a Policeman’s concert with Peter Lyon and Mary Masterton (she’s from NZ). It was another hot muggy day, and none of the singers at the Stuyvesant were feeling very happy ˗ one poor guy even fainted. Anyway I went up to Peter’s for tea. Peter is one of the few London-born people in London, and talks 19 to the 12, in a sort of overbearing way. Basically I reckon he’s a nice guy, but he’s got a curious chip on his shoulder that puts other people’s backs up with regularity. I discovered at his home that his father is exactly like him ˗ very tactless ˗ and I think the best thing Peter could do is to go and live in a flat somewhere. His father talks to him man to man, but somehow contrives to show to others the he (dad) is the boss and knows all....! Anyway, they gave me steak for tea, so I can’t really complain. And Somerset cream on a very nice apple pie. I’m glad to see some Londoners have taste buds. [Just when you think I’ve managed to overcome my know-what-other-people-should-say-and-do attitude, I manage to undercut it again, and it gets worse.] (If you could smell the stink of the stale and nasty hot dogs they sell all over Central London, especially Piccadilly Circus, in little open-air stands, you’d know what I mean.)

The concert went off reasonably well, although it was such a variety concert that we didn’t seem to fit in somehow. Peter had to follow Jack Warner (74! ˗ the Dixon of Dock Green man, and also a long-time entertainer), and a pop-group. Still, they paid us on the spot, which is a change, and a fiver too for something like half-an-hour’s work.

The next day was Hazel’s birthday, and she, David Gorringe, and I had planned to do something interesting to celebrate it. Originally we were going to picnic in Epping Forest, but decided on Hampstead Heath instead ˗ although the weather had decided to change as well that day. I had to meet David at Charing Cross, but he didn’t get my card about it until Thursday morning, and missed the fast train by one minute ˗ he was home in Ashford, Kent. (Incidentally I live in Kent too, altho we’re also part of Greater London.) So David sent a message up over the wire to Charing Cross to say he’d be late, and even his casual comments somehow went the distance too. They told me at C.C. that it was suggested I go off and have a drink somewhere! [I don’t remember what form of communication this was, but it sounds intriguing.] Actually I went to a cartoon theatre next door to the station, and saw the same cartoon as I’d already hated at another cinema, and two very old, but absolutely marvellous Tom and J’s, and half of a Batman episode! Then I picked Dave up, and after a detour to his flat we went on to the Heath to meet Hazel and Kathy, one of here friends. I don’t know what people think of my friends ˗ altho they always seem to get on with them ˗ but Hazel seems to have the most curious lot of mates. Kathy is very vague, and I’ll introduce you to some more later.

Well, we picnicked on the Heath beside one of the ponds and had a lovely lunch of healthy foods: Russian salad, cold (or is it cole slaw), apples, brown bread, lumps of cheese, coffee, tomatoes, etc. [Plainly I was unfamiliar with coleslaw at this point.] Then we just played around (except Kathy, who wandered) like 3 kids ˗ ran, skipped, capered, found an old ball with a hole in it in a pond which provided a good deal of amusement because it had a life of its own, and chased and played with other people’s dogs. Sounds madly irresponsible, doesn’t it, but while we 3 can enjoy ourselves thoroughly, we wouldn’t hurt or annoy others ˗ even if we might surprise them. [I think most Londoners were, and still are, beyond surprise at what other people get up to.]

PART III

Photo courtesy of Getty Images
Where was I? I had to go out and get another airletter to finish! Oh, yes. Kathy had to go early so as we were walking her back to the station we met another Opera C student, (Alison?) and she invited us up to her flat for some tea. So up we went and had a nice rest and coffee, and biscuits, and finally left. We still had some time to fill in so thought we’d go somewhere else and finished up, after some discussion, in tubing to St Paul’s, where we wandered around for some time before we went up into the dome. We should have gone up earlier because it was shutting as we were half way up. Anyway, we whispered in the Whispering Gallery while somebody tuned the organ downstairs, and discovered just what a fabulous building it is. (Although fairly obviously Wren had been to St Peter’s the week before!) The detail in the place is as usual astonishing ˗ but we forget I suppose that detail like this takes years to accumulate in a massive building, and it’s silly to say that modern buildings of a similar nature are too plain etc.

Anyway, we did have time to go up outside the roof, though not so high as we might, and the view is really rather fab. Although London is spoilt by having too many four-square buildings. You really notice from that height.

Anyway, after this Hazel went off in a taxi, while David and I wandered a bit more before we went back to his flat to collect my present for H. I got her a kettle! She just didn’t have one ˗ always bought something else instead, she said - and a card with ‘Don’t be discombobulated ˗ bless the day you was created.' And then we went our way to her flat, where she, and I think Kathy, had prepared a marvellous spread of biscuits with Russian salad, cole slaw, etc!! No, it wasn’t quite that bad; I don’t really know what was on half the crackers. At the party were Lorna Brindley and her boyfriend, Jim ˗ she’s a mezzo,he a tenor, and both should go far. Lorna, and I think, Jim, is Scottish, and has a marvellous down-to-earth approach to life, and a great sense of humour. [Lorna's 'Scottishness' seems incorrect, according to the link.]

Mike [Tither] came, and 3 of Hazel’s friends: Derek and Fran, married: he sat in the corner and played records that no one listened to all night, and Fran, though she started out being with the crowd eventually receded into the background. The third ‘friend’ (I suspect Hazel labels everyone she knows as a friend!) was Graeme, an Aussie, a writer, and who is thoroughly bored with all those around him. Seems to me he has problems ˗ especially if he’s a writer! The party went into the two groups: these 3 and the rest. Jim left early in the evening, after arranging to see me for some coaching on Monday, [handwritten] and the rest of this is being in a train so it may be a bit obscure! Well, after we polished off supper and had drunk quite a bit of wine ˗ I’ve come to the conclusion that I don’t get drunk ˗ I either fall asleep, ie, get so tired I don’t want anymore, or else get happy to the point that I don’t want anymore. There seems to be an inbuilt mechanism that helps me to keep control. Not that I’ve tried to get drunk, nor been at a party where it’s been routine to overdrink so perhaps I’m being presumptuous. Anyway, Lorna, Hazel and I (David had gone back to Ashford and Mike was talking) decided, just for a change, and to get some air, to go for a walk, and liven up the first pub we came to. Well, the pub was incapable of being livened up and they looked a bit askance at us that anyone should think of going out and enjoying themselves. (Pub-going, in the suburbs, is a ritual, not a pleasure, or a night out.)

Anyway, after we played the jukebox, it was nearly closing time. There was an absurd barmaid in this place ˗ she was about 40, and remarkably plain (and seemed to think plain, too, if you follow) but she had a pink bow tied onto a bun!! Aagh! [Hard to know why this impressed itself on my brain, but who knows the vagaries of a young man’s mind.]

We went back to the party where things were still meandering along, and by this time I’d been invited to stay the night again (Lorna was [staying] anyway) and since we three were feeling tired, and the others apparently were not, we were in a bit of a spot. We were, however, in such a cheerful condition that we set about removing all the furniture from the living room as a hint that the people should go. We didn’t have enough courage to shift the chair that Fran was sitting on, and anyway our plan didn’t seem to get through to these

PART IV

folk. No doubt their thinking isn’t, or wasn’t, quite as illogical as ours. Finally after much yawning and general carrying-on, they left, and I settled down very quickly on that revolting camp stretcher, tho once again I was too tired to care.

Next morning Jim came round and cooked breakfast! He’s an ex-chef apparently, and made a great mixed dish of sausages, fried bread, toast, fried eggs and something else ˗ was it tomatoes? I was still feeling energetic enough to have already done all the party dishes before he arrived, and all his dishes after breakfast. So I felt that perhaps I wasn’t entirely useless around the place.

Meanwhile I wanted to get seats for Megs Jenkins and LindsayCampbell for Saturday night’s performance of Fledermaus, and so had to go into the Centre. Hazel, during some part of the Schicchi season, had left her valuable papers in the safe at the Centre, including her cheque-book, and asked me to pick it up for her. So later, I met her in Charing Cross station, in the midst of a crowd waiting for delayed trains, at rush hour (!) ˗ C.C. is the smallest station, fortunately ˗ and we then went and had a meal at one of the 1000 Italian restaurants round London, and went to the NFT to see an old (1936) Hitchcock called Sabotage. A very curious and slightly sick film. The next day I went out to Holland Park to do some coaching with Marjorie McMichael [also] ˗ an ex-Opera Centre girl, and got 30/- for my trouble. I’m going there again now, though I shouldn’t imagine that I’ll be there as long this time as before. After my previous time, Marjorie and I went and had a meal at an Indian restaurant; the first time I’d ever done so. I had something called Malay Meat which consisted of meat (lumps of beef I think cooked with pineapple and other odds and ends, and served with an enormous plate of rice, some of which I had to leave. [I don’t remember this meal, but I do remember one at another Indian restaurant ˗ near Hampton Court, I think ˗ when I must have ordered a meal that was very spicy, and thought I was going to die.]

On Sat night I took my slip to the Wells to collect tickets and they informed me that they didn’t give out complementaries on Saturdays. I was rather upset because it meant telling Megs and Lindsay that they couldn’t go, but they took it reasonably well. Mike and I went to a set of eight plays on the subject of marriage (after missing the first one because we had to wait longer than expected in a Pizza Bar ˗ the pizza was nice all the same). The actors (4 of them) were generally rather better than the plays. [I think this would have been ‘Mixed Doubles’.]

On Sunday Kevin and I went to an Italian film about Oedipus Rex, which was very good. Filmed in Morocco with lovely photography all harsh with the vibrant colours; and the acting and direction was on a vibrant level too, which left you a bit worn out. [I think this was the Pasolini version made in 1967.] Yesterday I went into the Centre and coached, working with Moira Paterson in the morning on a group of songs she’s doing for Scottish BBC. It’s amazing how much different a song becomes when you get the singers, by suggestion and assistance, to open their eyes to its possibilities. One song that seemed very dull became very exciting and it pleases me as much as them when they get it working properly. Last night Mike, Mickey (a girl friend of his) and I went to Tosca ˗ a Zefferelli production. It was fabulous and tremendously exciting.


Love Mike. 


Sunday, August 23, 2015

31.3.69 - Double bill and exhaustion

31.3.69

Dear Mum, how the year is flying ˗ look at the date already! Well, we’ve had a very busy week ˗ a rather killing one in fact. We’ve been up at the Wells most of the week doing our Double Bill and though I haven’t really had that much to do it always seems when we’re on a show that life is three times as hectic as at any other time. And I’ve had to do during the show is to work as a dresser ˗ and then only for at the most six people (sometimes someone else with equally as little work would get in first and take over one or two) ˗ and to help David Gorringe, who was stage managing The Opera Rehearsal to get his curtain up and down at the right moment. (Very proud of that we were ˗ never had a bad curtain the whole time!) [The Opera Rehearsal was conducted by Anthony Negus, one of the repetiteurs.] I also made coffee for one of the singers, and got the occasional bottle of something for others. Now according to rights this shouldn’t have made me tired, but it seemed to.

Of course, as well, since we had all day free, we were more inclined to spend it out somewhere, and this is very tiring, particularly if you’re walking a lot. It’s amazing how much exercise you get in this place, just trying to get somewhere. [Something we found even more tiring when Celia and I went back in 2007 and found ourselves walking continually in spite of buses and the Tube.] You might imagine at first that to go everywhere by tube or train is very easy on the feet, but in actual fact, the miles one must walk through the underground corridors I wouldn’t like to count, and because the escalators go at a rather slow speed, most people walk up and down them ˗ which can be very tiring ˗ the steps are much higher than in normal stairs. Plus the fact that though the trains run up till one or two [in the morning], the tubes and buses stop about 12, and to catch a late train, you have to walk through the city, which may mean a half an hour’s walk. And a quick one too, if you don’t know how long it’s going to take you.

We didn’t get very good write-ups for the show ˗ tho’ The Opera Rehearsal came off under the critics much better than anyone expected, and funnily enough people said they enjoyed it. Of course they only had to sit through it once. None of the crits I read said much about Gianni Schicchi; in the hands of this cast it couldn’t fail to be at least a reasonable success, but in actual fact I think it came off extremely well. [I seem to recall Alan Opie was Gianni Schicchi.]

It’s a fabulous piece, full of glorious music very well orchestrated, and is a marvellous piece of theatre as well. It’s about a group of relatives who are mourning the death of Buoso Donati, at the opening; they mourn him even more when they find out he’s left all his wealth to the local monastery. The youngest of them calls in Gianni Schicchi (because he’s in love with Schicchi’s daughter, and because he knows that Schicchi has a cunning mind and may be able to alter the will). Though the relatives at first object, he does come and alters the will by impersonating the dead man in front of the lawyer, but then leaves all the best stuff to himself! And kicks all the relatives out of the house ˗ except the young one, who gets the best of both worlds by marrying Schicchi’s daughter and inheriting the wealth that Schicchi now has! ‘Oh my beloved father’ is the big hit tune, but it has lots of marvellously characteristic stuff for the relatives. There’s a great moment late in the piece, when the relations find that they still have nothing, and storm out of the house pillaging what they can as revenge ˗ the orchestra rises up and drowns the screaming and yelling on stage, and the brass take over and drown everything in great blasts of gallumping type music as they all leave, and leave the place in a mess! Then the peace comes again as the young lovers come back on stage and sing the rest of their duet with fabulous pre-Hollywood lushness.

On Friday night after the show, Mike, David Gorringe, Dorothy Iredale (nice wee soul, but rather mixed up, perhaps ˗ she has a great career ahead, though, I think [the usual Crowl elder statesman view of other people ˗ Dorothy gets a few mentions in the next years after this in Opera magazine, but there’s nothing else about her on Google] and a couple of others went back to Hazel’s, and eventually, Dave, Dorothy and I stayed the night ˗ sleeping on a variety of things in the flat ˗ I got a camp stretcher which was only comfortable because I was so tired ˗ Dave slept on cushions on the floor, and Dorothy slept in Hazel’s room on an extra bed.

We’d gone somewhere most nights after the show, and I hadn’t gotten home until about 1.30 each night. On the last night when there were two parties to go to, I finished up going home to bed about eleven. I was dying on my feet, and anyway had to do some copying of parts for Bamford, the next day. I spent all day Sunday doing this actually ˗ and really enjoyed it. It’s the first time I’ve had copying to do without Bamford being around around, and found I was getting on very well really. It’s a song for a show called Anne of Green Gables that goes on here shortly, and the score was written in the same key for every instrument which meant that in several cases I not only had to copy from the score but transpose the notes so that the instruments could play the right sounds. [This show opened on the 16th April and ran for 319 performances.] You see (I’ve possibly told you before) some instruments are known as transposing instruments, and in order to get them to play in the same key as non-transposing instruments you have to write in a different key! But it was a lot of fun actually, and generally speaking Bamford seemed reasonably impressed. He’s never enthusiastic, but always finds something a little wrong, just to keep you in your place, I suppose!

The dressing, during the show, made a change too; some of the costumes are unbelievably heavy, and the poor kids were like walking ovens. They fasten everything up with hooks and eyes etc ˗ no buttons.

Love Mike. 

Friday, August 21, 2015

25.3.69 Various wanderings

25.3.69
Dear Mum, I’m beginning another letter, because since the time that I’ve felt better, all the silly little things that happen have seemed much more interesting. The rather obscure last sentences on yesterday’s letter were to say that I’d bought myself six scores (remember I was grumbling about how they expected you to buy stuff without money?) with a fiver that they paid me for some trifling work that I did on the Gianni Schicchi scores. Parts, not scores! Anyway it was far more than I felt I should have got but didn’t complain. John had arrived home from shopping on Sat (I’d had to go out: see below) with a score he’d bought in a shop (2nd-hand) around the corner, and he painted vivid pictures of the stuff they had going in the musical line for practically nothing. Well, 'nothing' in the English sense! But slowly and surely I’m beginning to understand that you need to take everything John says with a large number of grains of salts [sic] because when I arrived at the shop there were two scores that were of the least use, and the rest of the stuff was a load of old rubbish! Unless I’m going blind, but I couldn’t see any of the wealth of things he described. It was the same with the flat, before I first looked at it ˗ according to John, it was a luxury flat with all mod cons, and so on. Well, it’s got the occasional odd mod con, but as for luxury..!  Anyway I’ll sift the evidence a little more carefully in future.

I did go into town later on in the day, and went to a bookshop in Cecil Court near the Coliseum, (where I knew they have a lot of music, 2nd hand, and finished buying four more scores there. They were worth it I think. If I’m to get anywhere, I must have some stuff of my own to work on, I think.

Back to Sat. The stage managers had to work from 10 till one, and then from 7 till 10 again, and so had all that time to fill in. Hazel had asked me if I’d like to meet her and David Gorringe at the theatre and go to the pictures in the afternoon. I had to go up to town with some Bamford stuff, so it worked out nicely. We met up with Pete Lyon who was also at the Wells, and he thought he’d like to come too, so we said we’d meet him at Oxford Circus later at 2.30. David and Hazel and I get on very well, as a group it seems ˗ we all understand each other fairly well, and ca’t offend each other unintentionally. It’s almost like it used to be with Kevin and Mike and I at home. Anyway we went and had some lunch, and decided we’d like to go and see Seven Brides for Seven Brothers, [one of my all-time favourite musicals] because it was close, it was convenient as far as time went. (There were other films but David wouldn’t have got back to the Wells in time.) We got to Oxford Circus, and after losing and locating and losing each other again, found Peter, who’d brought two of the wardrobe girls with him! Well, they didn’t want to go and see what we wanted to see and as we would have spent the rest of the afternoon trying to get something to please everybody, we three departed to Marble Arch where the film was showing. On arrival we found it was showing for 10/- and upwards ˗ for a revival! ˗ and so we thought no thanks and decided to spend the afternoon in Hyde Park, just over the road. This was great actually, because it gave us some fresh air, and we really enjoyed it. We were going to go rowing on the Turpentine (as Dave insists on calling it) but it was a little cold for that. (Good heavens, the sun’s shining out here at the mo’!) So we just walked and talked etc.

Then we thought as we still had 3 hours to go we might pop down to Battersea Park ˗ nothing like going completely back to childhood! ˗ but discovered while we were waiting for a bus that it doesn’t open till Easter. So we waffled around Kensington for a bit ˗ the people there are a wonder to [handwritten] behold, clothes-wise. (The typewriter won’t type down here.) And then we thought we’d go to Charing Cross and spend the next hour or so at a newsreel theatre, where [typed] they show such brain-taxing pieces as Tom and Jerry, Mickey Mouse and Batman! But we didn’t have time to see the whole programme when we arrived and so went and had a cup of coffee and then Dave went back to the Wells while Hazel and I went to the NFT to The Thief of Baghdad* ˗ the English version of about 1940, and full of magic carpets and genies and flying horses and heaven knows what. It was very good, and had Sabu as the Thief and John Justin as the hero. Then I went back to Hazel’s and we had something to eat ˗ originally intended to be a snack, but she’s like you, she doesn’t like cooking unless it’s for someone, and so she cooked omelettes and other odds and ends.

On Sunday, after cooking our dinner, I went for a walk, though it was rather too cold, over to Greenwich Park, and wandered around the Observatory (it used to be, but now is a museum; the original house was by Wren) and the park, where there are squirrels and deer.

Last night, I saw that TheBofors Gun, which has Lindsay Campbell [originally from Dunedin] in it for about 3/4 of a minute (!), was on in Putney so I wended my way down there. It’s south-west while Blackheath is south-east. [handwritten] To my mind, Lindsay was Lindsay! He seems mainly cast over here as a typical English soldier type!!

I keep meaning to tell you about another Catholic Church I found near Leicester Square. It’s run by French priests (tho’ Mass is said in English) and I’ve been able to pop in twice around six and go to Communion. It seems fairly modern inside tho’ outside it doesn’t. A bit like the Moran Chapel on a larger scale. [A tiny chapel in the Moran Building in the Octagon, Dunedin.]

Love Mike