Sept 1969 - filming for TV in Edinburgh

30.9.69

Dear Mum, just got your letter in which you mention your many history-making exploits. I hope while you’re concentrating on making history that you’re also concentrating on getting well. I don’t know if you will still be in there when you get this ˗ I’ll send it to the hospital anyway, and put a wee note on it where to send it if you’ve gone home by this time. Glad to hear however that as usual you’re enjoying yourself thoroughly, though I do think it’s about time they found someone else to pick on for their experiments ˗ they always seem to find you such an interesting case, don’t they? Wonder why you’ve been given so many little peculiarities? Glad to see also that everyone is looking after you so well; funny, isn’t it, how both you and I seem to be considered quite helpless and everyone seems to rush to help. I often have dear old ladies helping me to buy things in shops, and others seem to find a good old sounding board in me for all their troubles. I know more about complete strangers’ troubles than anybody else’s! It’s nice also that you’re in hospital in the Spring;  you’ll be able to see all the trees and flowers coming out into bloom from your own private window.

We’ve had our first touch of Winter today; I was staying overnight at Mike’s (it was his birthday yesterday, and he invited me around for a meal ˗ and very nice it was too, and we just spent a very quiet evening sounding like two under-under-graduates according to Lindsay!) and when I went last night it was quite pleasant and mild, and I only had a jacket on over my shirt. This morning however there was a distinct chill in the air ˗ even though the sun is still shining quite pleasantly, and it looks very pleasant as long as you’re indoors, but I was feeling a little like a slightly refrigerated person by the time I got home.

I don’t think I told you any more about Edinburgh, did it? (I’ve written to Hazel who is away at the moment, and I think it was her that I told the rest of the story to.) Anyway on Wednesday morning when we were supposed to work solidly for about three and a half hours we arrived and rehearsed (after about half an hour’s wait) with the cameras, and then went and sat about and then were made up and then sat about, and then filmed it quite casually in about ten minutes! And it was apparently so right (a piece of commentary had to be fitted over the last part of our performance and it was so well timed that it ended exactly as we did!) that we didn’t even have to do it again, which they’d expected to. I think they felt they wouldn’t get it right again if they did do it.

So we finished quite early in the day, and after we had a huge salad each in a place that Ande Anderson (the producer) knows, we went our separate ways, and I wandered off to see some more of the place that I hadn’t yet taken in. I wandered around the East end of the town, I think, and this brought me to Holyrood House [Palace] eventually, which I investigated. Unfortunately they didn’t really show very much of it to us ˗ only about one floor, out of three or four, and not all of that I suspect. Still it was interesting, though like many other things it no longer exists as it did when it was first built, and only parts of rooms are as old as the entire establishment. A ceiling here, a or a door here, or a staircase here. Still the room where Mary Queen of Scots was having dinner with a couple of friends the night her secretary Rizzio was murdered about two rooms away is there, and the spot where he was left dying ˗ though the little private dining room (about as big as our kitchen!) has a telephone in it these days! And the bed her husband slept in is still sitting in his room, made up, as though he were just away in England for the day.

There are lots of fascinating little curiosities, and even more that we couldn’t see, I think ˗ you seem to have to go around with one of the guides who only shows you what they think is necessary. Though they are fairly knowledgeable about the place, and conversation with them is rather more fascinating than actually listening to the talk, which leaves dozens of little details out.

The setting for the House (like that of the Castle, which had about the magnificent setting possible on top of a sheer rock) is fabulous. It’s at the other end of the Royal Mile ˗ walk straight up the road and you eventually come to the Castle gates ˗ and is sort of the end of the world; all at the back of it is a great roll of hills, with a huge scar down the side of the closest. I first saw the House from above, in the sort of park area (Calton Hill ˗ correct spelling incidentally) which is full of overpowering monuments to long forgotten leaders of the town, and up there you can really see the setting. Everything is heavily built in Edinburgh; one imagines it would take an atom bomb just to shake the foundations let alone knock it down.

Since I got back I’ve had to work all the four remaining days of the week; Thursday through to Sunday, morning noon and night. I was nearly up the wall at the end of it. Fortunately I’ve had two full days off to compensate. Still, as employers they’re fairly good, in that I only seem to need to ask for a certain time off and they say, Oh, I think that can be arranged!

Lots of love and keep progressing!

15.7.69 Changing flats

15.7.69

Well, well, and hullo. (15th July). Hope you are still recovering properly like a good wee girl. I’ve had Fred’s alter ego in here twice just lately ˗ a cat that is growing up to look like Fred. At least as I remember her. (Do you know in this day and age of photos I don’t possess a single one of you! And I’ve got three of Francisco, whom I’ve never seen.[This was a Korean orphan boy I sponsored for a few years.] Send me one, will you? Even if you have to have it especially taken with all the rest of the Hannagan clan.) This cat is terribly cheeky and walks in whenever I have the back door open and food cooking. I was in the middle of a Sunday meal one weekend, and suddenly felt something rub across my leg ˗ only on this occasion the door wasn’t even open. What a fright. She’d come in an open window! But she’s very like Fred, and I enjoy her company.

Well, several things have happened of interest. To go backwards, today, Hazel and I received a summons to go and see Mr Kentish after one of the rehearsals. Well, remember that TV business that we had going on at the Centre a while back? And how I was shot sitting doing absolutely nothing? Well, they want the people who appeared in that scene to go to Edinburgh in September to shoot a scene up there as a follow-up and they pay! Everything. Great great great.

On Sunday night I went up to town and after going to Church in the evening at six at my little French church off Leicester Square (Mass in French ˗ and sermon!) (it’s a beautiful church actually built with the same sort of material as in Moran Chapel, but about six times as big, right next to a cinema currently showing a hit film on Lesbians.) [Moran Chapel is/was in the centre of Dunedin, in the Octagon: a tiny place that might hold twenty people.] (I’ll have to get a new ribbon.) (Hold on...) [I changed the fading ribbon to an equally faded red one; almost impossible to read.]

As I was saying, I met up with David and Hazel and Dave’s flatmate John, and a friend of Hazel’s called Kathy Bird. And it turned out that Kathy had found a flat which she wanted to move into but found that she wasn’t going to have enough people ˗ again someone had opted out at the last minute. I said that if David agreed (Syrus, that is ˗ the one I was to share a flat with) it might be suitable for us to come in on. It’s a place with room for five people and six if wanted. So anyway last night David and I went out to look at it (after David had said he liked the idea ˗ I’ll still be going down to Hastings though, I think; I don’t see any reason not to see a bit more of the place) and it’s massive ˗ five bedrooms, a large lounge, a kitchen, bathroom, and lots of funny little off rooms, that don’t seem to have any purpose in life, and a private garden which at the moment looks fabulous. It’s on the ground floor of an old three-storeyed house, and the place has so many doors ˗ most of the rooms have two (?) that it looks like the set of a French farce! It’s not actually ours yet, but Kathy and I are going in tomorrow to look at it, so I’ll not finish this until it’s definite and then if it is you can start addressing mail there. [A woman lived upstairs on her own, as I recall, which meant she must have had an enormous amount of space. As for most of the rooms having two doors; I think this is nonsense. Mine did, but not the rest, as I recall. ]

Tomorrow night I go to NZ House near Piccadilly to a reception being held by the High Commissioner for NZ for James Robertson and Kiri [te Kanawa] before they go to NZ for Carmen. [A recording of this production is available on You Tube, though for video there are only still shots.]

Last night before going to see the flat David and I had tea at Alistair’s house (which he’s renting prior to getting married); actually Dave lives there too at the moment; and very nice place it is. An old three-storey place too, semi-detached, which means that you go up and down all the time to get anywhere, and that it’s rather narrow, but it’s also very cosy and comfy. And the sort of place that anyone would be happy in let alone newlyweds.

I’ll leave the rest of this till tomorrow.

Tomorrow is now here and this morning we went up to the agents near Oxford Circus and filled out an application for the flat. Now they’ve got to send away for three references from each of us, which will take about a week. I only hope that if they do accept us they don’t take too long about it, because the date they seem to think we should go in is about three days after I’m supposed to have left here!

This evening I went up to NZ House (after spending the entire day mucking around doing nothing at all in London ˗ it has been so hot that it’s impossible to do anything; a real muggy sort of heat, which is killing the English. I sat in St James Park this arvo doing absolutely nothing except watching the people go by for about two hours ˗ even went to the all cartoon show to fill in time for an hour ˗ it was cooler, and anyway they had a Laurel and Hardy, as well as part twelve of one of those old serials) for this reception for Robertson and Kiri, and it was pretty deadly and I didn’t really meet anyone new.

Our production of Il Tabarro promises to be really something. James conducted it while I played for a rehearsal the other day, and didn’t even complain about my playing in any way. A change. But as a show it should be fabulous ˗ and will knock the audience for six.  Ande Anderson, who is producing, is putting rather more into it than perhaps he would normally, because the situation rather parallels a marital situation he’s been involved in (he hasn’t said so, but it’s obvious from the knowledgeable way he speaks about the feelings of the characters involved.) [I suspect someone amongst the students suggested this and it became a reality.] I’ll be playing the celesta in the actual performances, which doesn’t mean much, as neither Schicchi nor Tabarro have much for the instrument. [Handwritten] That’s all for now. See ya, love Mike. 

25.6.69 - The year begins to wind up

25.6.69

Dear Mum, I’ve just been down to the shop to see if I could get a card for Daphne and Jack, but they had nothing that was either sufficiently funny or pleasant, so I’ll have to get you to pass on my congratulations. I don’t think I remember their address anyway. (Why did they call him Peter? We’ve surely got enough confusion in this family already. [Jack was my mother’s youngest brother, and Peter he and Daphne’s fifth child, their first boy. I already had another cousin called Peter.] They’re certainly determined not to let the Elgin Road Hannagans beat them are they? [Terry was older than Jack and he and his wife Monica had their fifth ˗ and last ˗ child in 1968.]

And what about this snow? You poor old things. Our weather is staying fairly warm, although it has been raining for the last couple of days. I think it’s clearing now. This week is our last with formal lessons, and we’re saying goodbye to the various teachers; next week we start rehearsals most of the time. The German teacher said she would take me on as a private pupil if I wished, though I don't know if I could afford it. But if I can, she’s certainly worth keeping on with.

We’re rehearsing two operas (The Consul is also going on but I’m not working on it) and they are Gianni Schicchi, which the Centre did last term but which I didn’t work on, and Il Tabarro, which is another one in the trio of operas that go under the heading of Il Trittico, and is, of course, by Puccini. We had our first production rehearsal today with Ande Anderson, and things seemed to be going fairly smoothly.

I don’t know if I told you that, a while back, when I was sitting in the train one night waiting for it to leave Charing Cross, I was marking some music ˗ actually I was putting some new words into a vocal score ˗ when a young negro fellow came along and looked over my shoulder through the window. I didn’t notice him at first, and got a bit of a shock! Anyway, he jumps in the carriage and sits down next to me and starts telling me about his interest in playing the classical guitar, and so we talked on and off until Blackheath. Well, on Monday, I was sitting in a carriage again, doing a crossword, when a figure went flying past, and then came back, and it was the same guy again. And he popped into the train, and again started talking. This is quite unusual here, which is what makes it worth telling ˗ it’s so rare than anyone will talk to you in a train ˗ in fact people wouldn’t say anything if you stood on their foot; I don’t think they’d expect you to apologise! This is how far they’ve taken this sort of don’t speak to your neighbour bit. This time he was saying how he had to learn a whole two-page spiel for the next day to use in his job as a door-to-door salesman for an encyclopedia firm! He’s an engineering student I think normally, and this is a sort of holiday job.

At present at the Centre ˗ well yesterday, anyway ˗ they were holding auditions for singers and reps, and I went in to listen for a moment and suddenly realised that the pianist auditioning was Bill Southgate ˗ do you remember him? And he was apparently very nervous (though I didn’t hear him do the stuff he’d prepared) because when it came to doing sight-reading he made some fearful blues! (Am I glad I didn’t have to audition there!) [I auditioned by tape from NZ, I think.]  I went and had a cuppa with him afterwards and I think he was in a bit of a state, because he was rambling a bit! Anyway I got his address from him, and I must go and see him. [Bill Southgate - or William Southgate as he is more usually known these days - was from Dunedin, and eventually would become one of New Zealand’s better-known conductors. Strangely, when my wife and I came back from the UK in 1974, we met the Southgates at Auckland airport; they’d just returned as well.]

I think we’re talking about different things as regards the mysterious palette knife (!) ˗ I think I know what a spatula is, but wasn’t there a long (about 8 ˗ 10 inches, plus handle) implement, about an inch wide, and with a rounded end?? It’s driving me mad ˗ surely that isn’t a spatula?

Again, don’t worry about Postal Notes; I’m surviving quite well, thank you, and though they are nice when they do come, they aren’t part of my contract or anything! I’ve sent a letter to Monica H[annagan, wife of Terry] and Co, but I haven’t to the Stokes ˗ suppose I should, shouldn’t I? I’ll try and do it. Aerogrammes are actually cheaper than postcards ˗ you know? ˗ but harder, even for me, to fill up! [I have no idea why I was supposed to be writing, unless it was just a matter of keeping in touch with Dunedin relatives I’d had a great deal to do with over the years.]

I suppose as usual it is too late to suggest another film for you to go and see, but one called The Heart is a Lonely Hunter is superb, and except perhaps for one small sequence (which I think in this case is probably necessary) I think you would find it wonderful. It’s a deaf-mute trying to live amongst normal people, and the fact that no one else realises he is as lonely as the ones he helps. The acting is unbelievable. 

We went to a rehearsal of Macbeth, the opera, at the Garden yesterday ˗ what an appalling production ˗ it never fails to amaze me just how bad some of their productions are ˗ they live so far in the past that you’d think they’d never heard of the word imagination. [Elena Souliotis made her debut at Covent Garden as Lady Macbeth in this production, as well as singing the role for the first time.]

Last Friday our normal lecture at the Centre was replaced by a talk with films at the Generating Board Theatre in Newgate St. The films were made by the man who talked ˗ he’s an ex-executive film man, and is experimenting, now that he has the time, with film and music. The two examples he showed us were very interesting (his name is James Archibald and you’ll see it occasionally on some of the 50s films ˗ English ˗ on TV) but the one he likes more of the two seemed to me less good. We went back to the Centre with him (Jeff took he and J Robertson) (and me) and he said it was because I’d only seen half of his favourite: and that was about half an hour! Love, Mike. [I don’t remember this at all, and I’m not sure quite why people from the Centre went to it.]