Michael’s gone to London...

Writing runs in our family. When I went to England in the 60s, my mother (Pat) sent me this poem, one of several she wrote over the years. 

Fred was my first and much beloved cat, discovered at the back door one morning when I was still a child. Once she got her residential approval (took about two minutes) she made herself at home. She died before I returned to New Zealand in 1974. 

Stanley St was my home address in New Zealand.

Michael’s gone to London

And things are rather flat

At number 7 Stanley St,

With only Fred and Pat.

Fred was looking rather glum

On Friday, when Pat came home:

“What have you done with Mike?” she said.

“Mike’s on his way to Rome.”

“To Rome,” said Fred in great surprise,

“Is it just a port of call?

Or is he wishing with coins in a fountain,

Or perhaps tete-a-tete-ing with Paul.”*

“No, Michael’s going to London, Fred,

Not to see the Queen

But to do the things he’s longed to do

Since he was about sixteen.”

“Michael’s going to London!” said Fred,

“Well, what do you know about that.

He might have taken me with him,

Like Whittington took his cat.”

“You’d leave your home in Stanley St?

Oh, Fred, you wouldn’t, I bet.

You wouldn’t be game to go with Mike,

To London, and on a jet.”

“Oh, well, if you put it like that,” said Fred,

“Maybe I wouldn’t be game.

But I miss him so, and I’d like him to know

That I love him just the same.”

“Well, I can tell him, Fred,” said Pat,

“Next time I write a letter.”

“Oh, good,” said Fred, “that’s an idea.

Already I’m feeling much better.”

So here’s a note from Fred and Pat

To Mike, with all our love.

We wish his days to be filled with joy

And will ask the Lord above

To bless, protect and guard him

Every day of every year,

And to give him great contentment

While he is over there. 

*Probably Pope Paul. 

15.7.69 Changing flats

15.7.69

Well, well, and hullo. (15th July). Hope you are still recovering properly like a good wee girl. I’ve had Fred’s alter ego in here twice just lately ˗ a cat that is growing up to look like Fred. At least as I remember her. (Do you know in this day and age of photos I don’t possess a single one of you! And I’ve got three of Francisco, whom I’ve never seen.[This was a Korean orphan boy I sponsored for a few years.] Send me one, will you? Even if you have to have it especially taken with all the rest of the Hannagan clan.) This cat is terribly cheeky and walks in whenever I have the back door open and food cooking. I was in the middle of a Sunday meal one weekend, and suddenly felt something rub across my leg ˗ only on this occasion the door wasn’t even open. What a fright. She’d come in an open window! But she’s very like Fred, and I enjoy her company.

Well, several things have happened of interest. To go backwards, today, Hazel and I received a summons to go and see Mr Kentish after one of the rehearsals. Well, remember that TV business that we had going on at the Centre a while back? And how I was shot sitting doing absolutely nothing? Well, they want the people who appeared in that scene to go to Edinburgh in September to shoot a scene up there as a follow-up and they pay! Everything. Great great great.

On Sunday night I went up to town and after going to Church in the evening at six at my little French church off Leicester Square (Mass in French ˗ and sermon!) (it’s a beautiful church actually built with the same sort of material as in Moran Chapel, but about six times as big, right next to a cinema currently showing a hit film on Lesbians.) [Moran Chapel is/was in the centre of Dunedin, in the Octagon: a tiny place that might hold twenty people.] (I’ll have to get a new ribbon.) (Hold on...) [I changed the fading ribbon to an equally faded red one; almost impossible to read.]

As I was saying, I met up with David and Hazel and Dave’s flatmate John, and a friend of Hazel’s called Kathy Bird. And it turned out that Kathy had found a flat which she wanted to move into but found that she wasn’t going to have enough people ˗ again someone had opted out at the last minute. I said that if David agreed (Syrus, that is ˗ the one I was to share a flat with) it might be suitable for us to come in on. It’s a place with room for five people and six if wanted. So anyway last night David and I went out to look at it (after David had said he liked the idea ˗ I’ll still be going down to Hastings though, I think; I don’t see any reason not to see a bit more of the place) and it’s massive ˗ five bedrooms, a large lounge, a kitchen, bathroom, and lots of funny little off rooms, that don’t seem to have any purpose in life, and a private garden which at the moment looks fabulous. It’s on the ground floor of an old three-storeyed house, and the place has so many doors ˗ most of the rooms have two (?) that it looks like the set of a French farce! It’s not actually ours yet, but Kathy and I are going in tomorrow to look at it, so I’ll not finish this until it’s definite and then if it is you can start addressing mail there. [A woman lived upstairs on her own, as I recall, which meant she must have had an enormous amount of space. As for most of the rooms having two doors; I think this is nonsense. Mine did, but not the rest, as I recall. ]

Tomorrow night I go to NZ House near Piccadilly to a reception being held by the High Commissioner for NZ for James Robertson and Kiri [te Kanawa] before they go to NZ for Carmen. [A recording of this production is available on You Tube, though for video there are only still shots.]

Last night before going to see the flat David and I had tea at Alistair’s house (which he’s renting prior to getting married); actually Dave lives there too at the moment; and very nice place it is. An old three-storey place too, semi-detached, which means that you go up and down all the time to get anywhere, and that it’s rather narrow, but it’s also very cosy and comfy. And the sort of place that anyone would be happy in let alone newlyweds.

I’ll leave the rest of this till tomorrow.

Tomorrow is now here and this morning we went up to the agents near Oxford Circus and filled out an application for the flat. Now they’ve got to send away for three references from each of us, which will take about a week. I only hope that if they do accept us they don’t take too long about it, because the date they seem to think we should go in is about three days after I’m supposed to have left here!

This evening I went up to NZ House (after spending the entire day mucking around doing nothing at all in London ˗ it has been so hot that it’s impossible to do anything; a real muggy sort of heat, which is killing the English. I sat in St James Park this arvo doing absolutely nothing except watching the people go by for about two hours ˗ even went to the all cartoon show to fill in time for an hour ˗ it was cooler, and anyway they had a Laurel and Hardy, as well as part twelve of one of those old serials) for this reception for Robertson and Kiri, and it was pretty deadly and I didn’t really meet anyone new.

Our production of Il Tabarro promises to be really something. James conducted it while I played for a rehearsal the other day, and didn’t even complain about my playing in any way. A change. But as a show it should be fabulous ˗ and will knock the audience for six.  Ande Anderson, who is producing, is putting rather more into it than perhaps he would normally, because the situation rather parallels a marital situation he’s been involved in (he hasn’t said so, but it’s obvious from the knowledgeable way he speaks about the feelings of the characters involved.) [I suspect someone amongst the students suggested this and it became a reality.] I’ll be playing the celesta in the actual performances, which doesn’t mean much, as neither Schicchi nor Tabarro have much for the instrument. [Handwritten] That’s all for now. See ya, love Mike. 

30/11/68 Oil heaters, actors & fog

30/11/68

Dear Mum, how are you two?  [The letter was addressed to Mrs P Crowl and Fred – the cat, in other words] I got a book the other day called Mozart’s Letters: actually it was only a selection of them, but it’s nice to see that even he wasn’t all that original a letter-writer.  Like me, when he had something to say, he’d go on for quite a time, but otherwise he’s likely to make some excuse about not having enough paper, or no news – he’s always telling his family to send some news! – and what a load of old rubbish he writes at times: especially to his sister or cousin.  Suddenly in the middle of a paragraph he goes quite crazy and writes absolute nonsense!

 

About your Parkinson and Frodsham, I’m afraid I can’t find anything about them anywhere.  Change Alley appears not to exist – I wonder if it was bombed out of existence in the war? – because there’s no reference to it in the A to Z of London, and the name of the firm doesn’t appear in the telephone book, as far as I can see.  I even looked up chronometer makers in the local library’s trade dictionary, but there was only one entry, and that was in st Albans.  Don’t give up hope, however, I’ll ask our receptionist about it when he comes back to work on Monday (he’s had a bad throat) because he’s a mine of information, and may know something about the street at least.  [I don’t remember what this was all about, but certainly Parkinson and Frodsham were chronometer makers going back into the 19^th century at least.  I didn’t realise that Change Alley was short for Exchange Alley, which would have helped me. P & F had offices there, it seems.]

 

On Thursday morning, Kingsley suddenly vanished out of the house before I was even finished breakfast, and not obviously going to school, and I discovered the next morning what he’d been up to  - not having come home till fairly late on Thursday night.  (Got over the cold by the way – stayed home again on Tuesday – just couldn’t face trying to do work, and felt much better for it – got up at midday, and eventually got dressed, and sort of recuperated.)  Back to his lordship – he’d gone and bought an oil heater, saying that he can’t stand trying to sit round the fire any longer – truth to tell I find it just as cool!  I was prepared – in my usual irate fashion – to go crook at him, because he told me it cost £8!!, but he said since it was his idea, he was paying for it.  I can’t see that it’s a great advantage – as it smells oily of course, and trying to dry anything in front of it is a very slow process – you can put a minimal amount of stuff on top of it, but that’s all.  And I’m afraid, as I realise I’ve already said, that it’s no warmer.  I said I’d pay him something for it, but I don’t feel like dragging four quid out of the bank just like that.  Admittedly it’s surely quicker than trying to light the fire, and then waiting around for that to heat up, but at least that was already installed, and all we had to do was buy some coal every so often.  I don’t know what to think, and can’t say anything much as usual, without putting my foot in it.  I don’t know, perhaps I’m an unsatisfactory person to live with.  (I’m sure you’ll disagree, so there’s not much point saying it to you!) [maybe she wouldn’t have done] but I find it hard to say that something isn’t quite to my liking, without feeling sure beforehand that I’ll put my foot in it and cause some sort of upset.  While Kingsley has got a sense of humour (and while mine is rather malicious, I suppose) he is very serious about domestic matters, so to speak, and obviously gets that impression that I’m the type who merely muddles along while he knows how to do most things.  It’s true up to a certain point because he has a real nose for bargains and things, and I invariably wind up getting things for twice the price I need have, and because even though I do muddle along, I get there eventually, even if my discovery of how to do something is the way people have been doing it for a thousand years!  Still, I suppose to a certain degree I’ve got some imagination on my side, (it’ll probably turn up that’s really got a lot of that too!) and maybe that will compensate.  I’m afraid this is a gripe letter, so ignore everything up till now!

Paul Schofield

 

It was good to get back to work on Wednesday, even though I worked too hard when I did get there, because several people inquired how I was and where I’d been, etc, and I felt at home again.  On Thursday, Kevin and I went to see  A Hotel in Amsterdam, the latest John Osborne play – he wrote Look Back in Anger some years ago.  It’s not really a very good play but it has Paul Schofield in the lead, and this makes up for its defects.  He makes even the most uninteresting line worth hearing, merely by the modulation of his voice most of the time, and I would like now to see him in a really good part.  Alec Guinness is in a play revival here at the moment, and I’d very much like to see him, too.  [Don’t think I managed this.]

 

What you say about not believing I’m here most of the time doesn’t apply except on two occasions. (I don’t know why it doesn’t apply, but my mind seems to have accept it all.) These are, invariably when I come out of an underground gents (!) or even sometimes the Tube (don’t ask me why!) I have the funny feeling I’m going to come out in a different place, not necessarily home; and the other occasions are when I see actors on stage that I’ve seen in films – I just don’t believe somehow that they’re actually down there on the platform.  Otherwise, I feel quite at home here most of the time, because the run of the mill person around is exactly the same to look at, except out here in the East, where the majority of men have a very close-cropped hairstyle and a definitive way of dressing – mainly with jeans, and where the women come in two kinds: heavily made-up young ones, with very little beauty about them, or old ones (older) who have gone to seed, so to speak.  This is only the East End lot, the average proper Londoner, rich or poor, is generally a different animal.  [Oh the wondrous generalisations of youth!  Not sure that they improve with age.]

 

Tonight Mike and Hazel and I are making a short trip out of London, down south to Epsom – near Ascot, so they say, to see a production of The Turn of the Screw, the Britten opera based on the Henry James story. Invited Kingsley, but he wants to go and see Figaro at the Wells instead, even though this other is finishing tonight.  You might be interested to know I went to confession this morning, and the priest talked about practicing tolerance, and in your last letter you talked about it, and my one New Year resolution at the beginning of this year was on the same subject – so, if I don’t get to achieve anything at this rate, there must be something wrong.  I’ll have to start another letter if only to tell you a joke I heard in the play

 

Part II

 

There must be some other things to tell you anyway!  This joke was in the Osborne play: a girl went to a very strict convent to become a nun, and one of the vows they had to make was not to speak more than two words every three years. (!)  At the end of the first 3 years the young nun went to the Mother Superior who said, Well now, Sister, you may say your two words, and after a great effort the nun said, ‘Bad food.’  Three more years passed and the time came again. Well now, Sister, you may say your two words: and the young nun said, after a very great effort: ‘Uncomfortable beds.’ Three more years went by, and once again, the young nun came before the Superior.  The Superior repeated her usual speech but this time the young nun didn’t say anything for a very long time, and then finally came out, very quietly with, ‘I want to go home.’ The Mother Superior replied, ‘And a good thing too – you’ve done nothing but complain since you came here.’  And after that great effort, and considerable waste, I’ll leave the rest of this until tomorrow, in case The Turn of the Screw  is very interesting. 

 

[Handwritten] Michael sez thank you for looking after his Mum – re the address, I knew you’d commented it on but didn’t bother to look back and see if you’d actually told me the street!  Kevin’s ex fiancée is AGAIN ENGAGED – which seemed to relieve Kevin on any responsibility for the break-up!! I’ve now received your latest letter re Mike’s Mum and I’ll pass it on.

 

[Typed] What a terrible day it is here!  The fog is the thickest I’ve yet seen here, and everyone gets on the bus coughing and spluttering.  Plus the fact that the tops of the buses are generally full of smoke and if you’re not coughing for a start you soon start!  Fancy asking me if I wanted any more fudge and biscuits!  I’d thought I’d already hinted on this subject as it was – remember I asked if I should send the tin back to you.  I think the reason why it was so difficult to open was simply the fact that it had been stuck down for so long. Perhaps I should send the tin back to you with some books I don’t require any longer – although that might make a rather heavy parcel.  Kingsley had suggested ringing you up at Christmas by getting you to go up to his place, but then as it turned out his family had made some other arrangements, and this is no longer possible.  [Not sure why my mother needed to go to someone else’s place for a phone call, since we had a phone at home.] You’re probably happier anyway, not having to troop up there at that time, but he then said perhaps he could give me a couple of quid for Christmas as compensating!  The boy’s crazy – if I did ring I’d be paying for it.  However, if you don’t mind, I don’t think I will ring – I can’t see that I can say much in two or three minutes and neither could you, and we’d probably both wind up more miserable than we started!  So I thought I’d write you a long letter instead.  Do you mind?  It’s less the expense, than the fact as I’ve said, that we’d probably both be more upset about it than anything.  We’ll see.  And I’ll let you know if anything does come up. [International phone calls were very expensive in those days- I don’t think I actually rang her until around 1970!]

 

Megs Jenkins, in Green for Danger, 1946, 

We went to The Turn of the Screw on Sat.  I had to pick Hazel up from the Opera Centre, and as a result James Robertson, who was also going, gave us a lift to Waterloo Station.  We could have gone the whole way with him, but we had to pick Mike up there.  As it happened, Mike went another way, but I was glad we caught the train really, as Mr Robertson is rather hard going conversation-wise.  When we got to Epsom we were given the most elliptical set of directions and went the wrong way first.  How badly Londoners know their own area!  It was ages before we found someone who directed us correctly.  The show turned out to be an amateur one, and though the singing and playing was fairly good, and the words were excellent, the production was appalling.  Anyway, I enjoyed it to a certain point.  Then the three of us went back to Mike’s flat, and just as we were about to leave, Lindsay arrived in a bit of a flap saying that he had some people coming up.  All he meant was that we should tidy up, but we thought he wanted us to leave.  He didn’t, but we did!  Megs Jenkins, one of my favourite, smaller part players in films came up – she seems to be an especial friend of Lindsay’s.  So it was quite a thrill sort of being on the same floor as her!  I left to get a last bus, but apparently missed it, then discovered as I was about to walk home again that I’d left my keys at my own flat, and as I didn’t really want to wake everyone up at that time of night, went back to Mike and took up his offer of a spare bed!  [Handwritten again; possibly because the shift key seemed to be playing up.]  Then left at about nine next morning, not feeling very bright as I didn’t sleep too well due to the central heating and the electric blanket and the heavy quilt.  I’d intended to go to Petticoat Lane that morning but decided not in case Kingsley had wondered where I’d got to – he hadn’t of course! 

 

Went to Albert Hall (first had tea in Kensington High St) with Kevin but we were both so tired that we nearly went to sleep in the first half seemed to go terribly slowly!  [But what did we go to hear?]

Yesterday was technically a day off (Monday) but I went in anyway and spent so much longer at (the Opera Centre) that I didn’t have time to get home again.  Played the first of the songs I’d written for Kurt, but I’m a bit unsure of what he thought of it!  I’ve made some alterations to it anyway now.  Then we went to the pub next door and he shouted me a drink, and told me most of his life story – interesting but reasonably incredible!  Then Mike shouted me to a Royal Shakespeare play The Latent Heterosexual (what a title!) which was exceptionally well produced and acted (Roy Dotrice of Misleading Cases – he’s only in his forties – was superb in the lead) and nowhere near as bad as the title might imply!

Lots of Love, Mike

28.9.68: Washing and Wagner

28.9.68

Dear Mum, got a lovely long letter from you – incidentally as far as I know I’ve had all your letters; and have meant to answer things in them, but there’s always so much to tell you that by the time I’ve finished I’ve also finished the aerogram.  This time I will give you some answers.  The floods were all a lot south of London as far as I know – I’ve hardly bought a paper since I’ve been here; for one thing there are so many to choose from, and it saves those few pence a day.  Re Kevin Rowlands: I’m a bit unsure how to get hold of him really – I rather doubt that I’d get to see him at the stage door of the theatre, the way things are here, and it’s a bit of a trip up to the West End, unless I’m going that way, and when I am, I’m always in such a darn hurry to get somewhere that I don’t have time to sidetrack.  I’ll see if I can get hold of a phone number at his home address tomorrow – Sunday – and if that doesn’t work, I’ll just have to try ringing the theatre. When you see how busy I’ve been since the course started, you’ll realise that I don’t even seem to have much time in the day to ring anyone. [You get the impression I wasn’t keen to follow up on Kevin Rowlands. I’d heard about this man for some years – he was the only son of our direct neighbours across the street at home – and he was his mother's pride and joy because he’d ‘made’ it in London. He was a dancer, but I’d never met him at this point.] I’ve meant to ring both Kathy Tither, who’s now back from Spain, and Max Jarman, this week, but haven’t had the time.  [Max had toured with me in La Bohėme, when the NZ Opera Company had produced a piano tour version of it that travelled around both the North and South Islands. He was a young baritone and played the landlord, and any other odd part that needed filling in. He obviously went on to have a reasonable career – see this ‘cuttings’ page and this bio]

Congratulate the H’s on Philip, I don’t think I’ve even mentioned the poor kid yet!  [My uncle and aunt, Terry and Monica, had obviously had their fifth and last child/]

Very amused about Fred and the Blackbird; I’m glad too that she’s such good company for you. It’s a bit like the radio here – they’re so informative about everything (the 3^rd [Radio 3] programme plays serious music most of the day, except for the odd play) and they explain all sorts of interesting points, and I quite feel as though it’s someone talking to me particularly all the time! 

Tell Kingsley sometime that the rent is £5 a week between us; but his fares may cost him another pound going to and from the Guildhall each week, and food is sometimes surprisingly expensive; meat, eg, is fantastic, and yet other things are so cheap that you wonder if they've charged you for everything! [Kingsley was to be my flatmate, and hadn’t arrived at this point. As I anticipated, when he did arrive, he found the cost and the travel from Plaistow too much and didn’t stay long.]  The meals at the Opera C. are filling enough and I only need to have a reasonably cheap snack when I get home.  [For the life of me I can’t visualise where the cafeteria was, or what it looked like, at the Opera Centre.] I imagine that they have a cafeteria at the Guildhall too. We have to put a 1/- in the slot for electricity here, which is sometimes annoying because it always seems to happen when I’m cooking, and shillings are very hard to get because everyone wants them for the same reason.  At the moment I have a fair supply, however, and Mr M. down-stairs says I only need to ask if I do run out as he keeps 10/- worth.  Mrs M occasionally makes my bed only because she happens to be trotting around with the sheets which she says she will always do – she got quite a surprise when I did the first one!  [I say first one, but my memory is of doing both sheets, in the bath, and having a great deal of trouble trying to wring them out. She realised what I was doing when I tried to find somewhere to hang them.] And she has offered to take our washing along to the laundrette with hers as things get wetter. At the moment the weather is still quite reasonable, though it has poured a few times.  I did my washing about 10.30 last night, and put it out and it was dry this morning. Nina suggested putting my underclothes between hot water bottles to dry them, and this has worked well so far, and I hang my shirts in the little sun-room sort of thing at the back of the house, where they seem to air quite well.  And tell K[ingsley] there is a tea-pot! 

To change the subject again, I haven’t had any Tablets yet, but presume they’re coming by a slower post. [This was the Catholic national magazine, produced in Dunedin. I eventually wrote book reviews for its successor, Tui Motu.]  At the mo there is a big controversy about the 5d and 4d new mail system, and it’s quite likely that if anything has still to come via the OVC it is still being sorted, because apparently things are a bit chaotic.  The 5d mail is stuff to be delivered the next day, and the 4d is stuff that isn’t urgent, and they say that they are taking the 4d mail right out of London to sort! 

I took a bunch of flowers to Mavis last week, only 2/6 but the thought is the main thing, and they won’t let me pay for teas when we have them, so! 

Now to continue the story. Up until about Wednesday, I was still feeling as though perhaps I’d done the wrong thing coming to the Centre, as I seemed to be putting my foot in it quite a lot and saying things during classes that seemed to take the instructors aback a little, but I think this was either my imagination or else I was still feeling my way rather a lot. However all sorts of people are very friendly, even though they don’t look as though they’re going to be, and I’m now really enjoying it, (although I don’t think I’ve ever worked so hard continuously before – what with the housework, etc) and looking forward to it all.  On Tuesday we had a whole morning on Traviata; the 5 reps playing through a section which was then commented on by Mr Rob[bertson]. James Robertson had been a well-known opera conductor in the UK as well as working with the NZ Broadcasting Orchestra for a time before I met up with him.] and played by him to show what could be done, or should be done; and the other reps and stage managers (!) sang the parts. Very musical s.m’s, ha ha. [This wasn’t the favourite class of the stage management students, and I seem to recall, as time went on, that they appeared less and less at these sessions.] Mr R’s comment, rather quietly to me – I was the first pianist – was, ‘not exactly up to Royal Choral Society Standard yet, was it?’  I don’t know if this was sarky or not!  [It would have been. He wasn’t the friendliest of people, and we never quite seemed to hit it off. I think the Opera Centre was something of a backward step, career-wise, for him, and he was often frustrated with the students.] And later in the same lesson he asked if any of us were interested in conducting, and I said I wasn’t worried about it, as his Personal Assistant, June Megennis, had said there was more opportunity for coaches these days than conductors.  And once again I felt as though I’d said the wrong thing.  (When he brought the subject again up yesterday I didn’t feel so bad, so as you can see perhaps it was just me that first morning.) Anyway, none of the other reps seemed any better than me, or worse, so I ceased to worry about it. 

In the afternoon I was supposed to have two coaching sessions, one on my own, and the other sitting in on a session with a professional. rep.  The singer had gone home by mistake for the first session, so I did some work on my own, but the other one was very interesting.  We spent nearly an hour discussing whether or not appoggiaturas (which is sort of changing what’s written for the better) should be used in a piece of recit (the guff that goes on before an aria) and it was quite fascinating.  Then we had Italian, and unfortunately the teacher isn’t a patch on the German lady, so we’ll just have to do most of the work ourselves. The G. teacher works on the individuals, which can be terrifying, but also very satisfactory, but the I.T. just works on the class as a [handwritten] whole, and one doesn’t learn

continued in the next letter.

[handwritten] and thank you for the postal notes.[typed] things properly, particularly the pronunciation.  Never mind, no one is on their own, and the other students have talked about it with me, and it’s great to see one’s own ideas agreed upon.  This is what is marvellous about the place, of course, it has the music school atmosphere plus the serious approach to everything. [I had attended at least two Summer Music Schools in Dunedin before I did any touring in NZ – I think. They were held at John McGlashan College, and we slept in the dorms. At one of these I played the piano in a movement from a Mozart Concerto, and in another I conducted a one-act opera: Down in the Valley, by Kurt Weill. This was addition to doing lots of accompanying, and even having one of my own compositions performed by a small ensemble. There were plenty of serious people at these, but we also had an enormous amount of fun.]  Not entirely serious of course – one of the reps is a bit gloomy, and another seems a trifle aloof, but generally we’ve got a sense of humour, and the singers with a few exceptions are a pleasant enough crew.  Those that I’ve really met.  On Wed morning I had two singers, coaching, on my own, and then German again.  This was a very satisfactory morning.  In the afternoon we were divided up with the singers who will be attending a master-performance-class with Ella Gerber, who produced Porgy [and Bess] in NZ, I think, and who will produce, in ten days, the first act of The Consul, by Menotti, The Telephone, a one-acter by the same, and sections of an act of P & B.   She will sort of comment on American opera as she goes along which is the whole idea, and then the three things will be performed somewhere for the Friends of Covent Garden.  I rehearsed with two of the singers in The Telephone -  there are only 2 characters – and it has now transpired that I will be playing the performance of it (only piano perfs) with one of the other reps conducting.  [I had played for this opera back in Dunedin at an earlier point.] We sorted all this out yesterday afternoon when we went through the three setting tempi with the singers, Mr R and the two ladies who are sort of senior coaches. I think one is a Miss Nash. [I got on very well with Miss Nash – she was very much more approachable than Mr R!]  This is quite exciting really as it has to be up to performing standard in about three weeks time, and we also have to know enough about the other two works in each case to be able to play them at rehearsal if necessary.  And I’m not worried, so I must be enjoying myself!!  Mad....

On Thursday morning we went straight from our homes to Covent Garden and sat through the first act of a dress rehearsal of Götterdämmerung.  Typically Wagner, it starts off with three ladies (Norms) who stand on a pitch black stage, just spotlit on them, and sing for a quarter of an hour.  But it really was interesting, once it got past them.  This is the opera that we saw being recorded by Georg Solti on TV, remember? And on Thurs night the other two acts were performed – back to front – with only those from the OC who wanted to be there (in the morning the place was full of Friends of C G), and we sat in much better seats – went in through the stage door, in fact.  And the conductor was....Georg Solti.  Marvellous.  The last act, which we saw first at night, has the bit where Brünnhilde immolates herself, and anybody else who happens to be around, and burns Walhalla down.  And they do it all before your eyes.  First she throws a not very burning torch behind a pillar, and shortly flames (lights pouring up the scenery, but quite effective) flood across the stage, and then the lighting changes, as the scenery collapses! It did. And across the front of the stage is a gauze curtain which when lit a certain way represents an arc of the sky, somehow, it’s hard to describe, and then the lights behind the curtain come up again, and we see Walhalla  in the distance being burnt; it disappears, and we see a twinkling sky rather like the Milky Way, this goes, and we see on the stage itself, half of the rock that Brünnhilde lived on, now broken with all the back gone, and in the distance, the 3 Rhine Maidens gracefully waving, and this vanishes, and the ring that encircles Walhalla (it had appeared throughout the opera, as a platform, sort of, and also encircling those great massive pillars, the ones that collapsed, and turned out to be canvas!) appears lying flat on the stage, looking a bit shattered, and then this goes too, and all goes gloomy behind the gauze, and sort of fades away. I think I’ve got all that out of its sequence somehow, but never mind, it was a tremendous thing to see, on a stage. The backstage crew must have had their work cut out with that lot. 

 

Götterdämmerung is of course part of the Ring Cycle and all the way through this production the stage is graced with a Ring – Brünnhilde’s rock is a ring on a slant, and a scene in Walhalla is the ring on a different slant.  Rather precarious, really  - one young lady had to go shrieking out right from side to the other and down a flight of steps – it’s a wonder she didn’t break her neck. 

 

Between this I had two more coaching sessions and another Italian lessione. I was going to the opera with two of the other Reps that night – they went hairing off down the street after a bus, which I missed!  And so I tootled off in the other direction and caught a tube, and arrived with two minutes to spare.  Soaked through with sweat.  Ugh. 

 

Yesterday, neither of my advertised coaching singers came, so I did some work on my own, and then went to a lecture for the new students, with Mr R.  This was just a general run-down on things. In the afternoon we had the run-through of the three operas.  After this I did another scream through London to go to a film at the National Film Theatre called Cat People.  It turned out to be not very exciting, except in a couple of spots, and rather obscure, and rather hilariously full of clichés.  But the shorts were what they call a study extract, from Bringing Up Baby with Cary Grant and K Hepburn. Its 8 minutes were worth sitting through the other thing. And the other short was called the life of a cat, and in spite of including a scene where five kittens were born before your very eyes!, showed the kittens as they grew and played with their father and mother, both of whom, for once, lived at the same address.  It was very delightful, particularly when they started to play with their father: one, pouncing on his daddy’s tail, until father turns round and belts him, the father himself encouraging them to play by pushing them around a slippery floor, and so on. Marvellous. There’s a Laurel and Hardy session on tomorrow evening, so I’ll think I’ll go, and this afternoon I’m going in to do some practice when there’s fewer people around. [handwritten] You've got to warn that you’re going in - they keep a GUARD DOG!!  Love Mike. [Which reminds me that I think they had a security guy there much of the time too, with whom I got on quite well.  But am I imagining that?]