Showing posts with label Tabarro. Show all posts
Showing posts with label Tabarro. Show all posts

Saturday, December 12, 2015

15.7.69 Changing flats

15.7.69
Well, well, and hullo. (15th July). Hope you are still recovering properly like a good wee girl. I’ve had Fred’s alter ego in here twice just lately ˗ a cat that is growing up to look like Fred. At least as I remember her. (Do you know in this day and age of photos I don’t possess a single one of you! And I’ve got three of Francisco, whom I’ve never seen.[This was a Korean orphan boy I sponsored for a few years.] Send me one, will you? Even if you have to have it especially taken with all the rest of the Hannagan clan.) This cat is terribly cheeky and walks in whenever I have the back door open and food cooking. I was in the middle of a Sunday meal one weekend, and suddenly felt something rub across my leg ˗ only on this occasion the door wasn’t even open. What a fright. She’d come in an open window! But she’s very like Fred, and I enjoy her company.
Well, several things have happened of interest. To go backwards, today, Hazel and I received a summons to go and see Mr Kentish after one of the rehearsals. Well, remember that TV business that we had going on at the Centre a while back? And how I was shot sitting doing absolutely nothing? Well, they want the people who appeared in that scene to go to Edinburgh in September to shoot a scene up there as a follow-up and they pay! Everything. Great great great.
On Sunday night I went up to town and after going to Church in the evening at six at my little French church off Leicester Square (Mass in French ˗ and sermon!) (it’s a beautiful church actually built with the same sort of material as in Moran Chapel, but about six times as big, right next to a cinema currently showing a hit film on Lesbians.) [Moran Chapel is/was in the centre of Dunedin, in the Octagon: a tiny place that might hold twenty people.] (I’ll have to get a new ribbon.) (Hold on...) [I changed the fading ribbon to an equally faded red one; almost impossible to read.]
As I was saying, I met up with David and Hazel and Dave’s flatmate John, and a friend of Hazel’s called Kathy Bird. And it turned out that Kathy had found a flat which she wanted to move into but found that she wasn’t going to have enough people ˗ again someone had opted out at the last minute. I said that if David agreed (Syrus, that is ˗ the one I was to share a flat with) it might be suitable for us to come in on. It’s a place with room for five people and six if wanted. So anyway last night David and I went out to look at it (after David had said he liked the idea ˗ I’ll still be going down to Hastings though, I think; I don’t see any reason not to see a bit more of the place) and it’s massive ˗ five bedrooms, a large lounge, a kitchen, bathroom, and lots of funny little off rooms, that don’t seem to have any purpose in life, and a private garden which at the moment looks fabulous. It’s on the ground floor of an old three-storeyed house, and the place has so many doors ˗ most of the rooms have two (?) that it looks like the set of a French farce! It’s not actually ours yet, but Kathy and I are going in tomorrow to look at it, so I’ll not finish this until it’s definite and then if it is you can start addressing mail there. [A woman lived upstairs on her own, as I recall, which meant she must have had an enormous amount of space. As for most of the rooms having two doors; I think this is nonsense. Mine did, but not the rest, as I recall. ]
Tomorrow night I go to NZ House near Piccadilly to a reception being held by the High Commissioner for NZ for James Robertson and Kiri [te Kanawa] before they go to NZ for Carmen. [A recording of this production is available on You Tube, though for video there are only still shots.]
Last night before going to see the flat David and I had tea at Alistair’s house (which he’s renting prior to getting married); actually Dave lives there too at the moment; and very nice place it is. An old three-storey place too, semi-detached, which means that you go up and down all the time to get anywhere, and that it’s rather narrow, but it’s also very cosy and comfy. And the sort of place that anyone would be happy in let alone newlyweds.
I’ll leave the rest of this till tomorrow.
Tomorrow is now here and this morning we went up to the agents near Oxford Circus and filled out an application for the flat. Now they’ve got to send away for three references from each of us, which will take about a week. I only hope that if they do accept us they don’t take too long about it, because the date they seem to think we should go in is about three days after I’m supposed to have left here!
This evening I went up to NZ House (after spending the entire day mucking around doing nothing at all in London ˗ it has been so hot that it’s impossible to do anything; a real muggy sort of heat, which is killing the English. I sat in St James Park this arvo doing absolutely nothing except watching the people go by for about two hours ˗ even went to the all cartoon show to fill in time for an hour ˗ it was cooler, and anyway they had a Laurel and Hardy, as well as part twelve of one of those old serials) for this reception for Robertson and Kiri, and it was pretty deadly and I didn’t really meet anyone new.

Our production of Il Tabarro promises to be really something. James conducted it while I played for a rehearsal the other day, and didn’t even complain about my playing in any way. A change. But as a show it should be fabulous ˗ and will knock the audience for six.  Ande Anderson, who is producing, is putting rather more into it than perhaps he would normally, because the situation rather parallels a marital situation he’s been involved in (he hasn’t said so, but it’s obvious from the knowledgeable way he speaks about the feelings of the characters involved.) [I suspect someone amongst the students suggested this and it became a reality.] I’ll be playing the celesta in the actual performances, which doesn’t mean much, as neither Schicchi nor Tabarro have much for the instrument. [Handwritten] That’s all for now. See ya, love Mike. 

Wednesday, December 02, 2015

8.7.69 Rehearsals and payments

8.7.69
Dear Mum, I’ve only just received your letter telling me about when you were sick. Well, this is not good at all ˗ what does Fred [the cat] think she’s up to letting you get ill? I’ll have a word to say to her when I write! And what you are doing eating stones?? [I think my mother had a gallstone problem at this time.] It must be all this gardening you do. Anyway, I hope that by now you are getting better again, and haven’t gone back to work too soon. I’m very glad that all those marvellous brothers and sisters of yours were within calling distance. They really are great to have around in time of crisis. I’ve written a short letter to Monica, [Stokes] (it is 24 Argyll St, isn’t it?) and I’ll get you to thank everybody else, including Mr B, for looking after you for me. [Mr Bevan and his wife lived around the corner from my mother, and were very good friends.]
I’ve got the morning off this morning (we’re in the middle of production rehearsals so that I always have a little more time to myself) so I’m writing straight away, and I hope to be able to go Mass at 10.00 just to make sure you get better. (Believe it or not it’s only 9.40 now ˗ I do get up early sometimes.)
I went to the first rehearsal of this thing that I have to play for on Thursday night last night. And though I practised the stuff I had to play I didn’t feel very happy at all, and I don’t think the conductor did either. But between you and me, I found him a very difficult conductor to follow, and I’m very glad that there is another rehearsal on Wednesday, before the show. I felt so inadequate last night (when I arrived he was playing for them in great style, and bringing them in with his head ˗ though he does have the advantage of having had the music to work on since last Easter) that I began to get annoyed with my apparent uselessness (essessess), but I thought this is no good, Mike; pull your sox up and even if you aren’t as good as he is, do your best and make it worth their while paying you such a ridiculous fee. They’ve giving me seven guineas! [It seems more ridiculous now that anyone was still paying fees in guineas.] Which works out to about a pound an hour for the hours I work for them. Still I think it’s worth it, because of the amount of practice I have to do on the stuff to make them sound even remotely reasonable. I also went to another rehearsal with the two soloists on Saturday morning, and wasn’t very happy to find that the Mezzo didn’t know her work ˗ and they are supposed to be professionals. Anyway, it was quite a good rehearsal in spite of that, and I got two shocks from it: late in the time I was there they suddenly foisted a Britten Canticle for tenor, mezzo and piano on me which I had to sightread! (I knew it by ear a bit, fortunately, from the record.) [Probably: My beloved is mine (Canticle I) for soprano or tenor and piano (words Francis Quarles), 1947The second shock was that I did sightread it, and quite well ˗ I was beginning to wonder if I’d been suffering under a delusion all these years I could sightread! And they are intending to perform this piece at the concert too ˗ I think almost, that they should pay me another couple of guineas for the shock treatment!
The biggest bother with this sort of thing is that everything is done in a hurry ˗ and you don’t have time to absorb the music into your system before it has to be performed ˗ music really needs a good working out, and then a rest and then a rejuvenation treatment, and by that time it’s become part of you, and seems to lie under your fingers all that much easier, and to come from you the way it should instead of being forced. (I’m just off to Mass, I’ll finish this later.)
Back Again. To continue. I was under the impression that Chelmsford, the place where the concert and rehearsals are taking place, was somewhere in the North East of London, but I discovered last night that it was about 20 miles or more from Liverpool St, which in itself is about three quarters of an hour from Blackheath. I wondered why they offered to pay my expenses as well as the fee. Thank goodness I didn’t refuse.
They now tell me at the Centre too that I may have to go to Bristol at the end of the week to play the celeste in the orchestral rehearsals for Schicchi and Tabarro which are being held there. The reason for this is that the orchestra we are using this time is the Bristol BBC training orchestra. But I doubt if I’ll actually get there as there is nothing important for me to do on the celeste and to me it seems hardly worth the expense of getting me down there. But that sort of thing ˗ expense, I mean ˗ is what the Centre is rather absurd about. They spend money on all sorts of crazy things (like hiring an orchestra from a town over a 100 miles away when there are just as good here, and having to pay for their travel etc).
You know my large, large grey case? Well, it’ll shortly be on its way back to NZ. Kevin and I are swapping cases ˗ he needs a big one for stuff he is sending by sea, and I find that that case is too large to carry stuff around in, in London, so he’s giving me a smaller one. Because his only day off in the week is Thursday and because I can’t meet him this Thursday, I’m taking it up to Waterloo’s left luggage, and leaving it, and then sending the ticket down to him by post! Sounds like a couple of old-fashioned spies on the job, doesn’t it? Hope you don’t object to my giving presents away like that! I’m sure you won’t. Well, I’m nearly at the end of this aerogramme and I want nothing but GOOD reports from now on.
Lots and lots of love, Mike