21.9.67 - An evening with the Purdys

Sydney 21.9.67

Dear Mother,

How’s things with you? Got a letter from you yesterday, which was very nice indeed. By the way, I did get the things Jack sent me – sorry that I’ve not confirmed it before this, but (A) I assumed that you would guess I had since I didn’t panic about them, and (B) I just kept forgetting to tell you. [2018: this is curious. Back on the 11th, I'd told her that whatever this Jack sent – whoever he was – had arrived with unexpected colouring on it.]

Still no news from my source so I’ll very likely be coming home soon, I should think.

Went to Cecil’s last night for dinner – walked all the way (about half an hour from here) mainly because I missed the bus. I intended to get there for the first part of the trip. Anne [Cecil’s wife] is very nice – reminds me of Wendy Hiller (as she is now) for some reason – and we had a lovely dinner. Their lounge is one of the most comfortable-looking rooms I’ve ever seen. You go into it and look and immediately relax. Of course it’s full of books (including the compete set of Punch from the month it began till well into this century), lots of records, trophies, pictures etc; and it almost seems crowded out with furniture. You have to keep going round things to get anywhere. The house is a bit of a maze; I couldn’t see much of the rest because it was fairly dark inside, but rooms and passages seem to go off in all directions. Didn’t have tea till about 7.15 or so and the rest of the evening passed very quickly listening to Anna Russell (doing take-offs of G&S operas and the Ring Cycle by Wagner) and part of a record by Flanders and Swann. So, a very quiet and pleasant evening was had by all. They gave me a lift home afterwards which was also very nice!

I’ve finally finished David Copperfield – this morning – reading the last 90 pages or so in one go. Gee, it’s a fabulous book – terribly sad, of course. It’s always horrible the way characters that you’ve grown to like a lot are killed off in Dickens books. But it’s the way of the world, I suppose. And you seem to feel it a bit of a loss knowing that these people are going to stop cropping up in your life. You get very attached to them.

Well, this isn’t much of a letter, I’m afraid. I’m not doing anything at the moment, just sitting around waiting – I’d really like either to feel that on Saturday or some such I was either starting something here, or definitely going home. But nothing I do seems to hurry these people up at all. So ------ never mind,

See ya soon, I think, Love, Mike.

Telegram dated 23.9.67 from 8 Lane Cove, NSW:

Home Tuesday, Mike.  [2018: This address seems to be relatively close to where I was staying with the Newburys.]

12th Sept 1967 (probably) - Audition

Undated, as usual, but postmarked the 12^th. A Tuesday.

Well, dear old mother, Things are slowly sifting along. Today was A-DAY (audition day) and Crowl duly went along. But let me start from the beginning.

John Hammond

This morning I woke up feeling just a trifle panicky about not having been able to do any practice for nearly a week, so rather than do it blind and practice on the bench-top in my room (which I tried!) I scouted round to see if I could get a studio. Well, I looked through all the likely places in the Pink pages, and finished up ringing Palings, a big music store. I knew from passing that they were a large place, but they didn’t have any now, so I was probably a few years too late! However, they suggested (at my request) ringing the Conservatorium, but they couldn’t help either. They suggested Ricordi’s, who did have one. So I screamed in and booked it. They’re on the 5^th floor on a place in Pitt St, and like the Chess Club building it’s a very old (and slightly sleazy) place. But they had a piano! So I John Hammond (who apparently played correspondence chess with Dad quite a bit). In spite of the name, he’s some sort of European (a ‘semi-millionaire’ according to Cecil) and anyway, he very kindly gave me the name of a guy who is very up in the music world, with his (Hammond’s) card. So!
walked fairly solidly (in about 150 degrees heat) and then went and had lunch with Cecil and a friend of his,

Next, (after another free lunch!) I returned to K.C., and spent the next half-hour or so getting nervously ready, (including pressing my suit pants!) Actually, at that stage I wasn’t greatly concerned about anything; the music had gone all right at the practice, so I wasn’t very worried. BUT!, I soon got to be! Anyway, I got round to the Trust (about 10 minutes’ walk) and found my way to Mr Oxenbold (who turned out to be much younger than expected) and he directed me to a studio. By this time I didn’t feel like practising, but I warmed up (ha! ha!) a bit and fiddled about till they came for me. [This may have been Moffatt Oxenbould, later the artistic director of Opera Australia.]

Three men in long, tall suits arrived – Mr Hall, Mr Bynel, and Mr King.  (The first two are producers) (the other a not very good conductor – according to Anne). They asked me to play something I was comfortable in (!) and so I whipped into the Beethoven. But I don’t think it was terribly inspired. Anyway, they stopped me before (after some effort) I’d finished it and plunked three horrible scores down in front of me – in quick succession. First Trovatore, a snaky soprano area which I started, and was asked to take faster! Well, I ploughed thru that. Then, (ho! ho!) (but I didn’t tell them till after that I knew it) Fledermaus. The Czardas, to be precise, which I also had to start again, because I played an incorrect note that I seem to recall playing for a while back in ’66! Then, ugh, ugh, the most fiendishly fast baritone aria that Mozart ever wrote, from Giovanni – Presto (multissimo) (it might as well be) – well, we didn’t get on too well (like the Trovatore, I already had a fair idea how it went) but we finished it; it’s a louse. (The baritone in NZ sang it in Italian because he couldn’t manage it in English!) Don’t suppose that would have mattered anyway. [This was toured in 1965, if I have my facts right, along with Trovatore. I ushered at His Majesty’s for at least one performance. Coincidentally, as I retype this, I’m just working my way through the score of Don Giovanni, including that notorious Presto, in preparation for Opera Otago’s production in August 2018.] 

Well, after that, they walked and left me to gather up my shattered nerves! (Sorry about all the “!”s, but life’s full of them just now!) BUT, Stephen Hall said he’d like to see me in about half an hour’s time, so I went and had some coffee, not really caring what the outcome was, but slowly gathering back my calm! One hour later I finally got hold of him again, and he was surprisingly encouraging.

He reckoned that I’d got ‘quite a lot of talent’!!!!!! So I modestly said, ‘Yes, I knew that already,’ ‘what else is new?’[I’m not even sure whether this is a joke, but I hope it is.] Anyway, after a small chat, (wherein he took down quite a few details) he asked me if I’d come back in a couple of days, when he’ll get some others to hear me – so, that seems to be reasonable. He sez it’s unlikely that I’d get any work until next year (which I’d expected) but he reckons that there’s limitless opportunities for coaches if wanted, and all in all he was quite nice, in spite of the fiasco. He reckoned, in fact, that I coped fairly well with the music, because I didn’t take one look at it and go – ‘Oooh!’ (I didn’t tell him I probably would have if they’d given me something I didn’t know.)

So, since then I’ve rung the Conservatorium, and they suggest coming along and seeing them about accompanying the teachers. IF (I said ‘if’) I can get work (I’ve still to try the Rockdale and State Opera Cos) both of which should be paying propositions!) I might stay here – you wouldn’t object too strongly would yuh! I’d miss you too, terribly, but it might have to be. If I did stay, I’d see, say the priests at St Mary’s and see (or even St C…) if they could get, or knew of, some board, or even a decent flat, I could share. (I don’t think I’d like to live alone too long!)

Sooooo! We’ll see what happens, and I’ll keep in touch! By the way, I got a letter from YOU today – sorry about the car – but it’s nice to see you still love me!

LATER Went to see Flying Dutchman tonite – percussion box practically empty – so sat there. [This was because I’d played with a number of the members of this orch in NZ, and the percussionist and I were good friends: so he gave me free access to the performances.] Very dreary production – hardly any attempt made at acting by the principals, but singing great. Orchestra very weak throughout, particularly the horns and brass. Quite effective lighting – 1 and 3 acts (on boat and wharf) done behind a gauze cloth, which gave it all a misty effect. Krug came into the box during the 3^rd act – and had a wee chat.

Love Mike

8.8.69 - Holidaying in Hastings

8.8.69 [Handwritten, in Hastings]

You dear old thing! I just got your non-moany letter about the Rolling Stones. What are we going to do with you? You poor old soul. And you won’t even have me to come in and see you when you don’t feel like seeing anybody...! David [Syrus] says that you’ll be first on the transplant list for kidneys - trust you to be different! All this semi-jocularity does conceal some concern however, and I hope you won’t have any more problems once this lot is over. Anyway, I’m sure all my deputies will keep an eye on you. [I assume this was another reference to my mother having gallstones.]

I’m writing this on the beach actually, sitting on those ridiculous pebbles they have on most of the coasts here. I’m getting used to them, I guess, though I can’t run casually over them the way David does. At least this time I haven’t wound up with just blue bruises on the undersides of my feet. There’s a lovely golden labrador tearing about the beach here ˗ the pebbles don’t seem to worry her unduly! She seems to belong to a perpetually grinning boy of fourteen or so who’s sitting close by.

Over the last few days I’ve met two of David’s friends, one of whom, Paul, is going out to Australia, pretty definitely, some time about September, to teach. Probably in Canberra. I’ve never seen anyone with quite so jaunty a step, but he isn’t actually a very jaunty person. He apparently failed an important Varsity exam, and as a result would get a little more money in a teaching post here than the average teacher from a Training College who hasn’t gone to Varsity. [I think I mean he '\would have got more money.' if he hadn't failed.] Anyway, he’s been working on the buses in Hastings for the last year or so because he hasn’t been satisfied with what they’ve offered him in teaching. The other boy, Chris, has an artistic mother who does stain-glassed [corrected in the letter to ‘stained-glass] windows mainly, it seems. He has rather an inferiority complex because of her, though David says he’s a pretty good cellist, and seems very nervy.

We’ve just been in the sea, which is rather boisterous and pretty cold. There’s more wind around than usual today too. I haven’t been wearing my watch down to the beach since I’ve been here, though I must have done the first day we were out as the skin on the place where the watch and strap normally are is pink (but a deep pink) and not at all like the rest of my skin. It’s very tender too. I hope it will be all right, but I let it calm down a little yesterday, by wearing the watch again, and not letting the sun at it. In fact we didn’t go near the sea yesterday. I for one felt that I was burning to a cinder, and wanted to give myself a break from the overall suntanning I’d been having. We went for quite a long walk out of the north of the town, through fields and bush, and it was really fabulously relaxing. When we went to Camber, we had to go via Rye (the town where the notorious Dr Syn had his headquarters) and we had a look at it. (Hastings has a lot of old houses in its ‘old town’ part, but no cobbles.)

We played golf here the other evening ˗ on a revoltingly hilly course ˗ Pete [David’s brother] and I were 100, David 102. But the views during the game made it well worthwhile. Dave and I are wending our way through the Wagner Ring cycle (nineteen LPs!!) ˗ he got the Solti recording set cheap recently. There really is a lot of fabulous music in these works, and for all his faults, he certainly knew what he was about. When you consider these four operas were written over twenty-four years ˗ it’s amazing how well they hang together and to each other.

[ Postscript written along the edge of the opening paragraph - somewhat reminiscent of my father’s approach to making the most of all available space in a letter.]

I’ll keep on praying for you ˗ though I’m sure the Good Lord has you down on his special list already - love, Mike

25.4.69 Flatting and fudge

25.4.69

Dear Mum, sorry it’s so long since you had a letter, tho' at least last time I did write rather more than a few lines! Just been re-reading your letter about the newly-weds. (What’s the married name?) [I have no idea which newly-weds these would have been; presumably a cousin of mine marrying someone. Nor do I know who it was that ‘descended’ on my mother.] I am sorry to hear that you’ve once again been descended upon by one of my obviously bludging generation ˗ sorry, two ˗ and it always seems to happen to your holiday, too. The only thing I can hope about, and the fact that Mary comes and goes so often, is that it lessens any loneliness you may be experiencing. [I think the 'Mary' referred to here was probably also a cousin.] Though why you should I can’t imagine ˗ I’ve had all this place to myself since Easter (!) and now find that since Julie has come back that I quite got to like having the place to myself. Purely selfish, I am, and yet I like having other people around too. I know, tho’, even tho’ you say that it spoilt your holiday, that you do enjoy cooking for other people ˗ and that it’s probably good that they’re there because means that you’re definitely eating properly. I’m only sorry to hear that it doesn’t sound as tho’ they paid you very much towards it. We are a selfish generation I know, and yet I always seem to wind up being sympathetic towards my fellow youngsters. We’re very spoilt, that’s the trouble. 

The cover of Talbot's 1986
recording, The Golden Tenor. 

You’ll be interested to know that I’ve just shown around the place (the flat) a new occupant ˗ making four of us here, and bringing the rent per person down by over a pound. Not that it seemed to be making much difference to me at the price it was, but it seems silly to have so much room and to be spending money unnecessarily. It’s a Welsh (!) tenor (!) of 24, who is going to be at the Centre for the coming term, and who happened to mention that he needed a place to stay, just as I was thinking that a fourth person would come in handy. I had talked to John about it and one night this week when he was here, we shifted the beds around in our room, just to see how much space there was, and really, you could hold a dance in there now! What also sparked off the idea was that Mike had said they had a divan in the cellar of their flats, and that it would only get damp down there. So it’s arriving tomorrow, and Jeffrey (Talbot) arrives on Monday. To me he seems a nice guy, coming from a similar family situation as me, and tho’ he’s a typical tenor, he’s also down-to-earth as well. I think it’ll work out all right, since none of us is ever here that much anyway!

John and I are going out tomorrow to see if we can’t get some cheap furniture (2nd-hand) as the flat, tho’ furnished, has large bare patches, and the living room looks more like an Ideal Home exhibition stand than a living room. We’ve decided how much we can spend and with a bit of luck, may pick up something worthwhile. Or several somethings.

I’ve been sticking up, with double-sided sellotape, cut-out pictures from magazines, and tho’ that sounds revolting, it’s much better than bare white walls. Actually, apart from the fact that they’re a little crooked ˗ some are ˗ they don’t look bad. But I stuck one lot up so crookedly, I had to stick the others up around it crookedly to compensate! (I can hear you screaming from here.)

Have I told you what I thought I might do at the end of term? Don’t recall doing so, but the last letter was too long to remember all I said. I’m thinking of say getting a part time job ˗ preferably musical of course ˗ there was a job as a Music Librarian in this week’s Stage (the trade paper) which would have suited nicely if I hadn’t been studying. It was part time. And with this I’d like to spend about 6 months at least catching up on repertoire ˗ I don’t feel satisfied with what I know at present ˗ and do whatever coaching comes my way, with anything else in that line. Actually, on Wednesday, I again went to ElthamAdult Education and am getting £5- 12 for coaching amateurs for about two hours! The boss-man said that there was a possibility of more work there ˗ and if it could be relatively constant, that would be very nice. The normal rep is away, at Glyndebourne, and that will be for a while. (Spring must be here ˗ it’s eight o’clock and still light ˗ and fairly mild.)

I got your latest parcel a couple of days ago, with the biscuits and cheese and meat and fudge. Dear mother ˗ you put the fudge in a box in a plastic bag, remember? Well, guess what happened? The fudge returned to its natural state, and was a lovely solid squelchy block! It was terribly funny. I left it out in the air (no, not right outside!) for a day or so (including in the sunlight from the window, which didn’t help) and it’s starting to harden up again. I’ve had one or two irresistable pieces, and I think it’s coming right. Hazel has demanded that I take some to her ˗ she’s had NZ fudge before apparently! (Funny, the Canadians and Americans and Hazel all go for the same kind of things as the NZs: milkshakes, hot-dogs...fudge! The English don’t know how to make these things, tho’ they pretend. Oh yes, hamburgers too.)

We’ve already had a very busy first week ˗ we’ve had one of the Ring Cycle ˗ Wagner ˗ in our first Reps’ class, which hasn’t been as bad as it might have been, and we have Rosenkavalier coming up in May. Man, that’ll be hard work! I’m still one of the two Reps with nothing special to do (Alistair and David are doing work outside) and so I’ve got lots to do. Might as well be busy!

Lots of love, Mike.

28.9.68: Washing and Wagner

28.9.68

Dear Mum, got a lovely long letter from you – incidentally as far as I know I’ve had all your letters; and have meant to answer things in them, but there’s always so much to tell you that by the time I’ve finished I’ve also finished the aerogram.  This time I will give you some answers.  The floods were all a lot south of London as far as I know – I’ve hardly bought a paper since I’ve been here; for one thing there are so many to choose from, and it saves those few pence a day.  Re Kevin Rowlands: I’m a bit unsure how to get hold of him really – I rather doubt that I’d get to see him at the stage door of the theatre, the way things are here, and it’s a bit of a trip up to the West End, unless I’m going that way, and when I am, I’m always in such a darn hurry to get somewhere that I don’t have time to sidetrack.  I’ll see if I can get hold of a phone number at his home address tomorrow – Sunday – and if that doesn’t work, I’ll just have to try ringing the theatre. When you see how busy I’ve been since the course started, you’ll realise that I don’t even seem to have much time in the day to ring anyone. [You get the impression I wasn’t keen to follow up on Kevin Rowlands. I’d heard about this man for some years – he was the only son of our direct neighbours across the street at home – and he was his mother's pride and joy because he’d ‘made’ it in London. He was a dancer, but I’d never met him at this point.] I’ve meant to ring both Kathy Tither, who’s now back from Spain, and Max Jarman, this week, but haven’t had the time.  [Max had toured with me in La Bohėme, when the NZ Opera Company had produced a piano tour version of it that travelled around both the North and South Islands. He was a young baritone and played the landlord, and any other odd part that needed filling in. He obviously went on to have a reasonable career – see this ‘cuttings’ page and this bio]

Congratulate the H’s on Philip, I don’t think I’ve even mentioned the poor kid yet!  [My uncle and aunt, Terry and Monica, had obviously had their fifth and last child/]

Very amused about Fred and the Blackbird; I’m glad too that she’s such good company for you. It’s a bit like the radio here – they’re so informative about everything (the 3^rd [Radio 3] programme plays serious music most of the day, except for the odd play) and they explain all sorts of interesting points, and I quite feel as though it’s someone talking to me particularly all the time! 

Tell Kingsley sometime that the rent is £5 a week between us; but his fares may cost him another pound going to and from the Guildhall each week, and food is sometimes surprisingly expensive; meat, eg, is fantastic, and yet other things are so cheap that you wonder if they've charged you for everything! [Kingsley was to be my flatmate, and hadn’t arrived at this point. As I anticipated, when he did arrive, he found the cost and the travel from Plaistow too much and didn’t stay long.]  The meals at the Opera C. are filling enough and I only need to have a reasonably cheap snack when I get home.  [For the life of me I can’t visualise where the cafeteria was, or what it looked like, at the Opera Centre.] I imagine that they have a cafeteria at the Guildhall too. We have to put a 1/- in the slot for electricity here, which is sometimes annoying because it always seems to happen when I’m cooking, and shillings are very hard to get because everyone wants them for the same reason.  At the moment I have a fair supply, however, and Mr M. down-stairs says I only need to ask if I do run out as he keeps 10/- worth.  Mrs M occasionally makes my bed only because she happens to be trotting around with the sheets which she says she will always do – she got quite a surprise when I did the first one!  [I say first one, but my memory is of doing both sheets, in the bath, and having a great deal of trouble trying to wring them out. She realised what I was doing when I tried to find somewhere to hang them.] And she has offered to take our washing along to the laundrette with hers as things get wetter. At the moment the weather is still quite reasonable, though it has poured a few times.  I did my washing about 10.30 last night, and put it out and it was dry this morning. Nina suggested putting my underclothes between hot water bottles to dry them, and this has worked well so far, and I hang my shirts in the little sun-room sort of thing at the back of the house, where they seem to air quite well.  And tell K[ingsley] there is a tea-pot! 

To change the subject again, I haven’t had any Tablets yet, but presume they’re coming by a slower post. [This was the Catholic national magazine, produced in Dunedin. I eventually wrote book reviews for its successor, Tui Motu.]  At the mo there is a big controversy about the 5d and 4d new mail system, and it’s quite likely that if anything has still to come via the OVC it is still being sorted, because apparently things are a bit chaotic.  The 5d mail is stuff to be delivered the next day, and the 4d is stuff that isn’t urgent, and they say that they are taking the 4d mail right out of London to sort! 

I took a bunch of flowers to Mavis last week, only 2/6 but the thought is the main thing, and they won’t let me pay for teas when we have them, so! 

Now to continue the story. Up until about Wednesday, I was still feeling as though perhaps I’d done the wrong thing coming to the Centre, as I seemed to be putting my foot in it quite a lot and saying things during classes that seemed to take the instructors aback a little, but I think this was either my imagination or else I was still feeling my way rather a lot. However all sorts of people are very friendly, even though they don’t look as though they’re going to be, and I’m now really enjoying it, (although I don’t think I’ve ever worked so hard continuously before – what with the housework, etc) and looking forward to it all.  On Tuesday we had a whole morning on Traviata; the 5 reps playing through a section which was then commented on by Mr Rob[bertson]. James Robertson had been a well-known opera conductor in the UK as well as working with the NZ Broadcasting Orchestra for a time before I met up with him.] and played by him to show what could be done, or should be done; and the other reps and stage managers (!) sang the parts. Very musical s.m’s, ha ha. [This wasn’t the favourite class of the stage management students, and I seem to recall, as time went on, that they appeared less and less at these sessions.] Mr R’s comment, rather quietly to me – I was the first pianist – was, ‘not exactly up to Royal Choral Society Standard yet, was it?’  I don’t know if this was sarky or not!  [It would have been. He wasn’t the friendliest of people, and we never quite seemed to hit it off. I think the Opera Centre was something of a backward step, career-wise, for him, and he was often frustrated with the students.] And later in the same lesson he asked if any of us were interested in conducting, and I said I wasn’t worried about it, as his Personal Assistant, June Megennis, had said there was more opportunity for coaches these days than conductors.  And once again I felt as though I’d said the wrong thing.  (When he brought the subject again up yesterday I didn’t feel so bad, so as you can see perhaps it was just me that first morning.) Anyway, none of the other reps seemed any better than me, or worse, so I ceased to worry about it. 

In the afternoon I was supposed to have two coaching sessions, one on my own, and the other sitting in on a session with a professional. rep.  The singer had gone home by mistake for the first session, so I did some work on my own, but the other one was very interesting.  We spent nearly an hour discussing whether or not appoggiaturas (which is sort of changing what’s written for the better) should be used in a piece of recit (the guff that goes on before an aria) and it was quite fascinating.  Then we had Italian, and unfortunately the teacher isn’t a patch on the German lady, so we’ll just have to do most of the work ourselves. The G. teacher works on the individuals, which can be terrifying, but also very satisfactory, but the I.T. just works on the class as a [handwritten] whole, and one doesn’t learn

continued in the next letter.

[handwritten] and thank you for the postal notes.[typed] things properly, particularly the pronunciation.  Never mind, no one is on their own, and the other students have talked about it with me, and it’s great to see one’s own ideas agreed upon.  This is what is marvellous about the place, of course, it has the music school atmosphere plus the serious approach to everything. [I had attended at least two Summer Music Schools in Dunedin before I did any touring in NZ – I think. They were held at John McGlashan College, and we slept in the dorms. At one of these I played the piano in a movement from a Mozart Concerto, and in another I conducted a one-act opera: Down in the Valley, by Kurt Weill. This was addition to doing lots of accompanying, and even having one of my own compositions performed by a small ensemble. There were plenty of serious people at these, but we also had an enormous amount of fun.]  Not entirely serious of course – one of the reps is a bit gloomy, and another seems a trifle aloof, but generally we’ve got a sense of humour, and the singers with a few exceptions are a pleasant enough crew.  Those that I’ve really met.  On Wed morning I had two singers, coaching, on my own, and then German again.  This was a very satisfactory morning.  In the afternoon we were divided up with the singers who will be attending a master-performance-class with Ella Gerber, who produced Porgy [and Bess] in NZ, I think, and who will produce, in ten days, the first act of The Consul, by Menotti, The Telephone, a one-acter by the same, and sections of an act of P & B.   She will sort of comment on American opera as she goes along which is the whole idea, and then the three things will be performed somewhere for the Friends of Covent Garden.  I rehearsed with two of the singers in The Telephone -  there are only 2 characters – and it has now transpired that I will be playing the performance of it (only piano perfs) with one of the other reps conducting.  [I had played for this opera back in Dunedin at an earlier point.] We sorted all this out yesterday afternoon when we went through the three setting tempi with the singers, Mr R and the two ladies who are sort of senior coaches. I think one is a Miss Nash. [I got on very well with Miss Nash – she was very much more approachable than Mr R!]  This is quite exciting really as it has to be up to performing standard in about three weeks time, and we also have to know enough about the other two works in each case to be able to play them at rehearsal if necessary.  And I’m not worried, so I must be enjoying myself!!  Mad....

On Thursday morning we went straight from our homes to Covent Garden and sat through the first act of a dress rehearsal of Götterdämmerung.  Typically Wagner, it starts off with three ladies (Norms) who stand on a pitch black stage, just spotlit on them, and sing for a quarter of an hour.  But it really was interesting, once it got past them.  This is the opera that we saw being recorded by Georg Solti on TV, remember? And on Thurs night the other two acts were performed – back to front – with only those from the OC who wanted to be there (in the morning the place was full of Friends of C G), and we sat in much better seats – went in through the stage door, in fact.  And the conductor was....Georg Solti.  Marvellous.  The last act, which we saw first at night, has the bit where Brünnhilde immolates herself, and anybody else who happens to be around, and burns Walhalla down.  And they do it all before your eyes.  First she throws a not very burning torch behind a pillar, and shortly flames (lights pouring up the scenery, but quite effective) flood across the stage, and then the lighting changes, as the scenery collapses! It did. And across the front of the stage is a gauze curtain which when lit a certain way represents an arc of the sky, somehow, it’s hard to describe, and then the lights behind the curtain come up again, and we see Walhalla  in the distance being burnt; it disappears, and we see a twinkling sky rather like the Milky Way, this goes, and we see on the stage itself, half of the rock that Brünnhilde lived on, now broken with all the back gone, and in the distance, the 3 Rhine Maidens gracefully waving, and this vanishes, and the ring that encircles Walhalla (it had appeared throughout the opera, as a platform, sort of, and also encircling those great massive pillars, the ones that collapsed, and turned out to be canvas!) appears lying flat on the stage, looking a bit shattered, and then this goes too, and all goes gloomy behind the gauze, and sort of fades away. I think I’ve got all that out of its sequence somehow, but never mind, it was a tremendous thing to see, on a stage. The backstage crew must have had their work cut out with that lot. 

 

Götterdämmerung is of course part of the Ring Cycle and all the way through this production the stage is graced with a Ring – Brünnhilde’s rock is a ring on a slant, and a scene in Walhalla is the ring on a different slant.  Rather precarious, really  - one young lady had to go shrieking out right from side to the other and down a flight of steps – it’s a wonder she didn’t break her neck. 

 

Between this I had two more coaching sessions and another Italian lessione. I was going to the opera with two of the other Reps that night – they went hairing off down the street after a bus, which I missed!  And so I tootled off in the other direction and caught a tube, and arrived with two minutes to spare.  Soaked through with sweat.  Ugh. 

 

Yesterday, neither of my advertised coaching singers came, so I did some work on my own, and then went to a lecture for the new students, with Mr R.  This was just a general run-down on things. In the afternoon we had the run-through of the three operas.  After this I did another scream through London to go to a film at the National Film Theatre called Cat People.  It turned out to be not very exciting, except in a couple of spots, and rather obscure, and rather hilariously full of clichés.  But the shorts were what they call a study extract, from Bringing Up Baby with Cary Grant and K Hepburn. Its 8 minutes were worth sitting through the other thing. And the other short was called the life of a cat, and in spite of including a scene where five kittens were born before your very eyes!, showed the kittens as they grew and played with their father and mother, both of whom, for once, lived at the same address.  It was very delightful, particularly when they started to play with their father: one, pouncing on his daddy’s tail, until father turns round and belts him, the father himself encouraging them to play by pushing them around a slippery floor, and so on. Marvellous. There’s a Laurel and Hardy session on tomorrow evening, so I’ll think I’ll go, and this afternoon I’m going in to do some practice when there’s fewer people around. [handwritten] You've got to warn that you’re going in - they keep a GUARD DOG!!  Love Mike. [Which reminds me that I think they had a security guy there much of the time too, with whom I got on quite well.  But am I imagining that?]

23.9.68: The course starts...

Dear Mum – the 23^rd! – and we’re away to a flying start.  [I presume this was the day the course at the Opera Centre started.] Just before I go on, I must say one or two things that I keep forgetting.  Thank you for all the odds and ends of news from home; you say that you haven’t answered my letters, but I’m just as bad.  Thank the aunts for their little St Cecilia; it may be a wee while before I can write – do you know I think it’s actually cheaper to write one of these air-letters than it is to send a postcard!  Last time I wrote I was going to answer one or two things and didn’t get any further than the [the cat] poem, which set me off again, and made me rather miserable; though it was after the more distressing day that I’d just had previously so it must have been a combination of both.  I’m all right at the moment, anyway.  What I’ve kept meaning to tell you about was the squirrel I met in Regents Park, the day I didn’t go to the Zoo.  This cheeky wee thing must have thought I would have some food, and it kept coming up and then running off, until it finally came so close I could have hand-fed it if I had had some food.  Must have got disgusted with me when it discovered I didn’t and ran off.  But it was quite beautiful, with a lovely silver streak down its tail. 

On Friday we had the concert that I mentioned, with Ann and Kiri, and it was held at a NZ club way down at Wimbledon.  We nearly didn’t get there – Kiri was driving this car of hers (she and her hubby, who is at present in Persia) have a neat wee sports model, I suppose it is, but holds four if you follow, and they live in the Kensington are, which is quite toney, really; Joan Sutherland is a couple of streets away!) and after we’d picked up Mrs Thelma Robinson, the ex-mayoress, by about 2 years, of Auck., who was arranging our side of it, we drove off towards W. via the Putney Bridge: - the approach, alone, to the bridge took 20 minutes of easing forward in the late rush-hour traffic!!  Ann came on much later by taxi.  This club is next to the famous tennis courts, and is run by a rather snobby class of NZer, who are exactly the same as that sort of group are at home – particularly in the Nth Is.  So it was really like being NZ, quite honestly, and just as phoney as that sort always are there. [My longstanding egalitarianism coming out.] However, there were some pleasant people amongst them, especially an old lady (they said she was 90) who had recently come from Honolulu, via USA, by leaps and bounds, and was the person I most enjoyed talking to and from whom I was dragged away too early.  The concert didn’t go off badly, although I got fouled up rather badly in one of Kiri’s numbers, and though I recovered was a bit put out by it.  She very nicely said after that we only learn by our mistakes, and if that makes her sound just a trifle uppity, she is, but rather more nice than uppity! (Fortunately). [Biographies of Kiri, discussing this period in her life, tend to agree with my ‘uppity’ assessment of her at this point in her career. She’d been somewhat spoilt as a student by having more money than most, gifted from her supporters in NZ; she’d already made a movie in NZ, and she was hugely popular in the country.] 

Luton Hoo as it was in 1829 -
it was substantially altered after this. 

Out to the Crowls for the weekend again.  Nina had a cold, so didn’t go to Luton Hoo with us.  This is a stately home near Luton (the Hoo means a hill), but the place is well known almost entirely for its art and such collection, as the house is a mess – having been so altered and changed and partially burnt that none of its once [original] glory remains.  But it has 3 Rembrandts!, and a host of really beautiful odds and ends, particularly in the miniature line; that is, tiny glass cases with a whole crucifixion scene inside and other such miracles of miniaturisation.  How they can (a) had the patience, and (b) been able to see what they were doing with these tiny things is beyond me.  Then we each did what we wanted in the evening: Reg and M. listened to Bonaventure on the radio, Nina and Marg. and I watched a film on TV.  [Luton Hoo, which I don't remember visiting at all (!) was converted into a hotel in 2007; the priceless art collection is now on display at Ranger's House in London. Interestingly, the Wikipedia article doesn't mention any Rembrandts!]

For a short while on Sunday afternoon, Reg and I went to see Waltham Abbey, which has great historical interest as it is right near where the 1066 battle was fought.  King Harold is supposed to be immured (after he was dead, of course) in the stone work, but they don’t know where. [Once again, my 'facts' may not be quite up to the mark.] And it is a beautiful church. Reconstructed, I should think, but very cleverly.  Small, but gorgeous, with a crypt (so has Clement Dane’s, which is in the middle of the Strand – in the middle of the street, along with another church!, and which I stumbled into one day) a ceiling of wood panelling, with, good grief (!), the signs of the Zodiac down the centre, a painted set of carvings on the altar, some small but crowded, and original stained glass windows, and most unusual of all, an American vicar, with, ugh!, the most nauseatingly hale fellow well met line of patter I’ve struck!  Outside is the remains of a mill – the watercourse (2 of them actually) is all that’s left – it runs right under the houses and street built next to it – and the archway that has been there since the original Abbey – just the archway!  But it’s marked historic monument – so?!  [I'd love to know who this American vicar was and what he was actually like....]

TODAY!  Nothing to do this morning, it was a get acquainted with the school time, but this afternoon I had my first German lesson, along with 6 other beginners, an Oxford student (all these are ex, of course), a Royal College Maltese girl: very sweet and attractive (I shared my book with her...ahem?!), a Scots girl, a music teacher and a female arts student (both stage management [students]) and another boy with an endless laugh. What a team! But we are getting there. The lady teacher is Frau (?) Radinger. And she’s very nice, and sweet and a happy sort of person. I was supposed to have a coaching session after that with one of the singers, but she didn’t turn up!  I found out after that she’d been called off to do another something, but nobody bothered to tell me! Aaagh!

Tomorrow will be a much bigger day – I was home at 4.45 today – with a reps’ [répétiteurs] class all morning and two coaching sessions, and an Italian lessione! Wed doesn’t look very busy, but Thursday is again. (We go to a Götterdämerung rehearsal in the morning, at Covent Garden, I think!)  Friday seems easier again.  We have lunch time lectures on Friday and they promise to be very interesting.  At the moment, I’m less worried about how bad I am by comparison, because even though the others have all done lots of varied things, they must be there to learn something too, so!  Met some interesting [handwritten from here] students; Peter Lyon(s), who is very talkative, and quite interesting as well; a tenor who has worked (toured rather) with the B + W Minstrel Show and the Scottish Opera, and so on.  I’ll write again when there’s been a bit more happened.  Lots of love, Mike XXXXXX

[Peter Lyon got on well over the year; he went on to work for the D'Oyly Carte Opera Company, doing Gilbert and Sullivan roles.  After that he seems to have vanished from the Google history books.]